Music analysis of Mozart's minuet?

The minuet was written in 1779- 1780. It was originally the third movement of A Wandering in D Major, and later it was often used as a solo. This is one of Mozart's famous musical sketches, which has been adapted as solos for piano, violin, flute and other musical instruments. The violin adaptation is chosen here. It is said that this song was written to celebrate the graduation of Zigmond, the eldest son of the Salzburg aristocrat Luo Binic, from Salzburg University. It is one of the most famous minuets that people are familiar with, and it has obvious17th century court music style.

The music adopts trilogy, D major, minuet speed, 3/4 beat, the music theme is presented by the octave of the first violin and viola, and the music is beautiful and elegant. The next theme is like a steady trickle, soft and stretched. Later, the theme of the middle part composed of fluent sixteenth notes is gorgeous and elegant in color. Finally, the music reproduces the first part and ends in a cheerful atmosphere.

introduce

Different people have different views on Mozart. Fu Lei commented: "In the whole history of art, not only in the history of music, Mozart is unique." "The number, variety and quality of his works are unique." Fu Lei spoke highly of Mozart. In the history of music, most people pay more attention to Bach, Beethoven and Mozart. It can be said that their musical attainments have had a far-reaching impact on later generations. But why did Fu Lei, the master of art, have a soft spot for Mozart's music and give such a high evaluation? This is probably due to three unique characteristics of Mozart's music creation. The following three aspects of the characteristics of Mozart's music to do some superficial exposition.

First, unparalleled fluency and freedom.

People often compare Mozart with Beethoven, and most people think that Mozart's music is somewhat immature compared with Beethoven. But on the whole, the words that describe Mozart's music are mostly "elegance, grace, lyricism, cheerfulness ..." and so on. One of the most prominent features of Mozart's musical style is that his music has maintained an unparalleled sense of fluency and freedom from beginning to end. It is said that Beethoven often sweats when composing music, while Mozart is as relaxed as writing a letter. This is probably not a joke, but the truth. The fluency of Mozart's composition should come from his natural musical atmosphere, and his creation is like a godsend. As we all know, this outstanding representative of Vienna classical music school is known as a child prodigy. The story about him playing the piano and organ at the age of six, composing his first minuet at the age of nine, writing a symphony at the age of nine, and completing his first opera at the age of 12 is full of legends, and people who love him often talk about it and praise him. From the perspective of music creation, Mozart can be compatible with all genres at will. However, Mozart was not restricted by various schools. Although his style is complicated, he is always free and easy in Mozart's works. It is precisely because of this feature that Mozart's music can always maintain an unparalleled sense of fluency and freedom. For example, the last movement of the piano sonata in F major (K.332) has been played by many children learning piano. The opening of the farce, the loud horn, the dexterous sentence, and the sudden melancholy meditation-these seemingly unrelated messy scenes, once mastered by Mozart, seem to be naturally smooth, which really makes people deeply sigh. Another example is Symphony No.40 in G minor, which is full of modern and smooth melody, and people will remember it after listening to it. Another example is his symphony No.39 in bE major, whose free and smooth melody makes the whole work clear, cheerful and poetic. The fluency and freedom of Mozart's music is not made, but a wonderful melody that really flows from the bottom of my heart.

Second, profound skill and skillful skills.

Listening to and appreciating Mozart's music, while being deeply moved by its smooth and melodious melody, will also be impressed by its profound skill and skillful skills.

First, looking at Mozart's music score, we can find all kinds of complex techniques and empirical evidence of his creation. For example, the dazzling counterpoint display in Symphony No.41Jupiter or the amazing disharmony treatment in the famous string quartet in C major (K465); Another example is the intellectual victory in the last movement of the piano concerto in F major (K459). Mozart's skillful and superb creative skills are reflected in these works.

Second, Mozart's great contribution to music genre creation can be seen in his profound skill in music creation. For example, in the form of concerto, Mozart made a useful exploration. He inherited and developed j? c？ Bach's piano art makes piano concerto reach the height of symphony. His 27 piano concertos show his musical talent in all directions. Through his creative practice, he laid the foundation for the establishment of the form of modern piano concerto. The structural principle of the18th century classical concerto he established is as follows:

(1) Comparative structure of three movements: the first movement, Allegro sonata; The second movement, adagio for aria lyric; The third movement, Rondo or Rondo Allegro;

(2) Double presentation structure: The first presentation part is played by the band on the main theme, and the music is short and concise; The second presentation part, played by solo instruments and bands, is long, gorgeous and full of science and technology. When new themes are added, there are often two or three sub-themes.

