Who is crosstalk master Jiang Baolin?

Who is crosstalk master Jiang Baolin? Jiang Baolin, a famous crosstalk performer, died in Tianjin on the evening of February 29th, 20265438 1 1 at the age of 95. Jiang Baolin was a national first-class actor before his death. Who is the crosstalk master Jiang Baolin?

Who is the master of crosstalk master Jiang Baolin? 1 Young crosstalk actor Qiu Yingjun1wrote a post in Weibo on October 4th, and his master Jiang Baolin passed away on February 29th 1 1.

According to Mr. Jiang Baolin's instructions, I don't want to disturb the audience because of my death, so I will announce it after all the funeral arrangements are completed.

Mr. Jiang Baolin is a versatile old artist who can both perform and write. When I was young, I studied Peking Opera and Pingju, and later I studied with Chen Ziquan (some people say that I studied with Ji Pingsan). After finishing his studies, he performed in crosstalk teahouses all over China, including Qi Ming, Lianxing and Chen Guang.

As one of Four Treasures of the Study, who enjoys equal fame with Hou, he also made a unique contribution to cross talk. In order to save money, Hou replaced the drum set with crosstalk, and set a precedent in the crosstalk teahouse.

Jiang Baolin's cross talk style is lively, the tone is crisp, and the burden is particularly fragile. Both traditional and new cross talk can be grasped, and he is not limited to the so-called tradition and innovation, but as effective as possible, so he is highly respected by his peers. Besides, Mr. Jiang Baolin's image is particularly handsome, and his audience is very good. He once served as the bottom of the cross talk team in Nankai District, and was opened by a famous cross talk artist (post-apprentice) in Tianjin, which shows Mr. Jiang's artistic level.

Jiang Baolin also has unique achievements in the innovation of cross talk. In addition to writing and performing well-known new jokes such as Training, Three Fires in Wood, he also edited traditional cross talk, such as changing mouth-to-mouth cross talk "Registration" and "Selling Cloth Head" into stand-up cross talk. You know, this kind of joke requires holding hands to advance the plot in many places, but Jiang Baolin changed it to talking to himself.

As an old artist who has devoted his life to the cross talk, he has been controversial by his peers on the issue of learning from others. It was not until Master died that disciple Qiu Yingjun corrected Master's name "He is a disciple of Ma" with a resume.

He studied under Chen Ziquan and later worshipped Li, but it was not officially announced until 1988 that Ma took an apprentice in Yanchunlou.

At that time, it was Mr. Wang's acceptance ceremony, but Ma became the protagonist of the ceremony. Ma Lao spoke alone for more than 20 minutes and attacked several colleagues by innuendo. The main target of "shelling" is Master Li.

It is said that Li's human nature is evil, which brings trouble to his disciples. Sun Shaolin, the monitor, deliberately refused to give the whole book when he went to the morning teahouse, just to pity Li.

When Ma said these words, of course, he also stuffed a lot of bootleg goods. Li did have some unpleasant past with Sun Shaolin. The main reason is that Li Houlai, who once performed in the teahouse, founded the * * * Le Teahouse in Jinan, and formed an indissoluble bond with the teahouse. As a result, Li ran to the music camp and became a competitor of Sun Shaolin's mentoring.

But this matter is not too big a contradiction. After all, Liu Baorui shook hands with Sun Shaolin's master and pupil, and Jianghu people pay attention to the word "harmony", so they won't hold grudges for life. Besides, Li Shouzeng has always been the only one who can get a complete copy in Chen Guang Teahouse. Even Sun Shaolin took less than Li Shouzeng. It's good that Jiang Baolin can get seven points. Does he want to be on a par with Li Da, a foreign monk?

Therefore, this can be seen as "destruction" of Li, or to find some reasons for accepting him as an apprentice. Listen, just play, don't listen.

Even so, Ma was officially accepted as an apprentice in Swallow House, and many colleagues and Tianjin leaders witnessed it together, and the media recorded the whole process. This is a very formal ceremony to release knowledge, and no one has planned it in any era.

