Describe China's profound composition.

If you pay attention to current politics and watch the news broadcast every day, then in the past year, you will always hear the words "the state has introduced policies to help support the development of cultural industries." Our country has been reforming and opening for a long time, and has made great progress in material production, processing and even innovation. The volume of foreign trade has been constantly refreshed, and even the financial crisis has failed to stop the rapid economic growth of China. But this method of using limited resources to obtain benefits is not a long-term solution after all. Therefore, for the sake of China's future economy and national education, the state began to attach importance to culture as an industrial development. So, what is the current cultural industry in China? Let's talk about the simplest and most recent Spring Festival Gala.

The Spring Festival Gala has been held for 30 years. Every New Year's Eve, China people will enjoy the richest "cultural feast". It can be said that the Spring Festival Evening brings together the best cultural forms, contents and artists in China. However, in recent years, the Spring Festival Gala has been constantly complained, and it has gone from bad to worse. The audience complained that there was no innovation and the jokes were boring. It seems that the Spring Festival Gala has been far away from the aesthetic concept of Chinese people. Although there were no advertisements and chorus in this year's the Year of the Loong Spring Festival Gala, the overall performance was still unsatisfactory. Let's just say that language programs, such as sketches and cross talk, should have been the characteristics of China, but there are only seven programs this year, half less than last year's 14. The director of the Spring Festival Gala in the Year of the Loong said, "There is no market for sketch and crosstalk in China." This sentence seems strange at first glance, but it is true when you think about it. Sketches and cross talk were originally built on vulgar culture. Their task is not only to make the audience laugh, but to satirize the reality in this joke and make the audience think after laughing. But what about now? Lack of content and innovation are jokes without nutrition. The audience laughed after reading it, but what are they laughing at? Nobody knows. Even on a stage like the Spring Festival Gala, only a few things are moved around. Sketches and crosstalk have lost their original functions, just to make the audience laugh more on New Year's Eve. After all, it is better to make the audience laugh than cry. Coupled with the popularity of the Internet, performing a large number of jokes is inevitably suspected of plagiarism. Should we say that netizens have strong imagination or that many cultural workers lack innovation ability? More should be the latter. In this way, language programs really can't cater to the appetite of the current audience, and they are also deviating from the original purpose. What is there to see in such a work? It's best to search for posts online.