Little knowledge of China's drama

1. What's your little knowledge about opera?

Traditional opera refers to the traditional drama in China. The connotation of China traditional opera includes singing and performance, which combines dialogue, music, singing, dance, martial arts and acrobatics, and is different from western opera, ballet and drama. Chinese opera

China's five major dramas are: Peking Opera, Yue Opera, Huangmei Opera, Pingju Opera and Henan Opera. There are about 360 kinds of traditional operas and tens of thousands of traditional plays in ethnic minority areas in China. After the founding of New China, many traditional plays have been adapted, and new historical plays and modern plays that express the theme of modern life have been warmly welcomed by the audience. The more popular and famous operas are: Shaanxi Opera, Beijing Opera, Yue Opera, Huangmei Opera, Pingju Opera, Henan Opera, Kunqu Opera, Guangdong Opera, Sichuan Opera, Huai Opera, Jin Opera, Han Opera, xiang opera Opera, Chaozhou Opera, Fujian Opera, Qi Opera, Puxian Opera, Hebei Bangzi Opera, Hunan Opera, Shandong Opera, Ancient Painting Opera and Anhui Opera. Traditional Chinese opera is one of the traditional arts of the Han nationality. It has all kinds of interesting dramas, singing and dancing in the form of performance and rap, which is literary and martial. This is unique in the history of world drama. Its main features are as follows: Take Peking Opera, the representative of China's classical opera, as an example. First, men dress up as women and women dress up as men; The second is to divide life, Dan, essence and ugliness into four major industries; Third, there is an exaggerated makeup art-Facebook; Fourthly, "costume" (that is, costumes and props of China traditional operas) basically have fixed styles and specifications; The fifth is to use "procedures" to implement. The national operas of the Han nationality, from Daiyou in the pre-Qin Dynasty, Baihong in the Han Dynasty, Joining the Army in the Tang Dynasty, Zaju in the Song Dynasty, Nanju in the Southern Song Dynasty and Zaju in the Yuan Dynasty to the unprecedented prosperity of local operas in the Qing Dynasty and the formation of Peking Opera, have always been rooted among the Han people and enjoyed by the people. Going to the theatre is still one of the main recreational activities of the Han nationality. Generally speaking, northerners like watching Peking Opera, while southerners like Yue Opera. All kinds of local operas have their own audiences. People who are far away from home even regard listening to and watching national operas as a sign of missing their hometown.

2. Have a little knowledge of drama

Brief introduction to drama) [drama; Play used to refer to traditional operas in China, and later it was used as a general term for traditional operas, dramas, operas, ballets and poetic dramas in China.

Greek drama refers to the stage performance art that achieves narrative purpose in the form of language, action, dance, music and puppet. The concept of drama in literature refers to the script created for drama performance, that is, the script.

There are various forms of theatrical performances, including drama, opera, ballet, musical, puppet show and so on. A comprehensive art with specific significance.

There are two meanings: in a narrow sense, it refers to a form of stage performance that started with ancient Greek tragedies and comedies, first developed in European countries, and then became popular all over the world. Drama in English and drama in China. Broadly speaking, it also includes the traditional stage performances of some countries and nationalities in the East, such as China's operas, Japanese kabuki, Indian classical dramas, and Korean singing operas.

The essence of drama In the 4th century BC, Aristotle expressed his understanding of the essence of drama in Poetics. He believes that all art is imitation, and drama is imitation of human behavior.

Two centuries later, India's first drama theory work, Dance Theory, also pointed out: "Drama is imitation." /kloc-after the 0/9th century, there have been different views on the nature of drama, mainly including audience, conflict, upheaval, situation and laboratory.

The audience said: identifying with the audience is a necessary condition and the essence of drama. French drama theorist F.

Sasai is the representative of this concept. He asserted that no matter what kind of drama works, it is for the audience. "Without the audience, there would be no drama", so all the organs of drama must adapt to the audience's appreciation.

Conflict theory: represented by the French drama theorist Brent. At the end of 19, Bruntel pointed out that the stage is the place where people's conscious will is exerted, and the exertion of characters' conscious will is bound to encounter obstacles, and the subject must fight against them in order to overcome them, which constitutes a "will conflict", and the essence of drama lies in this.