(3) Cai Hua's passage: Between the end and the end of the first movement reproduction, the band introduced gorgeous passages improvised by solo instruments with 46 main chords, so as to strengthen the status of solo instruments and distinguish them from ensemble bands.

Among this genre, the most outstanding are 23 piano concertos, which are very distinctive in both form and content.

For another example, Mozart also made outstanding contributions to the genre of classical sonata. He composed 17 piano sonatas, completing the transformation from ancient piano to modern piano. Mozart's creation of music genre reflects his musical talent. From the above facts, it can be shown that Mozart's music creation has profound foundation and skillful skills.

Third, the profound connotation under the charming appearance

"Beautiful and pleasing to the ear" is just the charming appearance of Mozart's art, which contains profound connotation under the cover of its charming appearance. Many people think that Mozart never thought without the help of reason when he wrote, so he can't be noble and profound. However, if you listen carefully, taste and appreciate, you will come to different conclusions. As Kirk said, to understand Mozart, a higher level is to realize that his music contains meaningful and profound human content.

First, the profound connotation of Mozart's music is very obvious in his opera creation. Mozart is known as "the greatest musical dramatist" because he can not only observe the joys and sorrows of the world with sympathy, but also see through the inner quality of the world with transcendental eyes. Therefore, in Mozart's opera works, there are profound connotations, which are memorable. For example, the countess in The Wedding of Figaro, despite her unforgettable sadness, can bring reconciliation and hope to the world at a critical moment. Another example is the opera The Magic Flute, which depicts the personality conflicts of different roles. The content expresses that justice must prevail over evil, and light will eventually replace dark thoughts.

Secondly, the profound connotation of Mozart's music is also reflected in his instrumental works. For example, Mozart wrote about 19 sonatas for keyboard instruments, and his Sonata in A Minor (K3 10) in Paris is rich in harmony, dignified in texture and characterized by "emotional style". Sonata and Fantasia in C minor are as emotional and dramatic as his Concerto in Minor. For another example, in the creation of chamber music, Mozart devoted himself to creating chamber music with different musical instrument combinations. Solo, duet, trio, quartet and quintet all have deep feelings. Among his 23 string quartets, his six Haydn quartets are the best, which reflects his close relationship with his predecessors and his sincere feelings. For another example, in concerto creation, Mozart's mature concertos are never bound by schemata, with rich imagination and profound connotation, especially his piano concertos in minor (K466, C in D minor, K49 1 in C minor).

Czech composer dvorak never allowed his students to despise Mozart. He once said seriously to his students, "Please remember that Mozart is our sun!" Let us remember this great artist, feel his tolerance, wisdom, detachment and philosophy, and learn his skills and techniques.

Introduction:

Album introduction:

There are 18 piano sonatas created by Mozart, numbered * * *. This album contains 18 sonatas and fantasia (K475) in C minor, and composes them.

Maria joo Pires, a famous Portuguese female pianist, plays wonderfully and is a collection of masterpieces by friends who love Mozart's music.

= = = = = ◆ CD1:piano sonata K279 in c major, piano sonata K280 in f major, piano sonata k28/kloc-0 in b flat major/= = = = =

1772 In the spring, Mozart visited Vienna in the summer and autumn of solstice after his third trip to Italy. From the following spring, his music began to have a warm style. The six piano sonatas written by 1774- 1775 are the works produced in this transformation. This piano sonata K279 in C major is the first one. This work is obviously written for the harpsichord, so any movement in it is full of lively charm. The first movement: Allegro in C major, sonata form. Start with a very light first theme. The second theme entered G major through A minor. The development department starts from C major, with * * * 19 section. This passage is rich in changes and looks very gorgeous. Finally, the first theme appears again, and then the second theme also appears in the main melody and ends the first movement. The second movement: Andante in F major, sonata form. The first theme is accompanied by the staccato of the triplet. The second theme appears in the leading tone and then ends with a short ending. The extended part is very short, only 14 bar, and adopts the sound form of the first theme. In the reproduction part, the first theme is shortened and the second theme is slightly lengthened. The third movement: Allegro in C major, sonata form. The first topic is about 10 bar long. After that, there is a saying that the second theme of contrast appears in the main melody, and the expansion part begins with the sound form of the second theme, and then the first theme takes over. Both the first theme and the second theme end the whole song after being reproduced by the reproduction part. Piano sonata K280 in F major, written in 1775. ***3 movements: 1, Allegro, 2, Adagio, 3 Allegro. Piano sonata K28 1 in B flat major, written in 1775. ***3 movements: 1, Allegro, 2, Andante, 3, Allegro, Rondo.

