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The endless story in the future
Zhou Mo in Chen Qiaoen is like a big sister next door. She is precocious and has long understood the truth that "small cities depend on relationships and big cities are more or less fair". A person who has left his hometown to work hard, burdened with the ideal of getting ahead, can't mix a day. Therefore, she said, this society is to boil frogs in warm water, and if you don't advance, you will retreat. Reality will make you compromise a lot of things, but as long as you try your best, you will rehabilitate everyone. She was optimistic about life and finally succeeded in the big city. From body double's figure to a big star, it gives confidence to people who have left their homes and drifted. This is also the director's selfishness. He hopes that those who work hard will be rewarded in the end. These simple and profound truths can only be proved by experiments when rivers and Hao Han go to desolate deserts. Perhaps the predecessors have long understood and warned you, and you need to experience it yourself to understand and give up completely. This emotion was buried behind the gag from beginning to end.
Wang plays a fake bitch with a story, but she falls in love with her client at first sight. There are sparks everywhere you come and go, but between the lines are sighs that see through the world, just like her sentence, "I have heard a lot of truth, but I still can't live my life." Watching chicken soup for the soul won't change your life. It may be a truth to say that the country has made mistakes and prospered the country through hard work. And her words about rivers are even more memorable. No one has an obligation to be responsible for every passerby. You shouldn't spill your blood on the land with love, just like a prostitute telling a lady to be a good person. Affectionate love and subjectivity will make this society boring. Everyone chooses his own way, and no one can be his own master.
Yolanda plays Yingying, a girl who has corresponded with Hao Han for 19 years. When they met, they thought it was the beginning of a vigorous love, but fate played a big joke on them. For love, the director is too cruel to Yuan Quan, leaving her love tied to nowhere to vent. This is the only thing I don't understand. After the conversation, Hao Han, who knew the truth, stood at the billiard table. The reality turned out to be so fucked up, and the truth turned out to be so cruel. The sudden collapse of the hero in his heart also completely changed his values.
William Feng plays Hao Han. I worked as a taxi for three years, fished for two years, and worked as a security guard for one year, and finally achieved nothing. Before meeting Yolanda, maybe he still had some confidence in the world, and he broke his back with an ambition. He said that if he succeeded, he would return to the sunshine on the beach. As a matter of fact, he can't go back. He has no home. He is the most tragic character in this film. Whether his home is demolished or he flies away for his own ideal, he has no way out, and he will never see Zhou Mo again. What a son of a bitch. And the money-cheating bitch, the money-stealing thief, the car-stealing gang, and the brothers with different world views finally made him understand that he should not be stupid and watch the world. Therefore, from the easternmost part to the westernmost part, it is also a road of learning, suffering and maturity for Hao Han. With the interlude of Journey to the West, this trip became ill-fated. It seems that this is the only way. We just have to go there in person and finally get the answer, although it's not very good. But he finally changed from a great man to a hero.
Wallace Chung plays the traveler. He cooked a pot of soup with practice and gave it to the dreamer, although the image in the film was not very positive (what's the secret? ), but his thoughts are the core. People should go out, experience the scenery and beauty on the road and embrace the real world. Even if 10 thousand people don't understand, as long as one person understands, even if this person is himself. So his values will have an impact on the values of the river.
Chen Bailin plays the role of a river. A most lovely person, he can read Que Sera Sera as a poem, and he can solve the embarrassment of meeting for the first time with some geek knowledge. It is said that he is a master at picking up girls. He tolerated swindlers and defended people who stole cars. He lives according to his own worldview. No matter how the world treats me, I always treat the world gently. Actually, he is the most mature and thorough.
The director projects his own shadow on everyone more or less. Putting all these people together is a story about growing up. They kept saying goodbye to themselves yesterday. People keep pouring into new lives, but yesterday is a thing of the past, so they can only write stories and show them to the world.
Although he suffered from China's censorship, Han Han managed to gain a little voice for his director through some hidden scenes in the film. This is the most precious thing, and he is afraid that everyone will make a commercial film for money, make big money under the system, and lose the responsibility and responsibility that a director should have.
What is freedom? Freedom is the darkness under the pot cover. Moving forward in the dark, even a little bit, is a great progress, just like the voice on the radio, "one small step for you is a big step for mankind." Within the permitted scope, at least you can experience the world on the road, travel around the world with an ambition to subvert the world, and gallop on horseback. Even if your hair is gray and your head is broken, there will be a feeling that "I have crossed the mountains and seas and everything I once had", and there will be an answer that "I was disappointed and lost all directions until I saw the ordinary is the only answer". Instead of a dose of psychedelic high medicine, let you indulge in the corruption of pleasure and pretend to climax.
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