How to evaluate the singers' singing in the eleventh issue of the third season of I am a singer?

Range: #d 1~#g2 in b2 (falsetto)

Note: (According to the absolute pitch, the unmarked ones are true sound or mixed sound. When watching a program on the piano, the range here is ok. Everyone is watching the show happily, and I will always listen to it and remove it! It is inevitable that people will make mistakes when listening to each other. If there are any mistakes, please point them out! )

Technical analysis: from the perspective of range, this song is not difficult to complete, but from the perspective of details, it is somewhat difficult. For example, the word "no" in Don't be a lover should not only be clear, but also be too explosive, which makes the aesthetic feeling lack. Ku Kuiji's singing skills are remarkable, and his timbre is warm. Every note is wrapped in a round shape, and the timbre uniformity is very high. You can hear it from Ku Kuiji's speech, which is very high in position and loud in voice. If there is something lacking, it may be rounder, less explosive, and the song is not open enough, which may also make the audience feel a little dissatisfied.

Performance analysis: As stated in the technical analysis, Ku Quich's timbre control is quite good, and its handling is also good, and there are basically no fatal shortcomings. However, On the one hand, True Feelings is sung in Cantonese, which is slightly alienated from the audience in Mandarin. In addition, the awareness of this song in non-Cantonese areas is really not high, and the melody fluctuation is not obvious compared with other singers, which is not good for an adult lyric who is also very common in music style. Although the timbre is fully displayed, he is a little too cautious when singing. As a competition work, his emotional deduction is too restrained, and the climax of the arrangement is not fully developed, so it is difficult to leave a deep impression on the general audience, so it is expected that he will fall behind this round. However, his singing skills are there, and the performance in the next few rounds is worth looking forward to.

Final ranking: 6

Sun Nan's Did You Love Me?

Range: d 1~ b2 level

Technical analysis: Needless to say, Sun Nan's mixed sound technology, superb closing technology and excellent vocal cord function make bb2' solid long sound perfectly presented.

Performance analysis: Sun Nan, a high-pitched local tyrant, has some worrying taste in music. Do you think I'm tired of singing Save all the time? Ok, I sing "Did you love me", which is relatively unpopular. You think my music is not good enough? I'll add another paragraph about Beethoven's fate! The result is such a tragic arrangement, and the taste is still not good. Although Sun Nan's singing skills are technically beyond reproach, his handling of many slips and free beats weakens the solemn and tragic feeling of the song. For example, the word "ru" of "but why so indifferent" is his usual falling tone, which is actually frivolous if it is converted into a tone. "Are you still insisting?" And "the feeling of heartache?" They are deliberately extended, which makes them appear clever and gorgeous when inserted horizontally in a sad atmosphere. If they could restrain themselves, it would sound much more sincere. But after all, the solid basic skills of the high-pitched local tyrants are there, which sounds really enjoyable for the ears, and the final ranking will not be bad. But long-term combat is hard to say. Once Sanbanfu is bored by the public, danger will follow. Unless Sun Nan can improve his style and handling, it seems hard to count on it at present. Don't believe it? Listen to his cover of Shame.

Final ranking: 4

A-Lin "Give me a reason to forget"

Range: g 1~#d3 f3 (falsetto)

Technical Analysis: The most impressive place in A-Lin is the bass area. The bass is mellow, the breath is stable, the alto is rich and powerful, the timbre is very three-dimensional, the closing technology of the treble area is in place, and there is enough chest sound to unify the timbre and the alto, which is quite commendable.

Performance analysis: A-Lin is a solid timbre flow, but the arrangement of the whole song "Give me a reason to forget" is a little too grand, which forces A-Lin to sing with great strength from beginning to end, so that the whole song is treated with a relatively restrained feeling, and the timbre changes are not obvious, which also masks her relatively delicate timbre to some extent. However, her excellent sound quality is still her trump card. Although she didn't experience the first big explosion like G.E.M., it gave her the possibility to accumulate a lot of money.

At the same time, as a contestant in the reality show, A-Lin needs to pay attention to showing her other characteristics, such as G.E.M.'s cuteness, Zhang Yu's antics and Han Lei's calmness. These are highly recognizable artists, while A-Lin may be modest, and her variety performance in the show is somewhat vague.

Final ranking: 3

Tiger Hu's mountain.

Range: A~ b2 #d3 (falsetto)

Technical analysis: The range of this song is more than two octaves, and Tiger Hu's adaptation also adds a long note of b2 flat semitone. However, Tiger Hu's timbre seems to be not very good in this song, with low bass, thin timbre and lack of artistic conception, and high notes are not as solid as Sun Nan's. For the convenience of vocal cord closure, turning "hill" into "mountain pigeon" is also easy to make people vomit. Therefore, it is not unreasonable that its performance in this field is unsatisfactory.

Performance analysis: Tiger Hu's adaptation is really thankless to the extreme. Hill is a song with a strong Jonathan Lee imprint, and its vicissitudes of tone and narrative singing are too vivid. What did Tiger Hu do? The main song changes to r &；; B-flavor, even R& was added in the second half, which made me accustomed to adult lyricism and thought that R & ampb and rap were almost frivolous. How do most China listeners put up with it (this is actually a rather sad thing)? No wonder there are many abuses on the Internet, saying that he ruined the classics. But to be honest, without the original singer Zhu Yu, Tiger Hu's version is completely acceptable, and this R&; B-type narrative sense can be said that it is difficult for other singers present to sing reasonably, and Tiger Hu's handling is quite chewy. His failure mainly lies in the shaping of timbre image. It is a pity that his timbre image and even his sincerity in articulation are far from being indifferent to vicissitudes of life, and are technically suppressed by other great gods present.