But since then, he has never claimed to be a disciple of Ma in public. Including his apprentice Qiu Yingjun and others, when doing programs with Ma's disciples, they never mentioned this quarrel. Ma Zhiming went to Qiu Yingjun to host the program many times. Qiu Yingjun always called him the master of the horse, but he didn't talk about it as a disciple of the horse. To know who Wei Liu is, people call Ma Zhiming "ShiShu". Qiu Yingjun also called the horse "Ma Lao" in the program, instead of "asking about the horse", and Jiang Baolin also called the horse by name instead of "my master horse" in the program.

Moreover, when receiving Qiu Yingjun and others at Nankai University, Yin was present as a guest, boasting from head to toe and playing a little joke. In principle, if the younger brother of the same school wants to accept an apprentice, he must make a good plan and talk about the friendship of the same school. But Yin has always been called "sir", and so is it. They didn't say anything about Ma's apprentice.

The reason for this may be related to disputes among peers. After all, the jump door in Jiang Baolin is an upgraded version, which is relatively taboo in the industry. Without Li, a former master, who always followed Chen Ziquan's theory, even if he was accepted, the controversy would be much less.

In addition, in his later years, Jiang Baolin collected a group of apprentices born in 1980s. If Qiu Yingjun pretends to be a literary generation and follows his peers everywhere, he will be a junior wherever he goes. This kind of behavior of posing as elders is very taboo in the industry, especially some feudal scum who pay special attention to seniority. Anyone who sees it hates being superior will try to pull it down. Because of this kind of person, Qiu Yingjun, Yu Dan and others never mention this problem in public, and talk to anyone according to their age.

Jiang Baolin and his disciples kept this humble and low-key attitude, not only to live in harmony with their peers, but also to be indifferent to the feudal generation.

Finally, I wish Mr. Jiang Baolin, a disciple of Ma Lisan, a pleasant journey ~

Who is crosstalk master Jiang Baolin? 2. Jiang Baolin, a famous crosstalk performer, died in Tianjin 1 1555 on the evening of February 29th at the age of 95.

Qiu Yingjun, the host and actor of Tianjin Crosstalk Radio, wrote in his Weibo: "According to my husband's wishes, leave the laughter to the audience and don't disturb everyone too much. Everything is simple, everything is taken care of. I am grateful to my hometown elders and friends from all walks of life for their care for my husband over the years. "

From an Old Apprentice to a Military Artist

Mr. Jiang Baolin is a national first-class actor and a visiting professor at seven universities, including Nankai University and Tianjin University. His famous cross talk segments, such as Family Meeting, Training the Army, Three Eyes Gang, Pretending to be Deaf, Mother-in-law and Daughter-in-law Dialogue, are still widely read by cross talk lovers.

"I started studying art at the age of eight, and I started studying Peking Opera in Ji Gu. If I can't learn master well, I'll fight. This really scares me. " Jiang Baolin told reporters: "Once, Master asked me to buy rice. I was young and playful at that time. On the way, I was attracted by the old artists who painted pots and said cross talk. When I stand still, I can't walk. The master is waiting there. Where did you buy this meal? " The result must be another beating. Mother is distressed and will never let him learn drama again. 1 1 years old, Jiang Baolin officially stepped into the cross talk door, studying under senior artist Chen Ziquan. That year was 1938.

Since then, Jiang Baolin has been wandering around with Master, playing around in Beijing, Tianjin, Tang and other places. /kloc-started his career at the age of 0/6 and began to wander the rivers and lakes by himself.

1960, Jiang Baolin was transferred to Jilin Radio and Rap Troupe. By chance, he was selected by the Cultural and Art Troupe of the Political Department. "I was born in Tianjin, studied in Tianjin, studied in Tianjin, became famous in Tianjin, and then dedicated all my talents to the soldiers of the army." Jiang Baolin said. Of course, there is a difference between telling cross talk to soldiers and traditional cross talk. "You should talk about the things around the soldiers, be humorous and close, tell the soldiers about their life in the military camp truly, and pull their ideas into the program."

