In addition to Deyunshe, which young and middle-aged actors can carry the banner of cross talk?

First of all, none of the young and middle-aged crosstalk actors in Deyun Club can hold up the banner of crosstalk, at least not one of them can be found now.

Young and middle-aged crosstalk actors outside Deyun Club originally had several good talents, but due to various reasons, they no longer focus on crosstalk. For example, Tianjin crosstalk actor Qiu Yingjun originally liked his crosstalk very much, but later he focused more on his hosting career. Another young crosstalk actor who was once quite good was Jiang Kun's apprentice Zhou Wei. Unfortunately, Zhou Wei doesn't speak much about crosstalk anymore. There is also a pair of crosstalk actors that I was very optimistic about, that is, Jia Xuming and Zhang Kang, but it has been a long time since I saw the two of them working together to do crosstalk. Could it be that they are also in trouble? What a pity. Xi'an's new crosstalk force Lu Xinyuhao also felt like he came out of nowhere a few years ago. Their crosstalk is famous for their newness. Unfortunately, there seemed to be some problems within the new crosstalk force some time ago, and I haven't heard from their new crosstalk for a long time. works.

The pair of young crosstalk actors I am most optimistic about right now are Ma Jun and Sheng Wei from Tianjin. It is said that the two of them were disciples of the same master, and they worshiped Malacca, the grandson of Ma Sanli, the master of cross talk. Malacca was Wang Fengshan's apprentice, but he rarely talked about cross talk. Ma Junshengwei was basically personally guided by the young horse master Ma Zhiming. Due to various reasons, the young master did not teach any apprentices except his partner Huang Zumin. Young Ma Ye has really worked hard on Ma Jun Shengwei. According to the two of them, some traditional jokes were taught by Young Ma Ye word for word. Therefore, their basic cross talk skills are very solid, especially some traditional jokes. Not to mention some of the young cross talk actors nowadays, even some older ones are not as good as the two of them. Ma Junshengwei's traditional cross talk really maintains its original flavor, which is completely different from the improved traditional cross talk of Deyun Club. Ma Jun and Sheng Wei also have their own characteristics, especially Sheng Wei's praise. He is definitely the best among the current cross talk actors. With time, he will become a great actor. I am very optimistic about these two young and middle-aged crosstalk actors.

There is also a pair of young crosstalk actors that I particularly like, namely Jin Fei Chenxi from Beijing. Liu Jinfei and Chen Xi are the heirs of Hou's cross talk. They are both great disciples of master Hou Baolin, disciples of cross talk master Ma Ji, and disciples of famous cross talk master Wang Qianxiang. Wang Qianxiang and Li Zengrui should have the best basic skills among all Ma Ji's apprentices, and the two apprentices he taught are also very good. Take Jin Fei Chen Xi as an example, she is very good at speaking, learning and singing. Whether it is traditional activities or innovative cross talk, she is very easy to use. Especially the work "The Return of Spring" in which the two of them exchanged jokes, let people see their other strengths. If the two of them can withstand the temptation, take it one step at a time, and keep talking down to earth, their future will be limitless.

I hope that more young crosstalk actors will sincerely love crosstalk, talk about crosstalk seriously, and not go astray, so that the renewed glory of crosstalk will no longer be far away.

There are many people who can resist the banner of cross talk. But Deyunshe can’t. Crosstalk from Deyun Club. It can only be regarded as a strange flower. Guo Degang's cross talk was to scold Yu Qian. Scolding Yu Qian’s parents. He scolded Yu Qian's ancestors. When he wasn't talking about cross talk, he would scold Jiang Kun and his peers and apprentices. Scold the master.

I remember the only truth that Guo Degang said was that without Deyun Club, all its employees would starve to death. In other words, at present, few employees of Deyun Society are really capable of taking up the banner of cross talk? Don't be ridiculous, if you don't follow the path of Internet celebrities, the young and middle-aged actors of Deyun Club will not be able to survive by relying on cross talk!

In addition to Deyunshe, which young and middle-aged actors can carry the banner of cross talk? This question itself is very surprising.