American drama theorist J.H.

Lawson attributed the essence of drama to "social conflict in which consciousness and will play a role". He believes that because drama deals with social relations, people's conscious will is bound to be restricted by social inevitability, so the real drama conflict must be social conflict.

This concept can be expressed in one sentence: "There is no drama without conflict." Radical change theory: British drama theorist W.

Archer denied Brentre's "conflict" theory. He equates novel with drama, and thinks that novel is a "gradual" art, drama is a "crisis" art, and drama deals with the drastic changes of human destiny and environment, which is the essence of drama. Situation and laboratory theory: as early as18th century, French philosopher D.

Diderot once regarded "situation" as the basis of dramatic works. When Hegel talked about the characteristics of drama, he also linked "situation" with "conflict" and emphasized the ontological significance of situation.

J. existentialist philosopher and playwright. -P .

Sartre called his plays "situational drama" and described the object of the drama as people's choice behavior in the situation. B.

Brecht regards drama as a scientific method and thinks that drama is a laboratory to test human behavior in a specific situation. This concept also defines the essence of drama from a specific angle.

The origin of drama 1. There are two kinds of music and dance theories: (1) the palace music and dance theory, which is about the miscellaneous knowledge of Lushuige written by Nalan Xingde in the Qing Dynasty: "When the clouds were full on the beam, it was an old man who talked about the changes of the immortals in the western regions, and the actors really started here." According to the fact that ancient music and dance were mostly dressed up with characters, Liu thought in the original play that "the dramatist originated from ancient music dancers ... and was similar to later operas".

In the book Primitive Music, Dance and Drama in China, the dramatic factors of primitive music and dance are often systematically investigated, and it is considered that "simple music and dance in primitive society is the predecessor of perfect drama". Zhou's A Long History of China's Plays traces the earliest source of China's plays to "Zhou Qin's Music and Dance".

(2) According to the ancient song and dance theory, the first sentence of A General History of China Opera edited by Zhang Geng and Guo Hancheng said: "The origin of China opera can be traced back to the song and dance of primitive times." We know that all art originates from labor, and China's songs and dances are no exception.

Book classics. Shundian said, "Give a stone a blow and all animals will dance."

The so-called animal dance is not as mysterious as later Confucianism. It is said that even animals came to worship and dance when saints were alive. This kind of dance is played by knocking on stones or knocking on stones with hands. There were no drums at that time, so it was primitive. It was only later that drums appeared, and the so-called "drum dance" went further.

This dance may be a primitive religious ceremony before going hunting, or it may be a celebration ceremony after returning from hunting. The article "Ancient Music" said: "Emperor Yao made life as a pleasure, and the quality was the sound of mountains and valleys. He sang for it, drummed with his skin, like the sound of jade, making all animals dance.

"This is a legend about ancient music and dance during the Warring States period. Through the description of this song and dance, we can see a scene of a primitive hunter hunting in the mountains: "While whistling, all kinds of pottery tools threatened the beast, so the beast ran away like a wolf and was finally arrested." The primitive artist "Zhi" (actually not one person, but all people at that time) created hunting dance according to the reality of life. At this time, the so-called "beast"

Of course, at this time, the scenes are artistic, and the music and dance are rhythmic. This kind of dance has a strong sense of ceremony. It is to call the patron saint or ancestor of the clan to pray for this harvest, or to thank the gods when they come back from hunting. But no matter what ceremony, no matter how heavy the primitive religious cloak is, its practical significance is a kind of exercise and exercise for labor, which not only exercises the proficiency of hunters, but also cultivates young hunters.

In Shun Dian, there is a record of Shoukui's "teaching children with joy".

3. What is a Chinese drama?

China opera.

Commonly known as "Huang Er", there are two names: "Chu Opera" and "Han Tune". It is the main drama in Hubei.

It is mainly popular in the Yangtze River and Hanshui River basins in Hubei Province and parts of Henan, Hunan, Shaanxi and Sichuan. Hubei, which was formed in the middle of Qing Dynasty, developed into four schools: Xianghe, Jinghe, Fuhe and Hanhe.

