On Lin Daiyu's optimism and atmosphere.

This article is an old one, which synthesizes three articles written before, namely, Optimism and Atmospheric Analysis of Lin Daiyu's Personality, Lin Daiyu You Don't Know, and Baochai's Love You Don't Know. "Flowers hate spring scenery, and there is no xiaoxiangzi in the world."

Influenced by "Burying Flowers" and film and television dramas, the interpretation of Lin Daiyu mostly stays in her cold and aloof personality, as well as her small nature and crying. In the love between Baodai and Daiyu, Daiyu's love is often covered up by jealousy, while ignoring its mutual appreciation with Baoyu, the harmony of spiritual temperament and values.

Far from being withdrawn, Daiyu is humorous, articulate and good at telling jokes. In my impression, she always teased Xiang Yun. Daiyu's "munching on locusts" caused everyone to laugh; Baochai said of Daiyu: "This girl's mouth is really annoying, but it's not like it"; Baoyu said, "If the old lady likes eloquence, I'm afraid it's only Xifeng and Sister Lin."

Although Lin Daiyu has the character of "leaving without meeting", she actively participates in all the activities of her sisters. Every time she founded a poetry club, she actively participated and made suggestions. When Haitang Society just set up a poetry society, she suggested: "Since we must set up a poetry society, we are all poets. It is also good to change the words of these sisters and uncles first. " When the Haitang Society ran aground, it was Lin Daiyu who took the lead in "rebuilding the Peach Blossom Society".

Many people think that Daiyu has nothing to do with herself and ignores worldly matters. When Baoyu was immersed in wealth, Daiyu calculated an account for it, telling the truth that Jia could not make ends meet; When Yingchun's wet nurse was found gambling, Daiyu, Tanchun and others pleaded for her in front of her grandmother, and they met to comfort Yingchun.

Lin Daiyu's generosity is not only reflected in material things, but also in her generosity to people. My little daughter Jiahui was entrusted by Baoyu to send tea to Daiyu, just like my grandmother sent someone to send money to Daiyu, and Daiyu "caught two" for Jiahui, no matter how many; Xiangyun asked Daiyu for nitrate roses, and she quickly asked someone to pack a bag. Baochai sent someone to send her bird's nest, and Daiyu "ordered someone to give him a few hundred dollars and drink some wine to shelter from the rain." Daiyu is not only generous, but also considerate. She said to the woman who sent the bird's nest, "Thank you very much. I missed your wealth and sent it in the rain. " She once regarded Baochai as a rival in love because of Baoyu. After dispelling doubts, she took Baochai as her bosom friend. Baochai gave her a bird's nest, and she "pitied Baochai on her pillow", recognized Aunt Xue as her mother and called out "Mom" ... Baoyu didn't understand her friendship with Baochai, so he said to Baoyu, "Who knew he was a good man, but I always thought he was hiding traitors." Daiyu was outspoken about Baochai's kindness and blamed all her faults and misunderstandings on her ignorance of people. Baoqin came to the Grand View Garden and was loved by the grandmother. Everyone, including Baoyu, thought that Daiyu would be jealous, but she was affectionate and righteous to Baoqin. "When she was in a hurry, she called her sister and didn't mention her last name. She is really a sister. "

Daiyu is often regarded as a wayward and difficult person to get along with, but she is "afraid of making trouble if she wants the bird's nest". For the maid Zijuan, she regards her as a friend and accepts her criticism: "Baoyu is not only three points, but the girl is not seven points."

Influenced by Burying Flowers, everyone thinks that Daiyu is too pessimistic. When writing a poem with Xiangyun in the seventy-sixth time, he said, "What is the joy of seeking perfection?" . Just seven words, but it reflects Daiyu's open-minded optimism. Even Xiang Yun, who has always been generous, said sadly, "Just like the two of us, although our parents are away, we are still in a land of wealth, just you and me, and there are many things that we don't want." Daiyu said with a smile, "Not only you and I are dissatisfied, but even the old lady, wife, Baoyu, detective girl and others, no matter how big or small, are reasonable and unreasonable ..."

The touching thing about Daiyu is her love for Baodai, which makes people cry. Jia Baoyu and Lin Daiyu have never expressed themselves directly, but the details of mutual appreciation are worth a thousand words.

She is Baoyu's confidant, which is reflected in emotional attachment and consistent values. When Baoyu "knows his differences and understands his pear fragrance court", only Daiyu knows that he "knows from there that he is possessed"; Baoyu heard the story of "Mingyu" compiled by Granny Liu, and only Daiyu could see Baoyu's infatuation. Baoyu didn't show up at Xifeng's birthday party for a long time. Only Daiyu guessed that he had gone to the river to pay homage to Jin Chuaner. ...

