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The feeling of "Nice to meet you"
According to sledgehammer's occupation as a teacher, and at the same time, calling the hostess to explain that the hostess is a flight attendant, sledgehammer should go to high school directly after graduation (it seems that sledgehammer's undergraduate school is also 2 1 1 985, or sledgehammer's high school is quite low). In short, sledgehammer didn't study for a master's degree. According to the invitation of the heroine in the film, she landed in Guangzhou, and the sledgehammer grew up in Guangzhou. According to the earliest school time of 6 years old, sledgehammer should be 23 years old as a teacher, because he has been studying for another year (slightly 23 years older, hahaha). If he 18 is 23 years old and sledgehammer 1995 was born, it means that this drama is about. I think the young people after 1990 and 1995 may be like this:
About.
But the writer probably doesn't know much about the post-90.95 world, so he forcibly expresses his understanding of it. To tell the truth, he can feel the writer's strong desire to keep pace with the times: the song Zebra was suddenly interrupted, and blibli Li Li's "Barrage" ended in a trance, and music was played with cups, rap and other forced interruptions, as well as writers, I know you are still young ~
There are many kinds of youth interwoven in the film, and the emotional sustenance of each relationship is different, but its overly idealized ending and unrealistic plot are hard to make people feel substituted:
1. The love story of sledgehammer can be classified as the love of 90 ordinary young people: the dean is strict in discipline, likes to write novels, has a melancholy prince temperament, has a naughty and funny woman, has a scholar who falls in love with soldiers, is natural and fresh, and has no notebook memory soaked or chilled by insects. I also understand the story of the plane crash. However, I was shocked by sledgehammer's decadent jokes.
The story about the big tiger and the goddess is a long story. According to Stephen Chow's tone, "the taste of the rich (goddess) is hard to say." I can only classify it as true love (applause). Let's not talk about the big tiger crying. Can leather clothes that blow up in the sky be worn into school? Will the plane head of the school bully be uprooted and the flower clothes torn off? What makes me particularly curious is that a sledgehammer can be called to the office when reading famous books in class. The class was boiling because of the fight between the big tiger and the school bully, but the head teacher didn't show up at last. What about the teacher who watches self-study at night? Where is the monitor? Don't even know the security guard? Not to mention the part where Hu Da and the beauty queen finally fly away. What, when did you sail? You looked calm. When did you learn it? Where's your horse? The spot hasn't been washed yet, hey, don't want it? By the way, Goddess, when did you fall in love? Do your parents know that you are in love with a child who may starve you to death? Goddess, it's all fake that you are pampered, right? So, this relationship passed, right? What is the meaning of existence? Finally, the goddess took the poor boy away. This utopian ending is very confusing for nostalgia. This method will not be chosen after 90. The screenwriter doesn't know much about the post-90 s.
In the last paragraph, the love affair of art students should have been described with delicate feelings. It's incredible. The brain circuits on both sides are surprisingly strange. I'm stupid, watching the struggle between Xie Lun, a simple-minded sports student (boys like high school will be beaten by boys) and Zhou Xiaomi, a sick Bai Lianhua green tea bitch (one of these girls will be squeezed out by girls). Minors are free to go in and out of bars, and I can pay the bill if I have money. Is it because poverty limits my imagination? But it is gratifying that the screenwriter finally made them hurt each other and prevented a series of family accidents. Thank you, screenwriter.
My aunt is with the dean, and I really want to laugh. Motorcycles, in the 1990s and 1990s, were basically banned or restricted, only in remote areas. So motorcycles are probably the youth of a screenwriter or director. The role of aunt in senior three will hardly appear in the students' field of vision, let alone in the class now, let alone with the dean. Maybe the aunt in boarding school is the biggest green bitch in the play.
In short, in the minds of screenwriters, the youth read out is full of energy and enough to toss. The way the great director and screenwriter express their love is quite lovely, and the children are really skin-deep.
Finally, the building of Aidou Town:
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