How many times does grandma Liu come out?

The 41st time? For tea, plum blossom and snow? Yuan robbed a female locust.

Granny Liu was coaxed to eat and drink by everyone, and danced when she was drunk. When they passed by the Jade Hall, Miaoyu invited Baochai and Daiyu to the back for tea, and Baoyu followed.

Grandma Liu used a kiln cup of Miaoyu, and Miaoyu is going to stop using it. Baoyu is indebted to Grandma Liu. Granny Liu went to the toilet, bumped into Yee Hong Yuan by mistake and fell asleep on Baoyu's bed. Fortunately, Aroma found out, covered up the past and fooled Baoyu.

Forty-two times Yan's doubts? The elegant banter in the alley complements the lingering fragrance.

Granny Liu went home and named her daughter Qiaojie at Xifeng's request. Baochai questioned Daiyu about reciting the story of the West Chamber during the drinking order, and persuaded her with fair words. Daiyu bowed her head and said nothing. Xichun wanted to draw the Grand View Garden, and Baochai made a list, which Daiyu often joked about.

Forty-third time Have fun, and I'll save money for my birthday? No, love is a temporary fragrance.

Grandmother Jia celebrated Xifeng's birthday, which was very lively. Baoyu asked Yan Ming to take him to a secluded place in the suburbs to worship "a friend" and finally collected soil as incense in the Narcissus Temple. When Baoyu came home, he saw Yuchuan wiping his tears alone, so he wanted to tell her about going to the suburbs to pay homage. Yuchuan advised him to go back to see the grandmother. Grandmother Jia was very angry when she knew that Baoyu had gone out, and she didn't mention it when she heard that Baoyu had come back.

The forty-fourth time? Something unexpected happened. Is Xifeng jealous? Overjoyed, Pinger will make up for it.

After a few more drinks, Xi-feng went to rest early, but told Jia Lian about Bao Er's family. Hearing Jia Lian and Bao Er praising Pinger, Xifeng thought Pinger was involved, so she took it out on Pinger and had a big fight until the old lady came to mediate.

Li Wan took Pinger into the Grand View Garden, and Baoyu asked Pinger to make up Pinger in Ehong Garden. Under the auspices of Grandmother Jia, Jia Lian apologized to Xifeng and welcomed Pinger back. Bao Er's daughter-in-law hanged herself, and Jia Lian used money to appease the past without telling Xi Feng.

Back to 45th Street? Jin Lanqi dissects Jin Lanqi from each other? Wind and rain suppress wind and rain words

The sisters came to see Xifeng and invited her to join the poetry club. Xifeng knew that everyone wanted her to donate money, so she paid fifty taels of silver. Since autumn, Daiyu's illness has worsened, and Baochai came to visit. The two of them analyzed Jin Lan's language. After dusk, the sky suddenly changed. On a stormy night, Daiyu wrote the word "rainy night in autumn window". Baoyu visited in the rain. Daiyu laughed at him as a "fisherman" and later laughed at herself as a "fisherman". She regretted it and Baoyu didn't notice it. ?

Forty-sixth time? Embarrassment is inevitable. Awkward? Yuanyang vowed never to be a Yuanyang doll.

Jia wants to marry Yuanyang, and Mrs. Xing comes to discuss it. Although Feng knew it was difficult, he did not object on the surface. It is inconvenient for Mrs. Xing to ask Grandmother Jia first, and then ask Yuanyang directly. Yuanyang lowered her head and said nothing. Pinger teased Yuanyang, who vowed not to marry Jia She.

When Jia She heard the news, she suspected Yuanyang had a crush on Baoyu and let out malicious words. Yuanyang wanted to get a haircut and become a nun, but everyone stopped her. Grandma was very angry when she heard the news, and thought that Jia She had deliberately kept people around her away.

The 47th time? Stupid bullies flirt and get beaten up? Cold is afraid of disaster and runs away from home.

Grandmother Jia decided to keep Yuanyang and asked Mrs. Xing to tell Jia to spend money to buy another concubine. Since then, Jia She has been afraid to see her and bought a concubine and put it in her room. Liu Xianglian, who was born in a famous family, befriended Baoyu. Xue Pan mistakenly thought he was an actor, so he flirted with Baoyu.

Liu Xianglian pretended to please Xue Pan and invited him to beat him up outside the city. Aunt Xue asked Lady Wang to send someone to play tricks on Liu Xianglian, but Baochai persuaded her. She lied to Xue Pan that Liu Xianglian had fled his hometown, and Xue Pan was willing to give up.