Similarly, Baoyu also regards Daiyu as a confidant. Miaoyu wrote a post for Baoyu's birthday. Baoyu thought about how to answer, so he thought, "If you ask Baochai, he might as well ask Daiyu about the grotesque." He thought about it, and then "sleeve post to find Daiyu." In Baoyu's heart, he trusted Daiyu very much. Similarly, he will discuss with her the eulogy written for Qingwen, because he knows that Daiyu understands him. They buried flowers together, * * * read The Romance of the West Chamber, and shared the words "It's not that friends don't get together" and "Just like meditation, they all bowed their heads and chewed the taste of this sentence, and didn't feel tears". "Living in two places, the heart is in harmony", the profound meaning of the old handkerchief given by Baoyu, only Daiyu can understand.

Like Baoyu, Daiyu hates fame and fortune and is indifferent to it. Unlike Baochai and Xiangyun, Daiyu never advised him to get ahead from an early age. In Daiyu's mind, true feelings are far more important than fame and fortune. Daiyu's love for Baoyu is affectionate and implicit. Although I will be angry with him verbally, I will go all out to do something concrete. The seventieth time Jia Zheng went home, and the sisters in the Grand View Garden helped Baoyu with his homework. Zijuan came and sent a roll of things to Baoyu. "。 When she tore it open, it looked like an old oil bamboo paper. On the paper is a small letter written by Wang Zhong, which is very similar to herself. Baoyu and Daiyu not only have similar fates in their previous lives, but also have similar values in this life and even similar handwriting. "Words are like people", Bao Dai, was originally a passerby. Among the sister "gunmen", Lin Daiyu contributed the most. She stayed up for several nights and "kicked out fifty little books" for Baoyu. In view of Lin Daiyu's physical condition, especially after forty rounds, "day by day is worse", her actions are no less than "Yongqing wenbing makes up the bird in the golden autumn".

The most direct description of Baodai's love in the sixty-fourth chapter is Baoyu's psychological activity: "Because he grew up with Daiyu, he is congenial and willing to live and die together, but he knows it in his heart and never says it." This is also a summary of Cao Xueqin's love for Baodai in the first eighty chapters. Baoyu, like all boys in love, "every time I make a mistake, I can't stand it, I'm in a hurry, and I'm afraid Daiyu will make him angry." I think my heart is really good, so I turned to sadness, and I have shed tears. "Daiyu" was annoyed with Baoyu at first. No matter what he said, now he feels something when he sees this situation. Finally, the two of them "have no words to cry". This is a particularly touching part of Baodai's love. When two people who love each other deeply are together, even language is redundant. Tears for crying are deep affection and empathy for each other.

On the fifty-third occasion, Baoyu suggested using daffodils and wintersweet as poems. Daiyu said with a smile, "Come on! I dare not write any more poems. I do it once, and I'm fined once. There is nothing to be ashamed of. " With that, he covered his face with his hand. The picture of Daiyu covering her face with her brain is like a lotus covered with lotus leaves, which makes people hide in ecstasy and feel ashamed. At the same time, Daiyu's words and hiding her face are mocking Baoyu, which makes people feel the tacit friendship between Baodai and Daiyu and the intimacy that others can't surpass.

Throughout the first eighty chapters of A Dream of Red Mansions, it is common for Daiyu to joke with Baoyu, but it is difficult to see Baochai, who loves beauty like a child and hides outside the door during the day, joking with Baoyu. Although it is related to personal character, it is more important that we are not familiar with each other. Baoyu and Baochai are more respectful and polite, while Baoyu and Daiyu are telling the judge.

Facing Daiyu's ridicule and hiding his face, Baoyu, who is familiar with Daiyu and knowledgeable, said with a smile, "Why bother! Why are you laughing at me? I'm not afraid of shame, but you cover your face. " The cheerful and warm picture told to the judge is like this, as if happiness is flowing in the air.

Baochai interjected at this moment: "Next time, I'll invite a boss, four poems and four words, four poems and four words each. The title of the first poem is "Yong" ...... "On the Taiji Diagram, Zhou Dunyi in the Northern Song Dynasty explained it with" Taiji Diagram ":"On the one hand, he absorbed Chen Tuan Taoist Yi Li's Taiji schema theory and made a new explanation, on the other hand, he inherited the tradition of Yi Li School since Han and Tang Dynasties ... and became a pioneer in the interpretation of Yi by Song and scholars. Narcissus, Chimonanthus praecox and Taiji Diagram are like a metaphor. Baoyu and Daiyu like beautiful and vital things, and Baochai is more bound by dogmatic ethics.