Let me ask you a question, which young and middle-aged actors, including Deyunshe, can take up the banner of cross talk?

To be able to raise the banner of cross talk, one must be a person with "both virtue and skill", possess high moral prestige, and should be a model in the cross talk world, in order to coordinate all parties and change the current chaotic situation in the cross talk world. .

People generally believe that Feng Gong is a more suitable candidate as the standard bearer and leader of the cross talk industry, but he is not an example of young and middle-aged people. Another crosstalk actor, Zhou Wei, is also very good, but his master is Jiang Kun, who is suspected of "burning the city gate and affecting the fish in the pond".

Therefore, there are groups of artists engaged in cross talk nowadays, but to find a qualified standard bearer, you really need to think carefully.

There are not many young and middle-aged crosstalk actors who can successfully start a family, but there are still many who have great prospects and will be independent in the future. Nowadays, there are small cross talk theaters all over the country, and there are many good ones there. However, apart from the local audience, few people know about it because they do not have the broad resources and exposure like Deyun Society.

Tianjin is a crosstalk hub, and the small theater is full of talents. The well-known partners Qiu Yingjun and Yu Dan were once the leaders of the new generation of crosstalk in Tianjin. Now Qiu Yingjun is no longer committed to crosstalk. , specializes in hosting. It's a pity that the head teacher of Deyun Society, Xi Fengfeng, was always serving Qiu Yingjun. Now Tianjin's Ma Junshengwei pair has become famous, and their future achievements are limitless. Originally, Zhang Pan and Liu Quanmiao were also among the best in crosstalk in Tianjin, but now they have joined Deyun Club.

Xi'an is an important town of cross talk. Miao Fu Wangsheng of Qingqu Club is the leader of the new generation of cross talk. Their works are artistic and knowledgeable. There are also many masters in Qingqu Club, such as Dou Chenguang, who has appeared in "New Crosstalk Newcomers", and other new crosstalk forces, Lu Xinyuhao, who has now established his own branch, and everyone has also seen Mr. Heng Youzhen of the Clinic Friends Club, who is still a treasure trove and has not appeared in the media. There are some.

There are many young people in Beijing, such as those from the hip-hop baggage shop, Gao Xiaopan, You Xianchao, Jin Fei, Chen Xi, Li Yinfei, Ye Peng, Guo Yang, Guo Liang, He Yunwei, Li Jing, Cao Yunjin, Liu Yuntian, and Li Jindou The cross talk club also has a group of people, including Fu Qiang, Fang Qingping, etc., as well as Chen Yinquan, Hou Zhenpeng, Li Ding and Dong Jianchun. The level of these people is comparable to that of several outstanding actors from the Deyun Club.

Wang Qianxiang, Li Zengrui, Ma Guirong, Zhao Xiaolin, and Shi Shengjie have trained many talents for cross talk, especially the new generation who are now active. Many of them are their disciples. These old actors are all performers. Everyone has profound skills, their works are unconventional, and the disciples they teach also have extraordinary skills.

Shanghai Jinyan has been famous for many years. He is an iconic figure in Shanghai with profound skills. There are also several good actors in Hangzhou. Crosstalk used to be basically performed in Beijing and Tianjin. In addition to Xi'an in the northeast, talents from the north can listen to it. , because Jin Yan was the first to open up wasteland in Shanghai, crosstalk also opened up the market in the south.

What I like most about the Northeast is the pair of Liu Ji and Zhang Hanwen from Harbin. They are the direct descendants of Hou's cross talk in the Northeast.

Jinan is also an important town for folk arts. There is a saying in the cross talk circle: Beijing is a place to learn skills, Tianjin is a practice, and Jinan is the threshold. Jinan’s Chenguang Teahouse was once as famous as Beijing’s Changjia Qiming Teahouse. Sun Shaolin The husband also has a large number of disciples. I heard a group of partners in Jinan, I forgot their names, and they talked in a long way. Compared with all the crosstalk actors I have heard, no one can surpass him. His surname is also Sun. He has appeared on Tianjin TV. A straight line is better than what Li Baixiang said.