Forty-eighth time? Abuse of love and misunderstanding of entertainment? Jiya Ku Yin Shi, the dragon lady.

Although Xue Pan recovered from his injury, he was still ashamed to meet his relatives and friends and found an opportunity to go out to do business. Aunt Xue disagreed, and Baochai persuaded her. Jia Zheng took a fancy to the ancient fan collected by the stone madman, but Baoyu failed to negotiate the price. Jia Yucun falsely accused him of confiscating the property of the stone madman, but Baoyu disagreed and was beaten by Jia Zheng again.

Baochai saw Xue Pan go out for social intercourse, so she let Xiangling live in the garden, and Xiangling learned from Daiyu to write poems on the moon. After writing many poems, she finally got a masterpiece.

Forty-ninth time? Glass world, snow, red plum? Baby with powdered incense cuts the fishy smell.

Mrs. Xing's brother and sister-in-law took their daughter Xing Xiuyan to Beijing, and Lu Yu's widowed aunt Li Wan took her two daughters Wen Li and Li Qi, and Baochai's cousin Bao Qin to live in the Grand View Garden. Xiangyun was also left behind by Jia Mu, and the garden was full of excitement. Baoyu found that the relationship between Daiyu and Baochai had improved and asked Daiyu what was going on. Daiyu mentioned that there seems to be less tears this year.

When it snows, everyone is going to set up a poetry club, which happens to have fresh venison. Xiangyun, Baoyu, etc. roasted with fire in Xue Lu Temple, and Daiyu also made fun of them. Xiangyun said that only in this way can she be grateful.

The fiftieth time? Xue Luan asks for a joint impromptu poem? Warm Wu Xiangya's Spring Lantern Riddle

Everyone takes "Erxiao" as the rhyme, snow as the topic, and strives for a five-character arrangement, with Xiangyun as the most important, all of which belong to venison. Bao Qin and others wrote the poem "Red Plum", and Baoyu marveled at Bao Qin's quick thinking. Grandmother Jia also joined in the fun and went to the warm incense room to have a rest. Grandmother Jia deliberately married Baoyu and Baoqin, only to know that Baoqin had promised others. The next day, everyone enjoyed solve riddles on the lanterns.

The fifty-first time? Xue Xiaomei's new poem about nostalgia? Hu Yongyi misused tiger and wolf medicine.

Baoqin wrote ten ancient poems, also riddles, which used allusions from traditional dramas. Baochai didn't like it and asked Baoqin to write another song, but Daiyu quickly dissuaded her. Xiren went home because his mother was seriously ill, but Baoyu still called Xiren in his sleep. Musk went to see the moonlight. Qingwen tried to scare her, but she caught a cold.

Old Mammy asked Dr. Hu to give Qingwen a prescription. Baoyu read the prescription and thought it was the medicine of the tiger and the wolf. The girl couldn't stand it, so she asked Wang Dafu to prescribe another medicine.

The 52nd time? Qiao Pinger loves to cover shrimp bracelets? Yongqing wenbing bird, golden autumn.

Zhui Er, the little girl in Baoyu's room, stole Xifeng's shrimp bracelet, and Pinger kept a secret for Baoyu. Qingwen's condition improved slightly, but she struggled to help Baoyu mend the sparrow gold robe given by the old lady, so her condition worsened.

The fifty-third time? Ningguo House Sacrifices the Ancestral Temple on New Year's Eve? Rong Guo Fu held a banquet on the Lantern Festival.

Baoyu felt very guilty when he saw Qingwen's repeated illness. He sent for a doctor at dawn. On New Year's Eve, the Ningguo Mansion offered sacrifices to ancestors, Heishan Village sent new year's goods to Jia Fu, and Jia Qin also went to collect things, which was scolded by Jia Zhen. On the night of Lantern Festival, Jia Mu held a banquet in Guo Rong Building.

The fifty-fourth time? Shi Taijun breaks the cliche? Wang Xifeng's primary drama colorful spotted clothes

After the play, Grandmother Jia called two ladies to tell stories. At the beginning, Jia guessed the following and refuted the common cliches in the story. Xifeng imitated the tone of storytelling and summed up the matter. Everyone laughed. At the fourth watch, the old lady and Xi-feng each told a joke, and then they broke up.

The fifty-fifth time? Insulting my dear daughter and stupid concubine for leisure? Bully the young master and catch the slave to save the danger.

