Cross talk is about three parts being funny and seven parts being flattering. Is this sentence meant to be funny, or does flattering really count for seven parts?

Praise really occupies such a heavy weight. The performance is funny, but the rhythm is mastered.

If the rhythm is not well controlled, the whole performance cannot be coordinated with the audience, and the audience will feel uncomfortable. Let’s take Deyun Club as an example. Mr. Guo Degang debuted very early. He worked with many popular actors but never became popular. It was not until he met Teacher Yu that he gradually got on the right track. The reason is that Teacher Yu has a good rhythm.

Up to now, Teacher Guo's rhythm is still very noisy. Watching him perform with others, it really feels like talking nonsense. Deyun Club’s current comedy group generally has children’s comic skills and has been doing crosstalk since elementary school. A large number of the comedians have graduated from universities, including many famous universities. The importance of this is not difficult to understand.

Let’s take another special example: Meng Hetang and Zhou Jiuliang’s combination. Meng Hetang was confused on the stage and made several mistakes on stage, but Zhou Jiuliang could calmly get the performance back on track. If the funny thing is wrong and the actors who praise it are not good enough, there will no doubt be an accident in the performance. This can prove that three points are funny and seven points are flattering. What's funny is very important, what's funny is the icing on the cake and does not play a decisive role

What's funny is the foundation of whether a cross talk performance is brilliant or not. Luan Yunping once said in Deyun Douxiao Club that Penggui can be divided into palm, measure, hold, horizontal and standing. Palm is the highest level, it should be at the level of seven points of praise, but basically very few crosstalk actors belong to the palm category. Palm is basically a situation where a master praises his disciples, or a crosstalk master praises his juniors.

There is a big gap in the understanding of cross talk between him and Tiao Ke, so he belongs to Zhang. Even the master of praise Yu Qian is not in the palm of his hand. In his cooperation with Guo Degang, he can be said to be the one who excels in quantity. Seven points of praise is not unavailable, but it is basically a kind of praise, a polite way of saying it, or a low attitude towards the master of cross talk, but it is by no means the true proportion of praise.

The relationship between flattery and teasing is still red flowers and green leaves. The flattering role is still a foil. The biggest role is that as an audience on the stage, it is responsible for turning over the burden to the audience below. I feel that three points are funny and seven points are praising, which is a proportion of the same rhythm.

Ping Neng gives me the feeling that I am carrying a baggage, throwing it out in a funny way, and picking up the baggage in a praising way. The baggage makes no sound. , it depends on Peng Ke’s rhythm control. This rhythm, the sense of proportion, and the timing are very important, because it doesn't work if it's too early or too late. After all, people's laughter is stuck at that point.

In fact, whether it is teasing or flattering, mutual understanding is the most important. You understand his rhythm, and he understands your intricacies. After a long time, I understood what he meant with just one look, and we cooperated very well! It takes a period of time to get along with each other, and eventually they will achieve mutual success.