At that time, Tiger Hu crushed Sun Nan with superb adaptation skills. I wonder if he can go to the end with his eighteen martial arts on the stage of "I am a singer". At present, this is dangerous. After all, the audience of "I am a singer" didn't care so much about the arrangement (some people got Liang Qiaobai's blessing), and the details of Tiger Hu's singing were subtle, not something that would shock the public. How to go next still needs painstaking planning.

Final ranking: 5

Chen Jieyi's heart.

Range: g 1~c3

Technical analysis: The technical difficulty of this song is the lowest in this field, and the range fluctuates little. However, Chen Jieyi's musical skills and full-style timbre make the whole song full of emotion, but it seems to be somewhat evasive when singing high notes, and the timbre as a whole is somewhat thin. But the full display of technology may not be what Chen Jieyi pursues.

Performance analysis: Women who have sung musicals can sing thousands of times even if they sing short-span works. Heartbeat works are very popular, and it is not surprising that they have a good reputation after the first broadcast. The planning of free beat, the balance of timbre and the control of slight fluctuation are all the advantages of Chen Jieyi, which can be said to be a model for other singers present. But compared with those more explicit technical streams, Chen Jieyi's songs are like a clear spring, which has been forgotten by the audience who have tasted the whole audience.

Final ranking: 7

Jane Zhang's "I repay love with everything"

Range: e 1~d3 g3 (falsetto)

Technical analysis: Although the range of this song is just close to two octaves in the falsetto, it is very difficult to interpret. It is a bit risky to enter the song in the form of chorus (there is still one note that has not been handled well). In the first half, he chose to express the song in the middle and low range, and handled it with some caution. After tone sandhi, the mood will be released, and the long sound of d3' s Rain can't be drowned by the band, which Jane Zhang has done very well. It's just that Princess Dolphin seems to have used her voice and throat too much in recent years. When she sings some Legato, she deliberately breaks sentences (for example, "Just for one heart ~ in ~" in the second paragraph), which feels a bit abrupt. But in the control of the high-pitched area, the progress is really not a little bit.

Performance analysis: The choice of "I repay love with everything" in the brochure is really clever. On the one hand, the unusual tune and majestic background of Tan Dun's works sound quite striking; on the other hand, the technical difficulty of this song is completely within Jane Zhang's control. But until the second chorus, Jane Zhang seemed a little nervous, fluctuating with a stiff tone. From the second song "Vague Hatred", a few words of "wind and rain" and arrangement complement each other, the picture is bursting, and the rising falsetto is also wonderful, which leads the painful atmosphere to dawn, which is really impressive.

Final ranking: 2

Han Hong's Dawn

Scope: e2~e3(f3, the transliteration of "flower" in "Garden" is e3-f3-e3)

Technical analysis: Although the song Dawn has almost only one octave range, it is concentrated in the middle and high-pitched area, which requires the closing technology of high-pitched. Han Hong deserves to be called a singer. His timbre is quite transparent, probably because of the present situation of the enemy. The timbre that sometimes seemed thin before was also handled more roundly in this period of singing. Even the high notes of f3 are stopped, and the function is really powerful.

Performance analysis: Before watching the program, I thought that Sun Nan and Han Hong might be high-pitched local tyrants, but after watching the first program, I found that there was still a gap between them. Sun Nan's processing capacity is obviously inferior to that of Han Hong. How many songs have been added to the "Dawn" that has been sung until the street knows the lane?

Almost through the electronic sound effect, the stable voice is as gloomy and helpless as the footsteps of fate, which gives music a bleak and tragic color. Han Hong's handling method is much more restrained than Sun Nan's. The first half basically adheres to the tone of the lyrics, and sings very well and sincerely, which seems to be the "day" at the end of the first paragraph. The sensational effect of "Light" is quite credible. The high-pitched performance at the end gave an emotional outlet in the darkness, which sounded hearty. No wonder she won the first place in the audience.

After all, it's practice, so we should not underestimate it. However, compared with last season's technology demon Han Lei, if Han Hong wants to stay popular until the end, he may need to work harder on music innovation. Han Lei's innovative adaptations of Flower Girl, Farewell and In that Far Away Place have become indelible classic moments of I am a singer. I hope Han Hong can also create such unforgettable wonderful scenes.

Final ranking: 1

Comprehensive evaluation:

In the third season, the strength gap of the first concert is not obvious, and almost every singer has his own killer. The first issue, Jane Zhang, Sun Nan, all used relatively "big" works or arrangements to play, so that the light-hearted Kui Qihe struggled to survive in the back row. Fighting "big" is to please the competition stage and the public's expectation of "powerful singers", which is actually a relatively conservative measure. To put it bluntly, just a few high notes can make your head tingle. You are just a professional singer. You can sing a very artistic ditty first, and then look at the details. What you can do is to be a palace singer. This is why Faye Wong and Eason Chan are worthy of respect.

To.

But if a singer's stage is almost entirely lyrical by adults, it will also be very sad and boring. The highlight of last season's I am a singer was the singer's constant breakthrough. No matter G.E.M., BiBi Zhou, Han Lei or Zhang Yu, they have made rich changes and attempts to the genre, pushing the music production level of I am a singer to a height that other peers can't reach. And this is my next expectation for I am a singer.