What's your impression of "subverted" Nezha and the magic boy Nezha in Nezha?

After reading Nezha, a two-word comment: subversion. Nezha only exaggerated Nezha's "rebellious" characteristics in the form of cartoons, and formed a new image that was consistent inside and outside. This is very different from the Nezha we usually see and know. It can be said that it is bold and completely subversive. But it can also be said that this is an innovative animated film.

It is carried out from outside to inside, and its innovation is carried out from outside to inside. Let's talk about the outside first, then the inside.

In Nezha, I saw an evil spirit, focusing on the characters. I don't think you can recognize Nezha in the film.

Painted with smoky makeup, with an evil smile on his face, his hands in his pockets, playing pranks everywhere. I still murmured, "I am a little monster, carefree and at ease." Kill without blinking an eye, eat without adding salt. "Like a naughty boy.

It is hard to accept that Nezha's master Taiyi is no longer a sage-like wise man, but a greasy middle-aged man who rides a pig and fucks Trump all day. Nezha's father, Li Jing, also changed the cold image of feudal parents and became a loving father. Although the villain Shen is still cruel, he is a stutterer and always jokes at critical moments, which dispels his hostility to some extent. In the passage of time, Ao Bing, the three princes of the lewd Dragon King, is also transformed into a dashing teenager in white.

These adaptations of the image can be described as bold. So that some people find it hard to accept that Nezha, who was originally childlike, suddenly became a dark figure.

But I have to say, I agree with this adaptation. It even excites me. The first is that it dares to be the first. Secondly, this adaptation is not nonsense, but targeted. The image of Nezha can be ever-changing, but what is the core? It's rebellion. And what is a rebellious child, not a bad boy?

This is called innovation, which comes from a traditional image, grasps the characteristics, focuses, magnifies and strengthens according to the needs of the drama, thus giving birth to new life.

"Inside" refers to "the core of the story". After "outside", we say "inside". "Inside" refers to "the core of the story". Nezha's greatest innovation is reflected in this. We are all familiar with the story of Nezha, which has been presented in countless literary and artistic works.

One of the most classic ones comes from 1979' s domestic animation "What Makes the Sea Noisy". It is no exaggeration to say that this animation almost laid the foundation of modern people's imagination of "Nezha".

In The Noisy Sea, Nezha faces the challenge of external forces to internal principles. This internal and external binary opposition is extremely obvious.

So what's different about Nezha? Frankly speaking, there is no absolute external villain in this animation. Even the seemingly villain Shen is not the biggest threat to Nezha. So what is the villain of this animation? It is a more abstract existence called fate.

Prejudice in people's hearts is a mountain. Later, when I saw someone on the Internet, I began to shout: Give me back Nezha, give me back the classics, give me back this and that ... I am really speechless. I think of a line in this animation: "prejudice in people's hearts is a mountain, and you can't move it no matter how hard you try."

It seems that this statement is still correct. Anyway, I recommend this animation, which makes me see the occurrence and result of innovation. From now on, I have two Nezha in my heart.

One is Nezha who stood on the high platform, facing the wind and rain, and drew his sword and killed himself. The other is Nezha who rushed to the thunder, shouting "My life is not up to me".

The two Nezha, who didn't come first, don't give priority to each other. They are all classics in my heart.