Dig out the recording "Training the Army Horse" and listen to it. A long paragraph runs through the mouth in one go, and immediately introduces the theme. The performer first compared the mechanized artillery with the mule-horse artillery, and then blurted out the combat information related to the soldiers. Bao Yaner was buried between here and there, which caused the soldiers present to laugh. The comic dialogue program "Training the Army Horse" created and performed by him in that year won the "Double Champion" in the creation and performance of military performances.

Tianjin is the place where dreams begin.

Many people think that Jiang Baolin will stay in Beijing after retirement. In fact, the old man returned to Tianjin and lived in an apartment in Wandezhuang Street, Nankai District. In his view, Tianjin is full of humorous genes. If you want to speak cross talk well, you must keep learning from it.

Tianjin is not only a fertile ground for the growth, reproduction and development of Quyi, but also a veritable hometown of Quyi. Tianjin's Quyi is prosperous and brilliant, producing many masters.

Hou he performed.

Why do famous Quyi artists need the "recognition" of Tianjin audience to become famous? Why is Tianjin so influential? Is its influence still there? Faced with this series of questions, Jiang Baolin was lost in thought.

"Tianjin is not the birthplace of cross talk, but if you want to become famous and become a family in this industry, you must come to Tianjin for gold plating." Why do you have to come to Tianjin to plate this layer of gold? Jiang Baolin said: "Tianjin people are responsible for the actors."

"You do this job, ok? Right? Is this passage smooth from beginning to end? Tianjin audience has a ruler in their hearts. You may not know better than Tianjin people if you take a few experts there. Not only the crosstalk artist must be recognized by the audience in Tianjin, but also the famous Peking Opera artist Li must go to Tianjin. Why? Singing and playing, one stroke and one style, the applause of Tianjin people will definitely give you a shot! "

It is this kind of atmosphere that attracts the military crosstalk performer to choose to retire and return to Tianjin. "Leaves fall back to the roots, return to the fields, and stay comfortable in Tianjin. There is nothing like home." The old man said.

Mr. Jiang Baolin was interviewed by the reporter of Evening News on 20 18.

20 18, 10, Jiang Baolin's 80th anniversary performance as an artist was held in Tianjin Jinwan Grand Theatre. Jiang Baolin, 9 1 year-old, stood on the stage and talked about stand-up crosstalk for 30 minutes.

Jiang Baolin published the first and second series of Jiang Baolin crosstalk and humorous jokes.

Who is crosstalk master Jiang Baolin? In fact, it is not difficult to judge Mr. Jiang Baolin's qualifications, mainly because there are many voices on the Internet and all kinds of mistakes abound.

For example, a certain degree in a certain subject claims to be authoritative, and it is impressively written that Jiang Baolin was born in 1938, so many students take this time to judge from the media that his father, Chen Yongquan's apprentice Chen Zi, is really wrong, because Chen Zi really died in 194 1 year.

If Jiang Baolin was really born in 1938, then in 20 18, his disciples will celebrate his eightieth anniversary as an artist. Isn't this the rhythm of his performance as soon as he landed on the stage? Therefore, it is a big mistake to study a certain subject to some extent. In fact, Jiang Baolin was born in 1928 and began to study art at the age of 1 1. Therefore, it is natural for him to celebrate the 80th anniversary of his career on 20 18.

In addition, it is also wrong for those two-way dealers to say from the media that Jiang Baolin once studied with Chen Zizhen. Jiang Baolin Mengkai's teacher's name is Chen Ziquan. However, if you really look for this long-lived old man in the cross talk pedigree, you won't find him, because his name is Chen Ziquan in the cross talk pedigree, and he is the apprentice of German artist Li Ruifeng.

Chen Ziquan is a long-lived artist, so Jiang Baolin is a treasure artist? At least not yet. They are just enlightened teachers and students without apprentices.

