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20 1 1 Knife Smiling DVD HD Thunderbolt Download: /vod/4647.html Knife Smiling rmvb Edition (370.67MB) Thunderbolt Download: /vod/4647.html Shao Sanliang (Liu Xiaoye) fell in love at first sight with brothel chief Mei Niang (Yuqi Zhang) because of a falling silk handkerchief. South Beauty Restaurant, cooked by a generation of famous chefs, accepted a mute (Masanobu And?) as a handyman. The dumb man won the trust of BaChan with his extraordinary cooking talent and loyal guardian, but died of poisoning after BaChan taught all his skills to the dumb man. It turned out that all this was designed by the dumb, and the purpose was to take the black iron kitchen knife in the master's hand to avenge his father. This kitchen knife is made of "peerless black iron". In order to get this "peerless black iron", the Jianghu chivalrous Dugu City (Xu Chong) stole his father's grave, killed each other, and bullied the blacksmith Tang Fatty (Benchang You) who had lived in seclusion for many years, making himself the "best knife in the world", but he didn't know the secret of the black iron. In the end, born to die. A magical kitchen knife was thrown into the hands of the world, and the fate of countless people changed in this way ... The film story is divided into three sections, namely Knife of the Chivalrous Man, Knife of the Chef and Knife of the Butcher. In Knife of the Chivalrous Man, the director retains the characteristics of black, long hair and cold Kansai Chivalrous Man, and uses the traditional black tone. In Chef's Knife, in order to highlight the concept of revenge, cool cyan is chosen; In the ring of butcher's knife, because it involves a romantic place, it has a hazy red color. The editor's creative inspiration "Knife Seeing Smile" is adapted from An Changhe's novel "The Legend of Chopper". According to the director, he wanted to make a martial arts film about knives. A friend gave him a story meeting and recommended it to him. He thought the story was novel in structure and bought the right to adapt the novel. "Basically, the current screenplay is about 80% worse than the original story and has changed a lot. The dumb story has been preserved a lot, but the theme has changed, adding the theme of greed and becoming a brand-new story. " The director has a special preference for fables. He thinks fables are metaphors of life. He always wanted to make a movie that nailed the audience to their seats, spent 100 minutes intently, and left the theater and wanted to finish it by himself. This also requires the story itself to be wonderful and beautiful, rich in audio-visual, fancy, core position and complete metaphor system, so that the audience can have multi-level thinking. "The theme of greed and ignorance mentioned by the director made me see the connotation of Seven Deaths, but the seven deadly sins are of Christian culture, and greed and ignorance have a Buddhist cultural foundation that China people can understand." Producer Tang Yunru agrees very much with the Buddhist theme added by the director. She thinks that this film, as a film project headed by "Asia Star Gravitational Film Project", has reached a new height from the beginning. The legend of kitchen knife finally became the script of "Knife Seeing Smile", or it has gone through several rounds of discussion and revision. The screenwriter team headed by Zhang Jiajia, Tang Que and Ma Luoshan, together with director and producer Tang Yingru, launched a two-year war, from structure to characterization and plot trend. The most difficult thing is the innovation of structure, using comedy to interpret a tragic story. As far as the structure is concerned, it took half a year to explore countless possibilities. At first, there was a storyteller in a story outside, and the storyteller told three different stories, but this three-stage structure was neither popular nor innovative enough. Finally, in an inspiring discussion, the current nested structure was decided. "It's like a fable widely circulated in China: once upon a time, there was a mountain with a temple in it. There is an old monk in the temple. The old monk is telling a story to the young monk. The old monk said-once upon a time, there was a mountain and a temple in the mountain ... there were stories in the story, and it went on and on. " Producer Tang Yunru also said, "It's a bit like the circular ruins of Borges. A person dreams of another person, only to find himself in someone else's dream ... love love love, too, and the cycle goes on. Because similar but not identical stories can be found in both Chinese and western cultures, I think this structure has a cognitive soil for cross-cultural acceptance. "How to join