What are the more famous excerpts from Beijing Opera?

According to statistics, there are more than 5,800 Peking Opera plays. Most of them are traditional plays. In traditional drama, it can be divided into several categories. One is the original repertoire of Huizhou class, and the repertoire in Chinese or Huizhou tune, such as Da Hui Ji, Strange Double Meeting, Beating Cherry, Drunken Lady, Luocheng Corner Officer, No.1 Scholar's Score, Zhanchangsha, Drumming the Drum to Scold Cao, Selling Horses with a Mace, and Four. The other is the repertoire transplanted from Bangzi, such as Tiegongbian, Xin Anyi, Yutangchun and Big Coffin. The other is Kunqu Opera, such as Thinking of Fan, Noisy Learning, Visiting the Garden, Scared Dream, Fighting Tiger, Mountain Gate and so on. There are also some small plays that sing "Luo Luo" and "Niu Si", such as beating barrels, herding cattle, playing flower drums, visiting relatives and so on. These tracks from Hui, Han, Kun and Bangzi still retain the charm of their predecessors in the artistic style and performance method of singing tunes.

After the formation of Peking Opera, most of the plays compiled and performed by artists were based on novels such as Romance of the Three Kingdoms, The Journey to the West and Yue Shuo. Earlier, there were thirty-six volumes of the Three Kingdoms compiled by Lu Shengkui (40 volumes), Two Hearts Against each other compiled by Yang Longshou, and Eight Masterpieces compiled by Shen Xiaoqing and others according to the historical case-solving (that is, several plays by Huang Tianba). Around this time, Shanghai Peking Opera artist Wang Hongshou and others also edited and performed some plays, including one to twelve "The Iron Rooster", which is said to be instant. Later, in the Peking Opera Reform Movement in the late Qing Dynasty and the early Republic of China, more literary and art workers participated in the writing of new dramas. In Shanghai, Wang Xiaonong's party member Monument, Melon Bells and Blue Voices, New Camellia, Monument to Blood and Tears, Hate the Sea, etc. Have certain social significance. Later, with the help of new literary and art workers, he also directed and performed Zhou's songs "Jiao Ren" and "Learning Boxing King Kong". In Beijing, literati Qi Rushan, Luo Yinggong, Chen Moxiang and Jin wrote many new plays for the "four great poets", such as Farewell My Concubine, Green Frost Sword and Hairpin Phoenix. Since the 1920s, You Jingui and others in Shanghai have created a large number of Liantai dramas.

There are many traditional dramas with high ideological content in Beijing Opera, such as My Beauty Case, Fisherman Killed Son and Four Sons. More dramas reflect ancient life from all angles, enrich people's knowledge or give people healthy artistic enjoyment. Such as Hero, Indoor City Plan, Yutangchun, etc. However, there are also a few dramas that promote feudal morality and describe erotic murder, such as Nine Watches, The Story of Two Bells, Killing the Son, etc.

The tradition of Peking Opera still has the characteristics of unbalanced script and performance. Some scripts are readable, while others can only be displayed on the stage and are not literary. Many plays have gradually matured and become fine works of art through the continuous enrichment of actors in stage practice.

The most influential playwright in Beijing Opera is Lu Shengkui (masterpiece Romance of the Three Kingdoms). ), Wang Xiaonong (masterpiece "Crying for Ancestral Temple", "Sprinkling Water in front of the Horse", etc. ), Luo Yinggong (representative frost-clearing sword, golden lock, etc. ), Chen Moxiang (masterpiece "Hairpin Phoenix", "Two Boys in the Red Chamber" and so on. ) and Qi Rushan (masterpieces). Weng Ouhong (representative works include Lock Qi Capsule and Jiang Xianghe and the King). ), Ma (masterpiece "Pojun into Beijing", "Song Zhengqi" and so on. ), Fan (representative male Jiang Hong and female Lu Ruiming).

After the founding of New China, Peking Opera was reborn. A large number of traditional plays have been compiled, and many new historical plays and modern plays have been compiled, which have contributed to the socialist revolution and construction. Especially after the Third Plenary Session of the Eleventh Central Committee, after bringing order out of chaos, Peking Opera has been revived and embarked on a new development path. The main repertoires that have been arranged and adapted are The Legend of the White Snake, The Wild Pig Forest, General Harmony, Female General of Yangmen, Mu in Command, Matchmaker, Wangjiangge, Li Huiniang and so on. His historical dramas include Forced Liangshan, Sanda Zhujiazhuang, Man Jiang Hong, Wu Zetian, Xie Yaohuan, Black Cyclone Li Feng, Hai Rui Dismissed from Office, Song Zhengqi, Xu Jiujing Promoted, etc. Modern operas include White-Haired Girl, Zhao Yiman, Dino, Adventures of the White Tiger, Xie Zhenguo, Taking the Tiger Mountain Outward, The Story of the Red Lantern, Shajiabang and Dufu Mountain.