Courtship Laughter Meeting Room 20 120326 Director's Screenplay Lines (Spring Festival Evening)

Assistant: director, director, director.

Director: (yawns)

Assistant: Come and sit down. Have a seat, director.

Director: (Sit down)

Assistant: What kind of program do you want to direct this Spring Festival Gala?

Director: Is it a short novel?

Shop assistant: We have everything here. I have looked for everything.

Director: Nothing, you can't get to the top with a big song and dance.

Assistant: OK, OK. Then I'll send a team up to show you.

Director: Hurry up, hurry up.

Assistant: OK, OK.

(Turning backstage) The actor gave me a group.

(To the director) Coming, director, right away.

Director: What program?

A: Magic.

(pause) Director, shall we begin?

Assistant: Let's go.

A: The trick I'm going to do next was taught to me by my grandfather's grandfather.

Here is a cup (take out the cup) and here is a toy (take out the toy). I'm going to replace this toy with this cup (put the toy in the cup), and then cover it with this cup (take out another cup and cover both cups with cloth).

(Pick up the cloth, flip it left and right, and cover it) (Stand up and clap your hands) (point to two cups in turn)

B: (trying to uncover the cloth)

A: (Stop) Don't move, I'll change it back. (of a cup, uncovering a piece of cloth)

B: (Open the cloth, shake it and show it left and right) (Shake the cloth while blocking the lower body from taking off shoes) (Take off shoes, then turn your hind legs, open the cloth and show it)

Cover your lower body with cloth again, put on your shoes, uncover the cloth after putting it on, and stand back to show it.

A: (pulls out his gun to show) (shoots at B) (loads, then points at B, then shoots)

A+B: (Nothing, stand up)

Answer: (stick out your tongue and shake it) (As soon as you grab your hand, your mouth stops; Throw it in your mouth again, continue to vomit, continue to shake) (grab your hand and throw it into B's mouth)

B: (stick out your tongue and shake it) (As soon as you grab your hand, your mouth stops; Throw it in your mouth again, continue to vomit, continue to shake) (grab your hand and throw it into A's mouth)

A: (Tongue sticking out and shaking) (Grab your hand and throw it at the director)

Director: (No response)

A: (hands closed)

A+B: bow

Director: (sit up straight) (tick) Come here, both of you.

A+B: (walking over)

Director: You two treat me like a fool. Or treat the national audience like fools. Go away!

A: I'm sorry that I can't give you a full gift in armor.

A+B: (compile)

Director: Fuck off, don't give me that.

A: See you later.

Director: Come here. (grabs the assistant by the collar) This is the actor you found for me.

Assistant: No, I didn't know that before.

Director: No, I'm telling you, this will be the whole Spring Festival Gala. It's so beautiful.

Assistant: Director. Director.

Director: Give me the next one quickly. What the hell?

Assistant: (Bow, step back)

Come on, actors.

(To the director) Right away.

Director: Hurry up.

C: (compile) director.

Director: Let's begin. What is this?

Assistant: Hold on tight.

C: I sing.

Assistant: Singing.

C: Please listen.

(Playing, singing)

Director: Wait a minute. Stop, stop, stop.

Assistant: That's good, Director.

Director: Quiet. Nice singing.

C: thank you, director.

Director: I suggest you not recite the piano. Your pronunciation is a little inaccurate, and neither are the four strings.

What's your name?

C: My name is XX.

Director: XX, do you have a stage name?

C: Yes.

Director: What?

C: My name is Gongzhufen boy.

Director: (thinking) Not foreign enough. Please change it.

C: (Turning to leave)

Director: You have to change your name. I think so, too.

C: Then I remember. My name is Bawangfen boy.

Director: That won't do. Without this name, it's useless to sing well, you know.

Assistant: Yes.

Director: Go back, go back. (Gesturing to drive away the crowd)

C: That's all right. I'm sorry I couldn't put on my armor in the end.

Director: It's no use fixing anything.

The four strings are not allowed, so hurry back and tune them. (of a piano)

Assistant: Never mind.

Director: Come on, next.

Assistant: What you just said is absolutely right.

Director: Hurry up.

Assistant: Well, give me another actor. Come on, hurry up.

This is very interesting.

Director: Come on.

D+E: (Bowing) Good director.

Director: (dozes off)

Assistant: (looking at the director) What program?

D: The dance we performed here is called People on the Journey. Thank you.

Assistant: (looking at the director) Let's go, let's go.

D: I'm sorry I'm wearing armor.

D+E: (compile)

Assistant: Don't mess around. It's no use. Let's get started. begin

(dancing)

Director: (asleep)

Assistant: (Stand up and clap your hands)

D+E: (after several turns)

D: (Dancing alone, walking in front of the audience, stopping in front of F)

(The music stops, and E pulls D to the director)

Assistant: OK, great. (Found the director asleep)

Hey, you all go up and stand. Go up and stay away.

(d, e, step back)

Assistant: (Wake up the director) Director, director, director.

Director: (suddenly enlighted) Next. There is something wrong with this string, and then you.

Shop assistant: (interrupting) This is the next one. It's already the next one.

Why are you still sleeping?

Director: Oh, my God, where is my gum? (touching his stomach)

You two dance, right?

Yeah, yeah.

Director: I just fell asleep. These two days are very ugly programs. Well, very good, very good.

D: I dance very well.

Director: Right, right, right. Actually, you dance so-so. (Finger D) You know. But your image is very pleasing. You know, this image is very pleasing.

E: (think of yourself, bow)

Director: Because you look at your female companion, it has a great influence on you, I think.

In other words, it's not that you're bad. You two, I think, he is more suitable. (refers to d)

You just need a new partner.

E: Director, we are a group.

Director: Yes, it is. It's hard for me to take it away from me now. You need a new partner.

You know, you should give up in front of big things. (Looking at E) I think what the director said is quite right.

Director: Do you have a partner?

D: I was special. .

Director: (Interrupting) That's fine, and then she was very embarrassed, so she couldn't go.

E: XX, you have gone too far. If I had known, I wouldn't have danced with you just now. I'll find XX.

(leaving angrily)

D: No (turn to the direction where E leaves)

Director: What about you? If you have a partner, we can go. If we don't have a partner, we forget it.

Can you jump? I do. I do.

D: (walks up to F and pulls F) You said I sacrificed all my partners. You said if you didn't save me, I couldn't live. Sacrifice for nothing, offend your partner for nothing.

Woman: (standing up) (dancing with hand D)

D: Come on, music.

Director: Stop, stop, stop. I think this can be used as wrestling.

Assistant: It's also a unique skill, Director.

Director: Yes. But to be honest, it is. What's the name of your partner?

F: Twenty years old.

Director: Hello, XX. I think your image is very pleasing. But your partner will influence you. Now there are two choices, either wrestling or changing partners. Do you understand?

D: (growling) If I knew, I would call Asa. (turns away)

Director: Well, then you can find another partner. After finding it, you can go to the Spring Festival Gala.

F: (Step down to attract the audience)

F+ audience: (dance)

F: Is that all right, Director?

Director: Yes, stop, stop, stop. If I don't have this habit, you can't go to school. I won't say the same three sentences a day. So you two have decided to attend the Spring Festival Gala. Wait for my letter later, please.

Assistant: Congratulations.

Director: OK, that's it. (Stand up) Get ready to review language programs.

Assistant: OK, Director.