the metaphor system of greed and ignorance? Greed and ignorance originated from eastern Buddhism, which is the three poisons in Buddhism and refers to the three weaknesses in human nature. These three poisons hurt the body and mind, causing people to fall into the cycle of life and death, which is the root of evil, so it is also called the root of three evils. In Buddhism, the patterns of chicken, pig and snake are generally used to symbolize greed and ignorance, simplifying and visualizing abstruse Buddhism. Chicken represents greed, snake represents anger, and pig represents stupidity. Shao Sanliang is a pig butcher, unrealistic and ignorant, represented by pigs; The mute has been pregnant with a bamboo snake sent by his brother and poisoned the teacher. Snakes are a symbol of hatred. Dugu city was aggressive, greedy for fame and profit, and finally everything ended in a chicken farm, taking chickens as a record. The three stories are like the picture of a pig leading a snake and then a chicken on a peerless black tin box, and the loop unrolling-metaphor system design is gradually coming into being. Comedy and martial arts temperament will give this film a basic audience base. Another problem in the script is how to turn three tragic stories into a comedy. " The standard of comedy is very simple, that is, the audience laughs or doesn't laugh ".This is the definition of comedy by director Wu Ershan, but he doesn't want to make a fake comedy, which doesn't conform to his own consistent temperament and style. Therefore, he combines everyone's wisdom to make ridiculous and absurd comedy lines, adds many comedy elements that China audiences love, draws lessons from many stage plays, adds folk art lines, and uses a lot of cross talk lines and allegorical sayings to create one after another. The three stories are interlocking and become an intertwined cycle, thus extending the theme of human nature and destiny. In the film, Wu Ershan uses three animals, chicken, pig and snake, to represent three stories, which is a rare metaphorical story in China's films. Producer Daniel Yu Wai-Kwok Weiguo also supports the idea of screenwriter. He believes that "a good-looking movie can only open up a new route and situation by adding profound meaning, and ultimately whether" Knife Seeing Laughter "can become a new variety of the movie itself, or that the absurd martial arts comedy temporarily mentioned by the creators is another story, but there is no doubt that the video genre in Wu Ershan has emerged". The story is not complicated, and the structure and style are well founded. What is worthy of recognition is the director's thought and attitude. Wu Ershan gave full play to various advertising techniques, exaggerated colors, quick editing, peculiar modeling and Quentin-style structure, which gave birth to another innovative work. The director also mixed various elements. The part that shows "greed" with coarse gravel pictures is full of the feeling of western martial arts, which reminds me of the previous Knight of Shuangqi Town. The paper-cut animation in "Chen" is much stronger than the ink animation in promoting the plot, and the effect is not worse than the animation part in "Ha 7". With the background music of "Chinese cabbage", it is a bit more black and humorous, which is impressive. What impressed me the most was the sentence "Destroy Jin, Gu, Liang and Wen to unify the Wulin". The packaging is good, and the essence is not bad. There are many suspense, foreshadowing and other elements. Although some places are still slightly immature, it does not affect the effect. Several actors are also in place, whether it's Mr. Benchang You who first appeared on the big screen, or sexy Yuqi Zhang for the first time, whether it's Masanobu And? or "Eight Shovels with Characteristics", even Ning Hao and Liu Hua who died in a hurry, and Xiong Xinxin who didn't show real kung fu, all left a deep impression on people. Of course, there are also shortcomings. Generally speaking, the end part is a bit anticlimactic compared with the front part. Beijing opera is used to uncover the truth. The fighting part of "Tiequan" and the ending of "Let's Go Again" are not enough to hold up all kinds of real knives and guns in front, and they are even more pale and powerless. If only we could be more creative, just like a brand-new cross talk, but the last burden is an old joke, which makes people feel dissatisfied and somewhat disappointed. In a word, I personally think that Smiling Knife can be another film worthy of market and reputation after Crazy Stone. I hope Wu Ershan didn't use all his skills in this film, and more energy will burst out in the future.

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