What's the level of cross talk in Gao Xiaopan?

Gao Xiaopan began to learn crosstalk when he was very young, and later went to China Opera Academy to study professionally when he grew up. He also organized a group after graduation, but it was later dissolved. After dissolution, he joined Deyun Society. He left Deyun Society in 2004, re-entered in 2008, and then left again because he refused to accept it. It's just that he didn't make a fuss like others when he left.

Later, because he was not willing to be inferior, he founded a hip-hop bag shop. From one of his performance styles, we can see that he has always insisted on the coexistence of tradition and innovation and has been getting closer and closer. Pursuing originality and innovation on the basis of tradition has always been one of his creative principles, but this style is not particularly popular with everyone.

Mainly because he has his own persistence and ambition in understanding cross talk. He believes that the most important thing should be structure, skills and people, and finally the burden. However, the current crosstalk market, both actors and groups, put the burden first, ignoring these skills and roles. So from this perspective, Gao Xiaopan's cross talk is not particularly funny on the surface, and there will be many comments that he is not suitable for this industry and that he is not funny.

Some people say that he and Degang Guo are equal artists, but in fact they are equal at the Denggao Gate. But if we say that at the storytelling gate, Gao Xiaopan should be Degang Guo's apprentice, and he is also written in the genealogy of Deyun Society. He himself once said that it had a great influence on himself, both in life and art. Although he said that he had entered Deyun Society twice, he had always maintained a very good relationship with Mr. Guo. No matter what occasion, he will call him Mr. Guo every time he mentions it.