In fact, cross talk is much better, but they have not appeared in the mass media. We also have several cross talk actors in Chengde, and there is also a Xiaoyuanzi performance. I personally think that their level can reach commercial performances. level, just not famous.

Deyun Club is now at its peak. Is it because the quality of their actors is unparalleled? Of course not, it’s just that Guo Degang is too famous and he does good marketing. It turns out that since he doesn’t have a sect, he has no taboos. No matter what sect or crosstalk joke he dares to take and perform, he has a large number of works. Source, he did not prohibit everyone from recording in the theater and uploading it to the Internet. He cleverly established his own personality and made the audience consciously take sides. Therefore, he quickly occupied the market and then expanded rapidly. As soon as everyone heard the cross talk, they were the first to come into contact with it. It’s Deyun Society. Human beings have a common problem. They have preconceptions. Gradually, many people who are new to cross talk begin to follow Deyun Society as their model and cannot listen to other people’s cross talk.

Of course, Deyun Society also has a large number of good actors, such as Yue Yunpeng, Sun Yue, Guo Qilin Zhuangzhuang, Gao Feng, Luan Yunping, Meng Hetang, Zhou Jiuliang, Zhang Helun, Lang Heyan, etc. They are not famous in small theaters yet. There are many people whose level is not lower than these people, such as Li Yuntian, Liu Xianwei, Shi Aidong, Deng Deyong, Liu Zhe, etc., all of whom have certain attainments. In terms of the number of talents, Deyunshe is the well-deserved leader in the country.

The actors outside Deyun Society that I have listed are only some of them. In fact, we are not too short of crosstalk actors. This industry has never died. The industry that Guo Degang said is dead. He is a crosstalk actor. Gravekeeper, this sentence is wrong. How did he say it in cross talk? Wang Yuebo, Zhang Boxin, Sun Yue and others have been doing cross talk in small teahouses for a long time. Tianjin Yin Xiaoxiao's Xiaoyuanzi and Beijing Li Jindou's Xiaoyuanzi have never stopped performing. Those art troupes in Beijing, such as the railway art troupe and the coal mine art troupe, including The ACFTU Art Troupe where Guo Degang worked had crosstalk actors who were performing all the time. We people in Beijing, Tianjin and Hebei also listened to crosstalk all the time.

Listen, so newcomers don’t have to be misled by Guo Degang. He has his achievements and contributions. Through Beijing TV, he gave wings to cross talk, let more people know about traditional cross talk, and made a popular science. This is his real talent. credit.

One flower blooming alone is not spring, but a hundred flowers blooming makes the garden full of spring. As long as a hundred flowers bloom and a hundred schools of thought contend, literature and art will be more prosperous, and more good actors and good works will appear in cross talk.

I usually like to listen to cross talk, and I usually listen to a few cross talks before going to bed at night. So there are some cross talk actors that I know. Of course, Deyun Society can be said to be the representative team of cross talk. It has masters such as Guo Degang, Yu Qian, and Gao Feng. It is also a large-scale group with the largest number of people in the cross talk world.

But apart from Deyun Club, there are still many young actors who can speak cross talk. First of all, the young crosstalk actors that I like very much include Lu Xin and Yu Hao, who are known as the new crosstalk forces. These two young people have solid basic skills, are articulate, have novel ideas, are extremely expressive, and most importantly, they are handsome. I personally feel that their cross talk skills are not inferior to those of Deyun Society.

In addition, young actors who are good at cross talk include Jin Fei and Chen Xi. This pair of crosstalk actors also have extraordinary crosstalk skills and strong expressiveness. Their crosstalk was also featured in the Spring Festival Gala this year.

There are many good cross talk actors, but I can’t think of names at the moment. But I think they benefited from Deyun Club after all. Deyun Club made cross talk so popular and really promoted the development of the entire cross talk industry.

No, even Deyun Club doesn’t have many people who can achieve great things, let alone others.