= = = = = = ◆ Cd2: piano sonata K282 in E flat major, piano sonata K283 in G major and piano sonata K284 in D major ◆ = = = = =

Piano sonata K282 in E flat major has three movements, the first movement: Adagio, the second movement: minuet, and the third movement: Allegro.

Piano sonata K283 in G major has three movements, the first movement: Allegro, G major, sonata form. The first theme comes first. Then the second theme appears in a subordinate tone. The presentation part repeatedly enters the expansion part, and another new melody similar to parenthesis appears in the expansion part. The transformation technique of the first theme reproduced by the reproduction department is very similar to Haydn at that time. The second theme reappears in the main melody. The second movement: Andante in C major, sonata form. It was the first theme at first. After the sentence is the second topic. The third movement: Allegro in G major, sonata form. This is also a piece of music with a little Haydn style. The opening part is quite long and gorgeous.

It means to put in a sentence.

1at the end of 774, Mozart went to Munich to perform his comic opera, and he stayed in Munich until the beginning of March of the following year. Even during this period, his creation was persistent. It was during this period that he completed the piano sonata K284 in D major. This work is sometimes called "Durni Sonata" because it was written by Durni, the attendant of Maximilian III, the Bavarian elector of Munich. In this sonata, you can clearly feel the elegant French style, which is probably related to the influence of Mozart on the piano collection of French composers when he was in Munich. Mozart continued this French elegance for some time and created a lot of works. And this work is the pioneer of this style.

= = = = = ◆ CD3: Piano Sonata K309 in C major, Piano Sonata K3 1 1 in D major and Piano Sonata K310 = = = =

The piano sonata K309 in C major was composed by Mozart for Rosa, the daughter of Mannheim musician Connor Bisi. They are close friends. Therefore, this piece has obvious Mannheim music style. The first movement: Allegro, C major, sonata form. The first theme begins with a strong chorus, as obvious as Mannheim's speed mark. In the second half of the theme, there is a paragraph that begins with a lively rising tone, and then the second theme of genus. The extension is extended to 35 bars, which is a special case that is not found in the general sonata convention. Here the first theme becomes the center, and the timbre effect of minor is very beautiful. In the reproduction part, the second half of the first theme is moved to C minor. At the beginning of the second theme, the melody part and the accompaniment part are exchanged, and finally there is a short ending. The second movement: adagio in F major, trilogy. First of all, the theme repetition with decorative sound is played. Strong and weak contrast and fine note dynamics are beautiful. The second part is the melody in C major. Then, a little deformation, back to the first topic. In the third part, the variations in the second and third parts are made with rich and delicate notes, and the last four bars end the second movement with the weakest play. The third movement: Allegro Rondo in Wenya C major, Rondo. The theme of Rondo begins with medium intensity and strength. This brisk theme is followed by a paragraph sentence, followed by the first insertion of the dominant tone centered on the strength of the triplet. When the Rondo theme appears in major again, the second insertion in the subordinate key F major appears, and the Rondo theme appears for the third time. Finally, the music ends gently in the finale composed of Rondo themes.

Piano sonata K311* * 3 movements in D major. The first movement is Allegro, in D major, in sonata form. The content of this action is clear and relaxed, and it is a piece of music with a very happy atmosphere. The first theme is lightness. The second theme is subordination, and there are also light emotions. The expansion part mainly expands the second theme. The second movement is the expressive andante in G major and Rondo. (It can also be regarded as a sonata form ending with the first theme, lacking an expanding part. ) Rondo theme * * * has 12 section, which is repeated. After the interlude melody (or the second theme) is presented in the main melody, the theme of Rondo appears in the main melody, and then the interlude melody appears in the main melody. The theme of Rondo is revealed for the third time with more dense notes. The third movement: Allegro, Rondo, D major, Rondo sonata form. The main theme is cheerful. After a sentence with obvious intensity, the sub-theme appears in the main melody. After the main theme was presented for the second time, a new melody in B minor appeared. At the end of the cadenza, the main theme is presented for the third time, and the sub-theme is also presented as the main theme. Finally, the main theme enters the end of the film.

