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Mark Twain’s writing style?
Mark Twain’s writing style is divided into three stages:
One: relaxed, humorous, and pleasant
Two: spicy and ironic writing
Three: Pessimism, with a sense of world-weariness
Mark Twain is a representative of American critical realist literature in the late 19th century. In different periods, his works have different styles, from the initial light-hearted humor to the bitter satire. Finally fell into despair and intensity. The transformation of the United States from free competition capitalism to imperialism, coupled with Mark Twain's personal bumpy life journey, had a great impact on the change in his writing style.
Samuel Langhorne Clemens, formerly known as Samuel Langhorne Clemens, was an outstanding representative of American realist literature in the 19th century. He was a famous American humor master, novelist, writer, and famous speaker. Home. Because of his creative creation of literature and "nationalization" of literary language, he is known as "the true "Americanization" of beautiful works. Mark Twain's writing has a wide range of characteristics, integrating humor and satire into the "father of Chinese literature", which is both rich and rich. It has unique thoughts on human nature and profound social analysis. The ridicule is full of bitter irony and compassion.
1. Changes in Mark Twain’s writing style
(1) The style of Mark Twain’s early works
Mark Twain began his writing style during the Civil War In his creative career, his early works are generally in a romantic, humorous and light style. He became famous in 1865 with "The Famous Jumping Frog of Calaveras County" and won the reputation of a humorist. This work tells the anecdote of a gambler and vividly displays the special customs of the western United States, which was in the development period at that time. It shows pure beauty and the author pretends to be a national temperament. In 1869, Mark Twain published "Idiots Abroad", playing the role of ignorant Americans and mocking the feudal remnants and religious ignorance in Europe. It can be seen from his early creations that this seemingly light-hearted and imaginative humorist was actually a serious social critic. The humor contained in his humor and the extremely exaggerated techniques he often uses are a means of revealing reality, and at the same time full of life, deeply loved by readers. Works from this period highlight Mark Twain's talents as a master of humor. He seizes the dark side of society and adds biting satire and criticism. Although it is just a joke, the language is light and humorous, but the subject of his writing is still quite serious. In short, in Twain's early works, the tone of his writing style is light, positive, and humorous.
(2) The style of Mark Twain's works in the middle period
In the middle period of Mark Twain's creation, the writing style of his works changed from early humor and optimism to bitter irony and then to more... Biting irony. He tried to study deeper social issues, and his writing skills became more mature: "The Gilded Age" and more charming. His works during this period include this work, co-written with Charles Dudley Warner, about the rapid but apparent prosperity of capitalism in post-Civil War America; Huckleberry... "The Adventures of Finn", this is a horse that cannot hide the corruption within. K. Twain's best work, by describing the story of a boy, Huckleberry Finn, wandering in the Mississippi River with Jim, a fugitive black slave, not only criticizes the barbarity of feuding families and exposes the irrationality of lynching, but also It satirizes the hypocrisy and ignorance of religion, condemns the evils of slavery, praises the excellent qualities of black slaves, and promotes the progressive proposition that everyone enjoys freedom and rights regardless of race or status.
(3) Style of Mark Twain's late works
Mark Twain's later works reflect the mood of cynicism, pessimism and despair, "For the Man Sitting in the Dark" and " The mood of despair, such as "The mysterious stranger ruins the people of Hadleyburg" and so on.
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