Because of overwork, Li Wan, Bao Chai took care of the housework for Xifeng, which was more rigorous. Aunt Zhao's brother died, and Tan Chun's pension was less than when xiren's mother died. Aunt Zhao began to cry, and Tan Chun argued with her, ignoring her unreasonable demands. Aunt Zhao secretly instigated the naughty girl not to be good with Tanchun, and Pinger and Xifeng talked about it and argued for Tanchun.

Back to 56th Street? Sensitive to spring, promoting advantages and eliminating disadvantages, virtuous, precious, small and beneficial to the whole.

Baochai used Zhu's words to guide the manager, but Tanchun didn't. Baochai said that trivial things must be learned, and if you don't learn, you will become a common custom. Baochai boasted that Pinger was far from worrying, neither humble nor supercilious. Tanchun was sad because of her concubines. Pinger should ask Xi- Feng for advice before doing anything to eliminate the disadvantages.

Jia Zhen went to Beijing to congratulate him and sent someone to pay tribute to him. Four women in the Zhen family told the old lady about his Baoyu, and the old lady's name was Jia Baoyu, which startled them. Baoyu began to think that the four accepted their grandmother; Xiangyun joked, reassured him, and went to Nanjing to find that Baoyu. Jia Baoyu dreamed of Zhen Baoyu. I know this is a reflection in the mirror when I wake up.

Back to area 57? Hui Zijuan's sweet words try to be busy with jade? Kindness and menstrual love words comforted fools.

Mrs Wang led Baoyu to see Zhen Baoyu. Zi Juan is "far away" from Baoyu, who is in a daze. Zi Juan deliberately said that Daiyu would return to Suzhou next spring or autumn. Baoyu returned to the hospital, in a daze, and it was useless for Mammy Li to come and see him.

Xiren came to find Zijuan and explained the situation. Daiyu coughed loudly and asked Zijuan to explain. Baoyu made a noise when he saw Zijuan. Baochai went to see Daiyu, and Daiyu's mother came first. Shi Xue said that the old man is in charge of marriage under the moon. Baochai wants Daiyu to marry Xue Pan. Aunt Xue wants to tell Baoyu about Daiyu.

The 58th time? Apricot yin fake phoenix crying and burning? True feelings and ignorance of money screen window

Tomb-Sweeping Day, Baoyu wandered around on crutches after dinner. Xiangyun pointed to the mud boat and said, "Get this boat out quickly. They are picking up Sister Lin." Baoyu looked up at the apricots and thought that "green leaves are full of branches", and in a few years, Xing Xiuyan will also be "green leaves full of branches". They sighed again when they saw the birds falling from the branches and crying. When the woman saw the lotus root official burning paper for her companion, she tried to drag him to see the grandmother, but Baoyu covered her up.

Baoyu looked at Daiyu, and both of them lost weight. Daiyu remembered the past and shed tears. Fang Guan had a fight with his godmother, and Baoyu defended Fang Guan. Fang Guan explained that the burning of paper in the Champions League was because he had married a drug official. After the death of the medicine officer, he and Rui Guan became husband and wife, gentle and considerate, but still missed the medicine officer and helped burn paper.

Fifty-ninth time? Willow leaves beside Zhu? Call the general and let him drive the crimson Yun Xuan.

Xiangyun committed apricot ringworm, Baochai ordered Yinger to ask Daiyu for nitrate, and Rui Guan went to see Lotus Root Guan. Yinger made up a basket of wicker and gave it to Daiyu. Daiyu and Aunt Xue are going to Baochai's room for dinner. "Let's have fun." . Yinger sat down in Liu Di and made another basket. Chun Yan came and said that Baoyu said his daughter's unmarried was priceless.

When you get married, you become a dead pearl. It's always fish's eyes. For example, his mother and menstruation love money more and more with age. Chun Yan told Yinger not to break willow branches and flowers. Her mother and menstruation are in charge here, more cautious than getting an eternal inheritance. Chun Yan's mother came. She was angry with Fang Guan and hated Chun Yan's disappointment, so she hit Chun Yan.

Chun Yan ran to Baoyu's room, and Musk asked Pinger to take care of Chun Yan's mother. Pinger ordered Mrs. Lin to hit forty boards outside the corner gate, and the woman cried and begged.

Sixtieth time? Jasmine powder instead of rose nitrate Rose dew attracts poria cream.