Mozart left Mannheim for Paris on March 1778. Although he lost his mother in July of the same year, his creative activities are still very active and he has created many works. Piano Sonata in A minor is his first piano sonata in Paris. This piece of music seems to reflect Mozart's nervous mood at that time, and also indicates the unexpected loss of his mother. It is gloomy and full of tension. This work is more substantial and perfect in structure and content than all his previous piano sonatas. The first movement: Allegro Soleil in A minor, sonata form. The first theme is full of intense gloomy tension. After a sentence composed of this theme sound pattern, play the second theme in C major of relational major. The rhythm of the first theme of the development department is very colorful with the change of mode and intensity. The second half enters the sound form of the second theme, and then enters the reproduction department. The second movement: Andante, expressive, in F major, sonata form. After the first theme, a second theme appeared in C major, which gives people a fresh and wonderful feeling because of its dense homophone repetition and vibrato. The first theme is used in the development part, and the second half is like a fantasy spell. In the reproduction part, only the second theme in the main melody is reproduced, and then the movement is ended. The third movement: Allegro and Rondo in A minor. In this movement, the tension of the first movement is revived. The first insertion after the theme of Rondo consists of high notes and low notes playing the theme of E minor. After the theme of Rondo appeared for the second time, it was the second inserted melody of this part in A major, and then it returned to the theme of Rondo for the third time in A minor. This music structure based on a single theme is a unique style of Mozart's later maturity.

= = = = = ◆ CD4: piano sonata K330 in C major, piano sonata K33 in A major1,piano sonata K332 in F major = = = = = =

Piano Sonata K330 in C major is a work composed by Mozart in Paris in the summer of 1778. Compared with the works made in Paris, it is small in scale and fun, but rich in content, expressive and French. The first movement: Allegro to the Mean, in C major, sonata form. The first theme is vivid, followed by the second theme, which is presented in the form of genus. Finally, the presentation part ends with a 4-bar finale. In the development part, the theme presented in the presentation part has not developed, but belongs to the subtle part with various tone sandhi in the insertion sentence. After that, the music gives people a sense of freshness and reappears according to the law. The second movement: Andante in F major, trilogy. The theme is elegant and sweet. After repeating it, I entered the second part, and it became a coherent minor in F minor, and this paragraph was also a melody with the same beautiful contrast, which was repeated twice, and then the theme of F major was reproduced. The third part changes from minor to major, and then ends. The third movement: Allegro in C major, sonata form. The first theme is lightness. After the sentence, the second topic appears in a subordinate tone. The extension is free. The first theme and the second theme are reproduced in the reproduction part, and then the music ends with the tail.

Piano sonata K33 1 in A major is the most famous one among Mozart's piano sonatas. In the Allegro of the last movement, the words "Turkish style" were marked, which obviously had the prevailing oriental flavor at that time, which is why this piece became very popular. The movement structure of the whole piano sonata is irregular. First Movement: Andante Elegance, A Major, Theme and Variations. The theme consists of two sections, the first half is 8, and the second half is 10. Although the theme is simple, it is very beautiful and clearly reflects the general situation of music in this period. The first variation is centered on the strength of the sixteenth note of the right hand; The second variation sings a beautiful melody, accompanied by the triplet of the left hand; The third variation turns to minor, and the fluctuation of sixteenth notes is very beautiful; The fourth variation returns to a major; The fifth variation speed turns to adagio, and the accompaniment and right hand are thirty-two tones; Finally, the sixth variation returns to Allegro, becoming a light and clear variation, and finally ending the music with an epilogue. The second movement: minuet in A major, large minuet with middle part. The main part of the minuet begins with a powerful chorus, with 48 bars. The middle part is changed to D major, the left hand and right hand alternate, and the strong part is inserted in the middle. The third movement: Allegro in Turkish style, in A minor, is called "Turkish March" because it is loved by the audience. It has become a well-known song and is often played alone in concerts. The structure of the movement has the characteristics of Rondo, but from the first insertion. The theme of the first insert is the beautiful and light tune of the famous dance music. The theme of Rondo is the style of Turkish military music, and the second insertion in A major is a gorgeous and smooth tune, much like the coloratura tone in Mozart's opera. The ending is a mixture of the above music materials, and this exotic movement ends in an extremely gorgeous and brilliant atmosphere.

