What do you think of Zhou Yunpeng's comedies?

Netizen 1: This is what happened to Zhou Yunpeng. The famous "blind jump" performance can only be heard once or twice, and he will get bored after listening to it for three times at most. His performance in "the legendary swordsman" can prove that the effect is worse every time. Later, he watched other programs in Zhou Yunpeng, and the effect was even worse. The performance form of "jumping blind" should not be original by Zhou Yunpeng, but it should have existed long ago. The reason why it has not been handed down on a large scale for everyone to appreciate is estimated that the main reason is poor persistence, and you can listen to it once or twice. It is difficult for Zhou Yunpeng to sustain itself by "blind leap-forward development". Otherwise, it will be difficult to make a big breakthrough in this respect or find an expert to show you how to change the game, otherwise it will be difficult to develop again. In addition, after decades of development, the cartoon art in Northeast China has been exhausted by Jiang Lang, and most of the audience are tired of aesthetics and need reform and transformation.

Netizen 2: After you stop laughing, you will feel that this form of expression is very low. As the saying goes, a thousand dollars can't buy a smile. It's not easy to make comedies and sketches. Many sketches and jokes can make people laugh at the first time. When they are listened to again, there will naturally be a high point of laughter, because they know where the burden node of the program is. Other art forms, such as movies and TV plays, have a similar situation. We can't be too demanding of the works created by the creators with time, energy, painstaking efforts and inspiration, because it brings us rare laughter and joy after all. As an audience, we laugh at the same time. There is no doubt that the creator's work has been recognized. We really want to thank the creator for his efforts, even though he brought us only joy and laughter. May they continue to create new and good works, and bring new joy and laughter to millions of audiences in Qian Qian.

Netizen 3: It can only be said to be a form of expression, not an achievement art. Generally speaking, actors, stars, hosts, teams, etc. Now rely on the platform. In a certain period of time, a platform with the highest public attention will give these performers a higher stage attendance rate, and then the effect will be even greater. CCTV platform is divided into platforms such as Spring Festival Evening and Golden Theater, which are welcomed by Zhao Jiaban and Tang Guoqiang. However, when it comes to the whole country, there are always some provinces and regions that don't like white clouds and black soil, and there are always some teenagers who don't understand the majesty of the son of heaven. The legendary swordsman, Happy Camp and other platforms are all like this, but there are still many performing artists and stars who have not been on these platforms, and they have different audiences. Because of this, Zhou Yunpeng's comedies won the heartfelt appreciation of Song Dandan. Northeasters love to watch, but some viewers don't understand. It is normal. Honey A, arsenic B, talcum powder and rice flour also belong to different groups. If Zhou Yunpeng can reach his audience, then he is successful.

Netizen 4:

Some people say that Zhou Yunpeng is blind in cross talk. So explain what a blind person is first.

"The Blind Touch the Elephant" is from "Stripping Jacket". Because he boasted or lied, he was evasive, but he continued to make it up, so that the audience would think that Ma Lisan had made a mistake. In fact, the horse did it on purpose.

There is also a saying that the blind don't know what and where Ma Lisan is going to say, and his performance is very casual.

The second one, I think, emphasizes the slow tone of Ma Lisan, otherwise any stand-up comedian can be called a blind man and don't know what he is going to say.

The first emphasizes acting, and the second emphasizes tone. Zhou Yunpeng is different. He emphasized the end of each sentence.

Some people say it is timid. I prefer to describe it as ending the penultimate sentence in a meaningless way. Zhou Yunpeng, for example, said that I came to participate in this cross talk and sketch today, and then began to sing and perform magic acrobatics.

Zhou Yunpeng's timidity has been repaired and he will soon get tired of reading it. You may not guess what he said at the end. In fact, you can guess the whole rhythm, and you know that you will end up talking nonsense.

Humor masters have similar timid jokes. Wu Zongxian's timidity is the combination of head and head. For example, when talking about his parents, Wu Zongxian said earnestly, "I recently ate noodles and found a white hair of my mother in the bowl." He combined his own tone to make the audience cry and make the audience think that Wu Zongxian was going to say something touching to his mother. Then Wu Zongxian began to say, "That was the first time I hit an old man."

The funniest thing is to turn over a burden that caught the audience off guard This was hosted by Wu Zongxian, and it was seen in Degang Guo's cross talk. Degang Guo described Yu Qian's father lying in a hospital bed, dying. At this time, the nurse asked him what he needed, and he said I wanted a sister.

Zhou Yunpeng can make people realize that cowardice is also a contribution to comedy, although watching too much will make them tired.