Commonly known as the road. At the end of the Qing Dynasty and the beginning of the Republic of China, special classes were set up, and a number of famous actors, such as,, and Dong, were trained, and Han opera flourished.

After the outbreak of War of Resistance against Japanese Aggression, Han Opera artists took part in anti-Japanese national salvation activities and formed a mobile performance team of Han Opera. Wuhan Han Theatre was founded in 1962, with the main actor.

The voice of Han Opera is mainly Xipi and Huanger, and the tunes are aria, Kunqu opera, miscellaneous tunes and minor tunes. High-pitched and agitated, bright and smooth.

In Han opera, gongs and drums are indispensable. It plays a variety of ways, including big fight, small fight and string fight.

Among them, the string performance is accompanied by a horse gong, which has a strong sense of rhythm and a strong atmosphere. Football color business is divided into ten major lines: Shou, Er Dan, San Jing, Si Zhong, Wu Chou, Liu Yang, Qi Xiao, Ba Tie, Jiu Fu and Shi Za; The last foot won with beautiful performance and mellow and deep singing; Danxing's singing is rich and colorful, and he expresses his feelings with his voice, which is rich in sound and emotion.

There are more than 660 traditional dramas of Han Opera, most of which are historical romance stories and folklore, such as Legend of Heroes, Sacrifice to Wind Terrace, Li Mi Coming to Tang Dynasty, etc. Among them, the performance of Cosmic Frontline was the most appreciated. There are also many mixed and rich tunes in China's plays.

The repertoires that specialize in singing Qupai include Dafu, Caochanghui, Five Talents and so on.

4. Understand China's traditional drama.

Ethnic operas: Tonal Opera, Tibetan Opera, Chaozhou Opera, Chu Opera, Fengyang Huagu Opera, Guangdong Han Opera, Guangxi Opera, Huangmei Opera, Huizhou Opera, Jingzhou Huagu Opera, Sichuan Opera, Yong Opera, Yunnan Lantern Opera, Guangdong Opera, Yue Opera, Henan Opera, Yihuang Opera, Yang Opera and Xinjiang Opera. Opera Shanghai Opera Hebei Bangzi Gan Opera Errenzhuan Errentai Sichuan Opera Northern Kunqu Opera Brand, Errentai, Shangdang, Shangdang Bangzi, Shaanxi Bangzi, Sichuan Opera, Triangle Opera, Yiwu Opera, Yiyang Opera, Guangdong Han Opera, Yunnan Zhuang Opera, Yunnan Lantern Opera, and Dan Opera. Shadow Play, Longjiang Play, Longyan Za Play, Donghe Play, Donglu Bangzi Play, Han Play, Ninghe Play, Leping Play, Orthography Play, Siping Play, Four-legged String Play, Right-handed Nanjian Play, Xipi Play, Xiqin Play, West Road Play, Western Play, West Road Pingju Play, Zhuang Opera, Zhuang Sha Play, Mi Play and Zhuang Sha Play. Henan Shaoxing Opera, Henan Daoqing Opera, Henan Quju Opera, Hebei Bangzi Opera, Hebei Opera, Beijing Opera, Qingyang Opera, Qinghai Pingxian Opera, Wu 'an Luozi Opera, Hangbang Opera, Yang Opera, Kunqu Opera, Long Opera, Qiang Mao Opera, Shao Opera, Ou Opera, Dong Opera, Yihuang Opera, Tea Picking Opera, Sizhou Opera and Xiansuo Opera. Gaobazi, Gaojia Opera, Gaoqiang Bangzi, Tang Opera, Guangxi Opera, Qin Opera, Jin Opera, Yong Opera, Puxian Opera, Haiyan Opera, Haimen Mountain Opera, Haicheng Horn Opera, Laiwu Bangzi, Huguan Yangko, Huai Opera, Huaihong Opera, Huangmei Opera, Huanglong Opera, Huangxiao Opera and Qing Opera. Hunan ancient painting opera, general opera, Zhou Pu Bangzi, Lei Ju, Western opera, Yunnan opera, Mongolian opera, Wan Wan Qiang opera, Ruihe opera, Xinjiang Quzi opera, Cisse opera, Taiwanese opera, Tongzi opera, Yuxian yangko opera, Manchu opera, Chaozhou opera, Huizhou opera, shadow play, Guizhou opera, Henan opera and Xiangyang opera.