Piano sonata K332 in F major is a large piano sonata with stable composition and free and imaginative final movement. Created in Paris in the summer of 1778. The first movement: Allegro in F major, sonata form. At first, it was the first theme of 12, which was composed of the decomposition of the main chord. After the first theme ended with the tonic, a contrast theme appeared. The next sentence is an emotional passage from D minor to C minor. The second theme is presented in the subordinate tune. The extended part starts with a new sound pattern, and also uses the sound pattern in the second half of the second theme. The first and second themes are reproduced in the reproduction section, in which sentences connecting the two themes are enhanced. The second movement: Adagio in B flat major, without unfolded sonata form. The second half of the first theme changed from B flat minor to F minor, and directly entered the second theme in D major without a word. After the second quarter, similar to the finale, there was no expansion department directly entering the breeding department. The third movement: Allegro in F major, sonata form. This is a very warm final movement, which fully shows Mozart's creative techniques when he entered a mature stage. The first theme is similar to a falling gorgeous fast sound group. Then there is the comparative theme, and after a period, it enters the second theme, playing in C minor first, and then ending in C major with the comparative figure. The development part begins with the first theme, which is quite a long piece of music. In the reproduction part, the last paragraph of the first theme is omitted, and the second theme is reproduced in F minor, followed by the sound pattern in F major. The finale was strong at first, and then it ended with a slow, weak and invisible ending.

= = = = = = = = ◆ CD5: Piano Sonata K333 in B flat major, Fantasia K475 in C minor, Piano Sonata K457 in C minor = = = = =

Piano sonata k333 in B flat major has three movements, the first movement: Allegro, B flat major, sonata form. The first theme is smooth singing, and the second theme appears in the dominant tone, with two melodies. The expansion section begins with the first topic. In the reproduction part, the middle part of the sentence and the second theme is lengthened and finally ends with a four-bar finale. The second movement: Andante in E flat major, sonata form. The first theme is light playing, and the second theme is also light playing in subordinate sounds. The expansion part begins with the variation of the first theme, and also uses the sound form of the sentence. In the reproduction department, the reproduction of the first theme has very rich decorations. The second theme reappears in the main melody. The third movement: Allegro, E flat major, Rondo sonata form. The theme is light. After the question is repeated, it is a short sentence. Sub-themes are presented in F major. Then the second appearance of the theme-the presentation of the new melody-the third appearance of the theme-the sub-theme reappears in the form of the main theme, and then the cadenza leads to the theme and ends the whole song.

Fantasia in C minor, K475, written in 1785. This song, published together with piano sonata K457 in C minor, is dedicated to Madame Tratenellon. This is the most famous and excellent of the three fantasia. This Fantasia, Adagio-Allegro-andantino-Allegro-Adagio. The theme is composed of two motives, which are transformed into beautiful melodies and repeated constantly. Allegro, then cadenza, andantino in B major, then the faster allegro has a stormy fast sound group, and then back to Adagio, with a strong ending.

Piano Sonata K457 in C minor, written in 1784. When this song 1785 was published by Aldaria Publishing House, it started with Fantasia in C minor (K475) written by 1785 on May 20th, so there was a scene where two songs were played together. ***3 movements: 1, Allegro in C minor, sonata form. The second half of the first theme at the beginning is the downward shift of the chromatic scale, in contrast to the scattered chords at the beginning. After this passage, a new sound form in E-flat major appeared from the weak play, and the second theme was E-flat major. The end of the speech emphasized the motivation at the beginning of the first topic. The development department mainly develops the first theme, changes the timbre form in E flat major to F minor, reproduces the second theme in C minor, and finally ends the first theme. 1, Adagio, E flat major, Rondo. After calming the theme, the first bracket is in B major, which has subtle strength. After the main call is reproduced, the second parenthesis starts in A major, and then repeats the theme of G major for the third time with rich variations. 3. Allegro in C minor appears in the form of various Rondo sonatas. The second theme consists of two parts, which is in G-flat major. The second theme consists of two parts. The main melody reproduces the first theme, and the short sentences turn from F minor to G minor and then to C minor. Reproduce the second theme, reproduce the first theme in c minor, followed by sentences in f minor, and then end with an ending.