In the first eighty times, every time the Baodai couple had a progressive conversation, it was followed by "Baochai came", and the previous conversation came to an abrupt end. Baochai can't seem to be integrated into the conversation between Baochai and Daiyu, so when Baochai and Daiyu realize that "enemies don't get together"; When Bao Dai buried the flowers together, * * * read The West Chamber; When Baodai confided her love to her father, when Baodai discussed Qingwen's sacrifice together ... Baochai drifted out of the picture.

Baochai never imagined that Baoyu would mourn for Jin Chuaner, a servant girl who died by jumping into a well, at the lively moment of Wang Xifeng's birthday, nor would he think that Baoyu would be infatuated with the story of "Yu Ming girl" casually compiled by Granny Liu, nor would he pay attention to Baoyu writing a eulogy for a girl ... These Daiyu would think that Baoyu had a heart because she knew Baoyu.

Influenced by film and television dramas, Daiyu stepped into Jiafu with her front foot and Baochai came with her back foot, but in the novels, they are all briefly described. Looking at the age details in the novel, Daiyu was five or six when she first came to Jiafu, and Baochai was thirteen when she appeared. Baochai is two years older than Baoyu, who is one year older than Daiyu. When Baochai came, Daiyu had been in Jiafu for several years. Later, Wen Baoyu emphasized that he and Daiyu "grew up together" and that Sister Bao was "later". "What reason do I have because he alienates you?" The friendship with the man who grew up together is commendable, not to mention the love of "three lives depend on stones"

Baoyu and Daiyu also love flowers. Baoyu will worry about "apricot blossoms will fade after only a few days of illness", and Daiyu will worry that "a scent of medicine in this room will spoil this floral fragrance"; Baoyu and Daiyu also love maids and regard them as friends and sisters, so Qingwen in Ehongyuan can be overbearing, and Zijuan in Xiaoxiang Pavilion can criticize Daiyu, while the maids around Baochai still abide by the distinction between master and servant. Baoyu and Daiyu have great love for all beautiful things. When Baoyu is a guest in Ningguo Mansion, he will worry about the loneliness of the beauty in the painting and will accompany her. When Dai Yu wrote Five Beautiful Songs, she also used fresh and cool fruits to pay homage to these historical beauties. ...

When Baoyu gets something good, he will think of Daiyu for the first time. He will keep the beaded beads given to him by the King of Beijing until Daiyu comes back to see him off. During the Spring Festival, Baochai gave something brought by Xue Pan, and Baoyu's first thought was what Daiyu got. Knowing that Daiyu likes to drink tea sent by Wang Xifeng, she sent a maid to pick him up immediately after Daiyu became seriously ill. ...

Poetry expresses ambition, reflecting a person's feelings and values. Baoyu praised Daiyu's poems for countless times, because he agreed with Daiyu's values, or, from the deep heart, they are the same kind of people. When Li Wan judged that Daiyu's poems were inferior to Baochai's, Baoyu even defended and supported Daiyu.

After each group activity, Baodai often talks alone for a while. I like the fifty-second time best. Daiyu "still had something to say, but she didn't say it, and she lost her mind." Baoyu "also felt that he had a lot on his mind, but he didn't know what to say." The best feeling is so much. Even the language between two people who love and know each other has become a burden. At the same time, Aunt Zhao came to see Daiyu at an inappropriate time. Daiyu "winked at Baoyu at the same time, and Baoyu understood ..." She could read each other's eyes and understand each other's affection.

Baochai and Daiyu are equally divided, but neither is suitable for Jia Baoyu. "All roads lead to gold and jade, and I only study the Mushishan Alliance." If Baochai can find a handsome son whose career is fame and fortune, she can also make a good marriage. The cruelest part of fate lies in separating two people who are suitable for each other alive and forcibly arranging two people who are not suitable for each other together. Whether it is the true story of Cao Xueqin after 1980s or the sequel of Gao E, it is inevitable that "Daiyu died young, Baoyu became a monk and Baochai became a widow". "Even if this is the case in Qi Mei, it is difficult to tell the truth."

The thirty-seventh time, when everyone was thinking about poetry, "Daiyu alone caressed the phoenix tree, watched autumn scenery, or talked and laughed with the maids." Baoyu hasn't finished writing his own poems, but he always cares about Daiyu and tells her, "Why do you just squat on the tide?"

Sometimes I wish a dream of red mansions could stay on these warm little things, and I hope Baodai's ending is like this. Readers often end up with whom Baoyu finally married, but for Baodai, these warm soul mates have already surpassed the secular ending. ...