After enlightenment, he learned most of his skills from Li, his father. But the relationship between the two is extremely poor and they don't know anything. In Ma's words, Li's human nature is very bad. He is not welcome anywhere. When Li heard this, several teahouses in Tianjin rejected him. Later, Jiang Baolin went to Jinan Chenguang Teahouse to talk about cross talk, and the live effect was very good. As a result, Sun Shaolin, the monitor of the teahouse, gave only half the money because he was Li's apprentice.

From this memory, we can explain several things. First, why is there a contradiction with Ma and his son? Second, why did Jiang Baolin have a low opinion of Sun Shaolin when interviewed in his later years? Thirdly, it seems that when there is a conflict between Liu Baorui and Sun Shaolin, it may really be Liu Baorui who has been wronged.

After liberation, Tian Lihe learned from Zhang Shouchen, who was afraid of being young and big, and specially became sworn brothers with several literary colleagues. Among the five people, the eldest Jiang Baolin, the second Tian Lihe, the third Wang Wenjin, the fourth Li Boxiang and the fifth Wei Wenliang. Everyone said that it was Tian Lihe's upright character that took the initiative to become sworn, and no one mentioned the boss Jiang Baolin. It seems that at that time, the crosstalk circle still counted him as Li's apprentice. Later, when writing a book, Xue also included him among Li's disciples.

However, the reversal of events took place at 1988 Jiang Baolin's apprentice-receiving ceremony in Tianjin Yanchun Building. Jiang Baolin made a special trip from Beijing to invite Ma to attend the ceremony. Ma said a lot at the scene, about his acquaintance and familiarity with him, as well as the history of his career, and so on. Finally, Ma gave a conclusion: From today on, you will be my apprentice. At the scene, in front of many famous people in the field of Quyi, they bowed and presented flowers to Ma. Later, in the cross talk pedigree, he was listed as Ma's apprentice, ranking behind Chang Baofeng and before.

Judging from these records and history, it should be regarded as the apprentice of Ma. First, there is a relationship and a history. Second, there is a teacher's witness. Third, mutual recognition. Fourth, neither of them knew before.

In addition, there is another key thing, that is, Li died 19 years ago, and it is ok for a disciple of Master to jump out of the door after his death, let alone a disciple with unclear doors. If Li were still alive, it would probably have to be delayed.

Anyway, Jiang Baolin will definitely learn from horses this time. Some people say this is a horse joke on the internet, but it is by no means. In order to accept it, Ma revealed all the black history of Li, which is definitely no joke. And there are so many big names in the field of quyi to testify.

Hou, Geng and He are often the five treasures of the phonograph industry, so they are all treasures.

From generation to generation, what is the level of Mr. Jiang Baolin's cross talk?

The author's answer is very strong, at least in the five Lin Bao medium level. First of all, when he was young, he was able to save money in Lianxing Teahouse, one of Tianjin crosstalk bases. It's impossible without real skills. In addition, when he was young, he was really handsome, and his face value was justice.

Secondly, his stand-up crosstalk is quite strong, and he has recorded hundreds of paragraphs. Thirdly, he also created many cross talks in the new period. I heard an impressive story, such as "Three Eyes Gang", which satirized the ugly face of the salespeople in the 1980s. This passage is quite good, and can be compared with Li Jindou's "Song Wu Da Hu" and Van Gogh's "Unhealthy Wind".

Finally, it is Mr. Lin Bao's last partner. The jokes they have worked with include Yin-Yang and Five Elements, solve riddles on the lanterns and Five Red Pictures. Working with the duke is by no means a good thing.

Jiang Baolin had many apprentices in his later years, among which Qiu Yingjun and Yu Dan were famous. This was also controversial at that time, mainly because Qiu Yingjun was too young to have a family and had a literary generation. However, no matter what the outside world says, Qiu Yingjun is a proper literary generation in Yudan's cross talk pedigree. Qiu Yingjun should call a teacher whenever he sees Li Boxiang, which makes Li Dabai live in reason.