= = = = = = ◆ CD6: K533/K494 in F major, K545 in C major, K570 in B flat major and K576 in D major = = = = =

Piano Sonata K533/K494 in F major, written in 1786. Mozart combined Allegro with Andante (K533) and Rondo for Andante (K494) in 1790. ***3 movements: 1, andante in f major, sonata form. The first theme starts with the right hand, and the sound mode of the first theme is used in the paragraph. The second theme begins with the left hand rising tone after the triplet and ends with the triplet. The development department started in C minor, and two themes appeared together. After presenting the first theme, the reproduction department turns around and reproduces the second theme with the main tone. 2. Andante in B flat major, sonata form. The first theme and the second theme set each other off. The second theme in f major, characterized by the right-handed downward chord. The second theme of the development department is dynamically introduced into the reproduction department by adding triplets, and the final song of the reproduction department starts to disperse chords dynamically from the second theme. 3. Andante in F major, Rondo. This movement is K494. After the main melody, the sub-main melody is expressed in the dominant tone. The first bracket is d minor. After the melody in B flat major is accepted, it returns to the minor scale part of the main melody, the second bracket appears in F minor, and then returns to F major. After the theme and sub-theme reappear, the finale consists of the main theme sound type.

The piano sonata K545 in C major belongs to a piano sonata suitable for beginners, in the words recorded by Mozart in his catalogue. Among Mozart's piano sonatas, it is considered to be the easiest to play. It was completed on 1 June 26th, 788, which happened to be the day Mozart finished K543 in E major, and1in his three symphonies. The first movement: Allegro in C major, sonata form. This is a piece of music full of joy. The first theme is only four bars, which is extremely simple. Then, there is a musical sentence, and then, with the left hand, the second theme is played with the dominant tone. After the left hand and the right hand alternately play the staccato chord pattern, it ends with a vibrato connection. The extended part starts in G minor and takes over the sound mode at the end of the demonstration part. When entering the reproduction department, the first theme was unusually in F major, and before the second theme appeared in C major, there was a paragraph of scale type in the middle. The first movement ends with a left-handed interactive sound group. The second movement: Andante in G major, trilogy. This movement should be played in a happy mood. Although the technique is easy, it is difficult to play musically. It should be played in Legato like singing. The main theme is tenderness. After this theme is repeated by variations, it still gently plays a melody in D major that seems to originate from the main theme. After the variation of the main melody is repeated, the melody in D major appears in G minor. After a series of variations in B flat major, C minor and G minor, the main melody reappears. After the variation, the second movement ends with an epilogue. Third movement: Rondo for Allegro in C major, Rondo. This movement is the most difficult in this sonata. The movement begins with the theme of Rondo. Then there is the first insertion in G major, which is an octave from the theme of Rondo. After the theme of Rondo appeared for the second time, the second insertion of minor appeared, which also originated from the theme of Rondo. After the theme of Rondo appeared for the third time, it ended with an octave.

The piano sonata K570 in B flat major was written by Mozart 1789 in Vienna at the beginning of the year, which made his life more difficult. This sonata is accompanied by a violin part, so it is also a violin sonata that has long been known to the world. Mozart didn't write this violin part himself, but someone else added it after his death. The first movement: Allegro in B flat major, sonata form. The first theme of the presentation part consists of the decomposition of the main chord. After the theme was presented, suddenly, like being cut off from it, a melody in E flat major appeared in the chord. After that, the second theme appeared in the first theme played by the left hand-the phonology of broken chords. In the expansion part, the melody in E flat major in the presentation part appears first, and then the second theme. When the first theme came back, the copy department began. The second movement: Adagio, E flat major, Rondo. The main part is a three-part body that must be repeated before and after. After the first insertion in C minor, it is also a three-part connecting sentence, which partly reproduces the theme of Rondo. Then there is the second interlude, after connecting phrases, the theme appears for the third time, and finally the second movement ends with an epilogue. The third movement: Allegro, E flat major, Rondo Irregular. The main body is three-part, and the theme is extremely light. The structure of the following second and third parts is a three-segment body. Finally, the theme of Rondo reappears, and the finale ends the whole song.