Why do you like Yu Hua to write an article with 1000 words?

I have always believed in the saying "fate". Maybe I like Yu Hua, which is a meeting of fate. It's like there are many roads in the world, but we just nod and meet on the same road. Meeting is "fate", but you don't want to like it, but if you don't nod, you will meet at that moment, let alone like it. We know that we usually like a person, not for no reason, but often from some advantages of him or her, such as appearance, talent, humor, wisdom, speech, connotation, love,

Maturity, etc., of course, it is also possible to proceed from his external conditions, such as money, status,

domestic

Cars, houses and so on, but these are all other things to me.

Up to now, I have never seen Yu Hua. He is a celebrity. Actually, I haven't seen many celebrities. I know it's hard for famous people to really meet. Besides, my name is unknown, and my father is insignificant. Even in Yangzhou, I have never met a celebrity, at most in high school.

Only occasionally caught a glimpse of the profile of the county magistrate, a beautiful and elegant female county magistrate.

Just because you haven't seen it doesn't mean you can't like it. This era of scientific and technological progress is no longer as ignorant and backward as it was thousands of years ago. Like Confucius, Zhuge Liang, Li Bai and Su Dongpo, you don't have to wait that long.

. Now that the new song has come out, it will be all over the street in a few days. When a new poem comes out, recite it immediately. Far and wide, it only takes a few seconds to express each other clearly, which is the advantage of scientific and technological progress. If Confucius, Zhuge Liang, Li Bai and Su Dongpo were born in the present age, people who like them would spring up like mushrooms after rain overnight.

I also want to like a writer. You don't have to meet him or her in person, just like liking a star, you start with his or her music or movie. Yu Hua is an excellent writer, but there are many excellent writers in China, but I like Yu Hua. It's not that I don't like the works of other writers. I just find it hard to "seduce" me with their words. After reading their works, it is difficult for me to have the desire to create (their words may be good in others' eyes, but in my eyes, I think creation is a very difficult and long thing). But after reading Yu Hua's words, I feel that creation is a very happy and beautiful thing. This is why I like Yu Hua, but I don't particularly prefer him. I also agree with other excellent writers, such as Zhang Ailing and Su Tong at home and Faulkner, Marquez and seglin abroad.

In my opinion, among many modern writers in China, Yu Hua is the easiest one to approach Nobel Prize in Literature. He knows how to think carefully, how to calculate carefully, and how to take and stop. Several of his works can win prizes at home and abroad for many reasons. His works from Going Out at Eighteen to Brothers show me a continuous upward trend, and Yu Hua is always advancing, unlike some writers who are falling behind. Although his works are few, they are quite refined, which is the characteristic of Yu Hua. In addition, his works are closer to the world, more inclusive and easier to get some valuable and sincere voices than other writers. In my eyes, the artistry of his works is also very strong. The seemingly random and absurd words are actually undercurrent and inspiring.

I always think that Su is playing with Yu Hua, because I think Su Tong's writing is a kind of rare beauty with gloomy feeling. After reading many of his works, I know that he is good at playing with words to build his own castle. I don't know why, Su Tong's works are falling into an inexplicable "whirlpool", which makes him seem unable to extricate himself. At least I think Su Tong is obsessed with this feeling now. Later, I have been thinking about what would happen to Zhang Ailing's works if she lived in the present? It is true that her works were quite sensational in the 1940s, not only because of her beautiful and sad love for the whole city, but also because of her rare words in the world like blood plum blossoms. Her writing has never been surpassed by any domestic writer. Zhang Ailing is a brilliant writer. The aura and splendor in her works make people feel a little suffocated. I think her golden lock is at least the end of a certain kind of work. She is so powerful, like an expert in the world, and likes to choke herself with a sword, so her works are quite scary (almost no one can write such words, and even imitation will become ridiculous). If you are in the same era as such an extraordinary writer.

I think it is the sorrow of some writers. Fortunately, Zhang Ailing and I are not from the same era. But I compare her with Yu Hua, which is obviously my own wishful thinking. After all, their styles are completely different.

Many times, I have to admit that I learned my writing skills from Faulkner, the details and structure of my writing from Su Tong, and the brilliance and aura of my writing from Zhang Ailing, but it seems that these are not profound enough, but Yu Hua has given me a breadth and enjoyment of writing and an infinite pursuit. This is a sacred and great gesture, which makes me really know how to write and how to learn to think and write, not just to write.

The impetuousness and utilitarianism of my previous writing made me gradually understand my immaturity and irrationality, and gradually realized my feelings.

Yu Hua's reminder and guidance made me realize that writing must be done with care, not for fame and fortune. Now I am indifferent to fame and fortune. Although I have no money at this time and have never published a novel (except two essays published in Yangzhou Evening News), I have laid a fairly solid tone, that is, I will not work hard for fame and fortune, and I will gain a lot from continuous learning behind Yu Hua. I remember Yu Hua also said this sentence. He said that writers should not become famous too early. I quite agree with this sentence, because if you are famous, your work creation will be subject to many restrictions, and people will become timid and haggle over every ounce. I think it's easy to make classics by boldly creating what you want before becoming famous.

. Of course, all this does not mean how much I admire Yu Hua. I never worship anyone. I will only take its essence and discard its dross, appreciate it with appreciation eyes and learn with humility.

Unfortunately, Yu Hua's novels in recent years are quite few, mostly essays. I seldom read his prose, which is said to be quite good. Judging from many materials, Yu Hua said that he was writing an endless article.

Finally, I think there is no shortage of writers in China, but there is a shortage of real high-quality writers like Yu Hua. More writers appear impetuous and utilitarian, and even more unable to write for the sake of writing, rather than writing with a sense of social responsibility, let alone writing with heart. Over the years, our works are a dime a dozen, some are obvious, some are broken, but few classics can really be remembered. Because writers are used to sleeping, or because their works can't stand the wheel of history, everything seems to be castles in the air. I can't help but be a little worried. I am worried that there will be no successors in China literature, and that there will be no more masters like Cao Xueqin, Lu Xun, Zhang Ailing and Shen Congwen in China literature. However, the appearance of Yu Hua still filled me with confidence. Maybe it won't be long before China literature can become a master.