5. What are the basic common sense of drama?

drama

Features:

(1), the script must be suitable for stage performance. The performance should be limited by time and space, and the big events that happened in different places for a long time should be concentrated on a limited stage and displayed in two or three hours.

For the knowledge of "three unifications", see the fourth paragraph on page 162.

(2) There must be concentrated and sharp contradictions and conflicts.

Drama reflects the contradictions and conflicts in real life. Without contradictions and conflicts, there would be no drama. Conflict is a reflection of social contradictions, which has a certain development process and constitutes the plot structure of the script.

The plot structure of the script can be divided into: beginning-development-* *-ending.

Beginning: Introduce the relationship between characters and reveal contradictions and conflicts.

Development: Describe the ups and downs of the plot, with waves of unrest rising again and again, pushing the contradictions and conflicts to the situation of * * * step by step.

* * *: Contradictions and conflicts reached their peak, showing a trend of rapid transformation.

Ending: Ending is the inevitable result of plot development and the solution of contradictions and conflicts.

Conclusion: echo the preface, enlighten the ideological content of the script, and arouse people's association and prospect.

(3) The characters' language and actions must conform to their respective identities and characteristics.

3, the script depicts the characters to promote the plot and the means of expressing ideas are:

(1), stage description: including character list, stage art, environment, sound, character up and down, gestures, movements, expressions, psychological activities, etc.

(2) dialogue and lyrics of characters: including monologues, narrators and dialogues. It is the main part of the script, and its task is to unfold the plot, prompt the character's character and express the theme.

(3) Structural form: divided into scenes. The tomb is a big unit, and the field is a small unit.

4, drama classification:

(1), different artistic forms and expressions: drama, opera, ballet, poetic drama, musical, cross talk drama.

(2) The complexity and structure of the plot are different: full-length drama and one-act drama.

(3) Themes reflect different times: historical dramas and modern dramas.

(4) The nature and manifestation of conflicts are different; Tragedy, comedy, drama (tragicomedy).

(5) Different regional colors: Beijing Opera (Beijing), Shanghai Opera (Shanghai), Henan Opera (Henan), Shandong Opera (Shandong and Jiangsu), Sichuan Opera, Han Opera (Hubei), Chu Opera (Hubei and Jiangxi), Shanxi Opera (Shanxi) and Huangmei Opera (Zhejiang).

(6) Different performances: stage plays, radio plays, movies, TV plays, etc.

6. What is the common sense that drama literature must know?

First, what is the content of the performance major.

As for the performance major, generally speaking, the content of the examination is sound, television, line and table. Usually, acting majors will have a preliminary test and a second test. The contents of the initial test and re-test are generally self-introduction, reading optional works, group sketch performance and examiner's questions.

The content of these exams is still difficult. In self-introduction, candidates are required to figure out how to make their self-introduction special within one year. There are other highlights in the project that candidates need to explore themselves.

This part, no matter which project, should choose the material or content that suits you. The second interview is divided into two tests and three tests. Candidates who pass the second test will take the third test.

The re-examination items are more comprehensive. Your cheating in the examination room is more comprehensive.

So if you enter the third grade exam, you should be prepared in advance. Second, it is most important to be true and sincere in front of the examiner.

How can some candidates say that they have a shelf or have been pretending to let the examiner and his family pay attention to themselves during the exam? In fact, this is not necessary. In the eyes of examiners, it is often those very real candidates who attract them the most. As long as you show your truest side to the examiner and the teacher, you will get the teacher's attention or attention.

7. China traditional opera knowledge.

Open a library member at a minimum of 0.27 yuan, and view the full content > Original Publisher: Li Xiaozhi Opera 1. Introduction of major operas 1. Kunqu Opera, also known as "Kunqu Opera" and "Kunqu Opera", is an ancient opera.

