Joke Collection Website - Joke collection - What do you not know about people in the process of Xu zhēng's counterattack?

What do you not know about people in the process of Xu zhēng's counterattack?

From friendship to affection, I have witnessed the success of Xu zhēng all the way, and I can feel different life and different singing methods in every play. But a good actor should have another kind of craftsman skill besides acting skills, and Xu zhēng is a good actor who can choose plays. In fact, along the way, Xu zhēng has also been questioned a lot. As a comedian, he often tortures himself in exchange for the joy of the audience. This is a very exhausting process, which has gone through countless times.

The Awkward Man Wang, a dairy worker, went to Changsha with his boss's iou and met the big boss played by Xu zhēng who wanted to go home. The whole journey was awkward and ironic. In the play, Li Chenggong works hard in business. Although his career is very successful, he is very harsh and cruel to people. He didn't cherish his good wife at home and had an affair. Niu Geng is a migrant worker, seemingly weak, but coincidentally, he and Li Chenggong are everywhere. On the way home for the New Year, the burden is constant, which makes people laugh. The social problems reflected in the film also arouse people's thinking.

B As a low-cost comedy, this tender comedy route may open up a new genre film market. The screenwriter of this film is good, and he has a good grasp of the mainland context. The script is solid, the characters are dramatic and very good. Domestic movies should work so hard and not be so impetuous. The first half is full of jokes, but it contains a lot of truth. The ending is not deliberately sensational, and people can cry after laughing. Deeply touched by the hardships of going home, art really comes from life. Li Chenggong, the hero, is a very ordinary person in life. Although he is utilitarian, he still has warmth in his heart.

On the one hand, we condemn the capitalists' guilt and demand them to find their conscience, take the initiative to admit their mistakes and help the poor. On the other hand, he praised the purity of the workers and asked them to sacrifice their dedication, accept their resignation and move the strong. What spirit is this? Borrowing one of the most popular online songs, this is actually a spirit of "knitting a sweater"-that man obviously doesn't love me, but I still love him deeply. The director is ambitious and wants to export some values in a commercial film.

As the director of "Too Awkward (20 12)", Xu zhēng is calm and narcissistic enough. Wang is ok, but the funny part still hasn't progressed. His appearance in any comedy will fully balance the effect and enter the Spring Festival Evening. I don't know if it will destroy the original intention of Xu zhēng. Wang is the only one who shines in the combination of teasing and teasing, and he is a punching bag, only adding color and not stealing the play. From the title to the punchline, it is a friendly way for netizens, and the elements of commercial comedy are used maturely and fully.

The first half is particularly wonderful, the paragraph is good, the production is meticulous, the editing and transition are compact and smooth, and the second half is slightly weak in plot and climax. I feel that Thailand is more exciting than people on the road, and funny bridges are still emerging. But the handling of emotions is more delicate and touching. The combination of Baobao, Xu zhēng and Bo Huang is perfect, and the three people cooperate so tacitly. Xu Lang finally realized his mistake and stopped indulging in his career. Finally, the baby realized the counterattack of diaosi, which made the film even more icing on the cake.

Awkward plot, awkward and funny. And because the paragraph is grounded, it will be easier for domestic audiences to understand. Bo Huang, the most brilliant of the three people, is like playing soy sauce, except for growling and stiff neck, which is a pity. The first director Xu zhēng grasped the rhythm of the film very well, which made people feel the value of true feelings after laughing. It can be seen that Xu zhēng grew up on the film road and was brilliant. He has a new atmosphere, dense and unsaturated, lively and restrained, and has a sense of substitution.

In Hong Kong (20 15), when people are on their way to Thailand, when people are laughing and crying, they bring some thoughts in their laughter. Bao Beier plays the fool. Bao Beier's role is unreasonable and puzzling, so it is necessary to deliberately exist to the extreme. First of all, this mask is extremely unreasonable. This character is a spoiled rich second generation with a dream of directing, but Bao Beier, as an obsessive-compulsive upstart, lives well. The character's every move is purely for humor and humor, which stiffly promotes the development of the plot.

Although it is not a literary drama, it also tells people to be environmentally friendly, to trust their lovers and not to have pig teammates in a teasing way. "Popularity" is a difficult thing. Everyone thinks it's vulgar. How many people can understand it? Look at the degree of intention of director Xu zhēng's debut, the rhythm is compact and the laughter is dense. The epiphany of life after repeated bad luck is also touching enough, and the interpretation of the three comedians is very delicious. With Wang, there is a wonderful chemical reaction, which basically continues the style of "People on the Road", and the paragraphs are quite sufficient.

It further excavates Wang's wonderful characteristics, improves the overall conflict comedy effect, avoids the boring emotional drama of people who are too embarrassed, and becomes a more thorough comedy, which gives a warning to domestic comedies that generally speculate at the box office with bad customs. All kinds of buzzwords and paragraphs are naturally interspersed among them, which makes people enjoy it.

"I'm sorry" Confucius said that going home for three days is a treasure, and going home for seven days is a grass. Most children and parents follow a very subtle rule: whether people quarrel with each other depends mainly on how long you stay at home. Three days ago, the princess who was in trouble came back to China hard, and the fish and meat were served well. You had a good time chatting. Three days later, the color and quality of the food dropped sharply, accompanied by vague criticism, "Why can't you afford it?" "Why don't you sleep?" And "Do you still order takeout when the food at home is not delicious?"

After seven days, basically those superficial peace were completely torn apart and turned into a generation gap and a war of living habits. Seven days ago, you could sleep as long as you wanted. It's eight o'clock in the morning and I can't afford to eat before ten o'clock. Show your relatives around your bedroom. But Xu ten thousand in Lost Russia didn't want to, and there was no sentence to finish calmly.

Xu Wanwan thinks his mother is old-fashioned and his mother thinks Xu Wanwan has no patience. Xu Yiwan sneered at his mother's superstition that "when to drink water to detoxify the bladder" and "the mobile phone will break when you eat", and her mother was worried about Xu Yiwan's careless attitude towards life. Just as children don't understand why parents interfere too much in their own lives, parents don't understand why children don't find a partner when they get married.

There is always a process. Similar to the "seven-day rule of going home", we first regard each other as treasures, and then turn against each other, but on the eve of leaving home, we will return to missing and giving up on each other, but this understanding between children and parents takes a long time. This is the most embarrassing Xú Zhēng in the movie and the most complete Xú Zhēng in the movie.

Conclusion Some works should be viewed in combination with the significance of his time and the shooting level at that time. Now you watch some Stephen Chow movies, and you say "I'm tired of listening to all kinds of rotten stalks". However, you don't know that these "stalks" were created or carried forward by him. Because of him, now almost all people in China call cockroaches Xiao Qiang. In fact, you have been silently influenced by him, just like the embarrassment of Xu zhēng, which made everyone start to change their mentality.