What do you think of Goodbye?

There is a kind of blind repression in the movie See you later, which not only comes from the bleak nature, but also extends to every character. I can probably guess the concept that this film wants to describe, that is, the three brothers who walk side by side, the most stupid (can be understood as childlike innocence) are left behind, and the worshiped ones move on-just like this life, leaving childlike innocence in the past, walking on the road of life with a little arrogance and confusion, and pursuing their own goals. Of course, these are all rough guesses, because the film is not as good as expected. Halfway through, a dog was added and took on almost all the "so cute" scenes in the film that melted the audience. In my opinion, it is entirely to balance the depressing and gloomy taste of male hormones in the film, and it is specially prepared to capture female audiences. Of course, there are also female characters in See You Later, but almost like the hero, they are expressionless, bitter and have a twitching mouth. They appear to draw out the feelings of life, such as the dream of a big city, the change of childhood beliefs, and the collapse of love, but almost all of them just stand still, give men a blow and then disappear. Only men have cars. They keep moving forward with a sense of mission. But the carrier of the car disappeared, and the relationship between the two people came to an end. They had to go forward by themselves to meet the unknown journey. Without a car, the journey is basically over, and the practice of boiling frogs in warm water will be ended by reality. There is no sense of disobedience in making an advertisement based on this film, and the spiritual world is so scarce. As a road film, it is a waste of time from the point of view of completing life experience and thinking changes during the journey-because they just go forward blindly, meet some people, hear some big truths, and have to pretend to be forced. What did they see? What do you feel? Where does the inner conflict come from? Where is the future? There is almost no explanation in the film, and its attention to the characters is not as good as that of the enthusiastic aunt downstairs who asks questions from strangers. Finally, Brother Sharp of Chen Bailin turned into a literary youth, and his hair was tied up and he got up. Do you call this a transformation? So when did this change begin? I think this is only the inevitable result of his personal character, because he said that since he chose, he must stick to it. Later, he did drive, found his girl and wrote his own story. Travel itself has not changed anything, but has become an outline of a book. Just like the movie Goodbye for Life, it wants to tell you how you feel, but it's actually just a lot of "chicken soup stalks" that fill in the blanks according to the picture.