Rui Guan asked Chun Yan to wipe Fang Guan's face with nitrate roses. Fang Guan gave Jia Huan jasmine powder, not rose nitrate. Aunt Zhao took this opportunity to make a scene in the garden, and Xia Pozi added fuel to the fire. The Liu family wanted to send their daughter to Baoyu's room to handle affairs, and asked Fangguan to tell Baoyu that Fangguan wanted rose dew for Liu Wuer to eat. And promised to let Wuer work in Baoyu's room.

Aunt Zhao's nephew wanted to marry Liu Wuer, and Liu's parents reluctantly agreed, but their parents dared not. Qian Huai was so angry that he was partial to the Liu family. Liu wanted to go back, and his brother and sister-in-law gave Liu Wuer poria cocos cream.

Extended data:

A Dream of Red Mansions has three worlds: one is a poetic world; The second is the real world; The third is the world of philosophy. The three are interdependent and indispensable.

Ignoring the existence of any one of these worlds will greatly reduce the evaluation of the ideological value and artistic value of A Dream of Red Mansions, and the understanding and interpretation of A Dream of Red Mansions will be incomplete or even fallacious. The critical mode of "triple world" embodies the tradition of "philosophy of literature, history and philosophy" in ancient China, which has certain universal significance.

In the 1970s, some scholars put forward the theory of "two worlds" in A Dream of Red Mansions, arguing that there are two completely different and opposite worlds in A Dream of Red Mansions, which are called "Utopian World" and "Real World" respectively. These two worlds, embodied in the book A Dream of Red Mansions, are the world of the Grand View Garden and the world outside the Grand View Garden.

This proposition is mainly aimed at the accumulated disadvantages of the "old redology" of Suoyin school and the "new redology" of textual research school. Whether it is the mystery of "family history" pursued by Suoyin School or the theory of "autobiographical biography" of Textual Research School, it is suspected that literary truth is confused with historical truth and life truth.

A Dream of Red Mansions is, after all, a literary work, and the focus of redology research should shift from historiography to literature. The theory of "two worlds" really played an inspiring role at that time and was regarded as a "Dream of Red Mansions Revolution".

In a blink of an eye, nearly half a century passed. After jumping out of the strange circle of historical research, the garden of redology blossomed and flourished. However, the literary study of A Dream of Red Mansions still has a long way to go.

A Dream of Red Mansions seems to be a huge artistic maze, and people have different opinions on its understanding. As Mr. Lu Xun said, in A Dream of Red Mansions, "Confucian scholars see the Book of Changes, Taoists see lewdness, talented people see lingering, revolutionaries see rows of people, and gossips see the secrets of the palace".

How to grasp the literary world of A Dream of Red Mansions more completely and accurately? The theory of "two worlds" can only bring redology back to the road of literary research, but it is unable to solve this fundamental problem.

The theory of "two worlds" in A Dream of Red Mansions still has many shortcomings, which need to be revised and supplemented. Call the world of Grand View Garden "Utopian World" or "Ideal World", use it to refer to the whole literary world of A Dream of Red Mansions built by Cao Xueqin after ten years' efforts, and set it against the real world.

This view mainly focuses on criticizing the real world and praising the "ideal world" in A Dream of Red Mansions, but ignores the reflection on the so-called "ideal world" of Daguan Garden in A Dream of Red Mansions and the love-hate relationship with real life. The so-called "ideal world" is not perfect, and the real world is not without its merits.

The relationship between "ideal world" and "real world" should not be completely opposite. They are actually a contradictory unity, and there is the possibility of complementarity and transformation. In addition, when talking about the "real world", the views of the two worlds not only point to real life, but also involve literary creation, and there is no good distinction between the two.

The "triple world" theory is obviously different from the "two worlds" theory in content and nature. In the "triple world" theory, the "poetic world" mainly refers to the world within the Grand View Garden, which may not be so perfect in itself, but in the eyes of young Jia Baoyu, it is full of poetry everywhere.

In fact, there are also political struggles in the Grand View Garden, but the young Jia Baoyu is inexperienced and doesn't pay much attention to it. Therefore, the existence of "poetic world" is not only related to the environment, but also related to the narrative perspective. A Dream of Red Mansions sometimes sees the world through Jia Baoyu's eyes. Jia Baoyu's poetic temperament determines that the Grand View Garden in his eyes exudes a rich poetic atmosphere.

"Real world" mainly refers to the world outside the Grand View Garden, or the world outside the vision of young Jia Baoyu's life. With the growth of Jia Baoyu, the poetic color of the Grand View Garden gradually faded. Jia Baoyu can't live in the Grand View Garden forever. He will grow up one day, walk out of the Grand View Garden and face a more realistic life.