Originated in Kunshan, Jiangsu Province, it became popular after the middle of Ming Dynasty. At that time, Kunqu opera was mostly used to sing legendary dramas. In addition to maintaining the characteristics of early Kunqu Opera, Nankun has formed many branches in China, such as Kunyi in the north, Xiang Kun, Chuankun and so on.

Kunqu Opera, with its graceful and soft style, delicate and lyrical performance, singing and dancing, and rigorous program, is the representative of China classical operas. 2. The treble is the general name of China traditional opera tune system.

Because it originated in Yiyang, Jiangxi, it was originally named "Yiyang Opera" or "Yi Opera". It is characterized by simple performance, popular lyrics, high-pitched and exciting singing, one person singing while everyone is in harmony, and only golden drums are used to play festivals without orchestral accompaniment.

Since the middle of the Ming Dynasty, it has spread from Jiangxi to all parts of the country, and has formed high-pitched operas in different styles, such as Sichuan Opera, xiang opera Opera and Gan Opera. 3. Bangzi Opera Bangzi Opera is the floorboard of traditional opera vocal cavity system.

It originated from "Shaanxi Bangzi" at the junction of Shanxi and Shaanxi, and is characterized by high-pitched and powerful singing and high-five with wooden bangzi. Then it developed eastward and southward, forming different forms of Bangzi cavity in different areas, such as Shanxi Bangzi, Hebei Bangzi, Henan Bangzi and Shandong Bangzi.

4. Beijing Opera Beijing Opera, also known as "Pihuang", consists of two basic tunes, namely "Xipi" and "Huang Er". It also sings some local tunes (such as Liu Zi tune and Chuiguan tune) and Kunqu tune. 1840 was formed in Beijing and prevailed in 1930s and 40s. It is sometimes called "National Opera".

It is still a big drama with national influence. It is the representative of China modern opera, with comprehensive business, mature performance and magnificent momentum.

7. Jin Opera 13. Sichuan Opera.

8. China traditional opera knowledge.

Open a library member at a minimum of 0.27 yuan, and view the full content > Original Publisher: Li Xiaozhi Opera 1. Introduction of major operas 1. Kunqu Opera, also known as "Kunqu Opera" and "Kunqu Opera", is an ancient opera.

Originated in Kunshan, Jiangsu Province, it became popular after the middle of Ming Dynasty. At that time, Kunqu opera was mostly used to sing legendary dramas. In addition to maintaining the characteristics of early Kunqu Opera, Nankun has formed many branches in China, such as Kunyi in the north, Xiang Kun, Chuankun and so on.

Kunqu Opera, with its graceful and soft style, delicate and lyrical performance, singing and dancing, and rigorous program, is the representative of China classical operas. 2. The treble is the general name of China traditional opera tune system.

Because it originated in Yiyang, Jiangxi, it was originally named "Yiyang Opera" or "Yi Opera". It is characterized by simple performance, popular lyrics, high-pitched and exciting singing, one person singing while everyone is in harmony, and only golden drums are used to play festivals without orchestral accompaniment.

Since the middle of the Ming Dynasty, it has spread from Jiangxi to all parts of the country, and has formed high-pitched operas in different styles, such as Sichuan Opera, xiang opera Opera and Gan Opera. 3. Bangzi Opera Bangzi Opera is the floorboard of traditional opera vocal cavity system.

It originated from "Shaanxi Bangzi" at the junction of Shanxi and Shaanxi, and is characterized by high-pitched and powerful singing and high-five with wooden bangzi. Then it developed eastward and southward, forming different forms of Bangzi cavity in different areas, such as Shanxi Bangzi, Hebei Bangzi, Henan Bangzi and Shandong Bangzi.

4. Beijing Opera Beijing Opera, also known as "Pihuang", consists of two basic tunes, namely "Xipi" and "Huang Er". It also sings some local tunes (such as Liu Zi tune and Chuiguan tune) and Kunqu tune. 1840 was formed in Beijing and prevailed in 1930s and 40s. It is sometimes called "National Opera".

It is still a big drama with national influence. It is the representative of China modern opera, with comprehensive business, mature performance and magnificent momentum.

7. Jin Opera 13. Sichuan Opera.