Jia Baoyu was dubbed by Baochai as a "rich and idle person". He likes to live a luxurious life and all the beautiful things. However, as the Song of the Good says, where there is good, there is evil. Life does not depend on human will.

The relationship between "poetic world" and "real world" is not diametrically opposed and mutually exclusive. The "philosophical world" has built a bridge of communication between them.

In A Dream of Red Mansions, the philosophical world is not an abstract existence, but is concretely presented through artistic images such as myth, dreamland and a monk together. Some scholars think that "the Grand View Garden is just a fantasy", but they don't recognize the difference between the two and classify it as an "ideal world".

In fact, the philosophical world represented by dreamland and fairyland dominates the world inside and outside the Grand View Garden, which exists at a higher level than the Grand View Garden.

The "triple world" in A Dream of Red Mansions is interdependent, interpenetrating and inseparable. In Jia Baoyu's view, the "poetic world" is the glamorous appearance of life, and its brilliance covers up the bloody and cruel "real world".

"The world of philosophy" stands aloof and looks at daily life with a detached attitude. Together, they form a full and vivid artistic world of A Dream of Red Mansions.

The wonderful description of "poetic world" is the most artistic charm of A Dream of Red Mansions. Boys and girls, the seeds of love, spent a lot of time reciting and writing poems. This kind of writing is easy to arouse the desire of ordinary readers, but it is despised by researches and textual criticism.

They believe that the poetic beauty of A Dream of Red Mansions belongs to the category of literary appreciation and has no academic research value. Therefore, the focus of redology research is not here.

The description of the "real world" in A Dream of Red Mansions is obscure, not as explicit as that in Jin Ping Mei, which is also the most interesting place for scholars of researches and textual research. The accumulated research results are very rich and complex and need to be cleaned up.

As far as the study of the philosophical world of A Dream of Red Mansions is concerned, although scholars such as Wang Guowei set foot in it as early as the beginning of the twentieth century, on the whole, the results are limited. In the triple world of A Dream of Red Mansions, this is the weakest link in the research results, and it is also a key direction for the future development of A Dream of Red Mansions.

To make a breakthrough in the study of redology, the key is to break the self-closed cycle of literature and history research and introduce philosophical research into it. Just as Zhuangzi's articles are both beautiful prose and profound philosophical works, A Dream of Red Mansions not only has the value of literary research, but also contains profound philosophy.

A Dream of Red Mansions absorbed the essence of China's traditional Confucianism, Buddhism and Taoism, and made a profound reflection on life from two aspects: entering the WTO and being born. The images of monks often appear in novels, and monks always walk together. It can be seen that the author's purpose is not to unilaterally promote a certain religion, but to have another meaning.

The fictional fairy tales Dreamland and Wonderland remind readers to know the essence of life through the appearance of life.

We might as well borrow Laozi's thoughts to further deepen our understanding of the philosophical world of A Dream of Red Mansions. Laozi said, "Tao gives birth to one, two, three and everything." "Tao" is an abstract law, "I" is a concrete and complete thing, "II" refers to the contradictory poles of things, and "III" refers to any point between the poles.

Because "three" is arbitrary and can represent ever-changing things. In A Dream of Red Mansions, "poetry" and "reality" respectively represent the bipolar forms of life. Every character in the book walks between poetry and reality, birth and WTO, and walks a different life path.

It can be seen that one-sided emphasis on "poetic world" or "real world" cannot cover all the author's thoughts. How to find an appropriate life path between "poetry" and "reality" is the key to the philosophy of life in A Dream of Red Mansions.

The separation of literature, history and philosophy is a major feature of China's humanistic tradition. The greatness of A Dream of Red Mansions is the result of the interaction of literature, history and philosophy. As far as the triple world in A Dream of Red Mansions is concerned, the poetic world is the most literary, while the real world is closer to history.

Whether appreciating "Wen" or criticizing "history", we should not ignore the existence of a philosophical world in A Dream of Red Mansions. We should look at the relationship between poetry and reality from a dialectical perspective, instead of "sticking to one end and ignoring the rest".

In such a masterpiece as A Dream of Red Mansions, "the world of philosophy" is by no means dispensable. Appreciating A Dream of Red Mansions, if it only stays at the level of literature and history, and can't finally rise to the philosophical level to think about life, is tantamount to buying gifts and returning pearls.

Baidu Encyclopedia-Dream of Red Mansions