There is simply no one in China’s cross talk circle today who can carry the banner of cross talk, including of course Deyun Society, so don’t bother thinking about it. Besides, whether you can hold it or not depends on how you understand it. I think the standard for being able to hold it should be the level of seniors such as Hou Baolin, Ma Sanli, Ma Ji, and Yang Zhenhua. It really doesn't exist yet.

No one can carry it except Guo Degang. If you know Guo Degang, you will find that he is a genius. In terms of folk arts, he has three majors: storytelling, cross talk and opera. There is no controversy if storytelling and crosstalk are top-notch. Regarding opera, he is very accomplished. As soon as someone opens his mouth, he can tell which school, which school and which section. In fact, there are quite a few crosstalk actors who are good at opera, but are there any that can actually perform in a special performance? Now I am very good at cross talk and storytelling. But how many are at the top level? Tao Yang is already a genius boy in the eyes of Lao Guo and Yu Qian. Baoermen opera and cross talk are far from the top level. Today's young crosstalk actors have 10 to 20 classic jokes, which is already very good. How can there be continuity?

What is the concept of "carrying the flag"? How many netizens who talk about "carrying the flag" really understand the connotation of this word?

Most people just follow what others say, thinking that "carrying the flag" is equivalent to being the leader, and some even think that "the one who can make the most money = the person carrying the flag."

A flag-bearer in an industry must not only be at the forefront of the industry, but also be able to lead the entire industry to progress, and all peers will be convinced by him.

The flag in the hands of the flag bearer must be a sign recognized by the entire industry. Even if some people are reluctant to recognize it, they have to follow the flag.

In the history of cross talk, perhaps the only person who can be called a banner-bearer is Zhu Shaowen, known as the founder. He established the cross talk portal and spread it, giving future generations a way to make ends meet. broken bowl.

After Zhu Shaowen, the cross talk industry has almost never been unified. Most of the time, they work in their own way, and even fight for food like a rotten mud. Zhang Shouchen, known as the master of cross talk, was once so powerful that he could hold the sky with one hand, but he could not stand up to a thorny person like Zhang Jieyao who opposed him, and the young Ma Sanli refused to obey his arrangement of demotion, and outside Shanhaiguan And the crosstalk artists south of the Yellow River are not like Zhang Shoulao at all.

Zhang Shoulao’s banner can only be carried in Beijing and Tianjin, and it is not that solid.

After liberation, crosstalk faced the choice of either entering the hall or dying on the spot, so the Beijing crosstalk improvement group led by Master Hou began to carry out drastic reforms in traditional crosstalk. At that time, the crosstalk improvement group needed to submit a request to the state It proves two things:

Master Hou and the Beijing Crosstalk Improvement Group rented a venue in Dali Shamao Hutong and named it Xinhua Entertainment Club. They operated independently and were responsible for their own profits and losses, without asking for a penny from the state. What's more important is that the actors humbly communicate their opinions to the audience after each performance. They will delete any language that makes working people uncomfortable. It was in this process of constant self-purification and improvement that the Beijing Crosstalk Improvement Group finally received national recognition and eventually established the Beijing Folk Art Troupe.

The model of the Beijing Crosstalk Improvement Group was also copied to Tianjin and then spread across the country. In Master Hou's recollection, that era was the most beautiful era of cross talk, because "literati looked down on each other, were not convinced by each other, and colleagues were enemies" were abandoned, and all colleagues worked together to make cross talk a reality.

There were two people who made the greatest contribution to cross talk during this period. One was Mr. Lao She. He deleted and changed the traditional cross talk, removing elements such as personal attacks, ethics, dirty work, and bad work, and gave One of the most important positions of cross talk is as a publicity tool.

Mr. Lao She laid the theoretical foundation and purification upgrade for cross talk, while Master Hou impressed the teachers with his superb skills. With the support and recognition of the great man, cross talk finally became a literary light cavalry. And survived the special period and ushered in the first golden period.

It can be said that although the improvement of cross talk is the result of the collective efforts of all colleagues, Master Hou’s leading role is beyond the reach of others. If there were no Shangfeng’s love for Master Hou, then the cross talk would have faced many challenges when entering the room. The resistance will be unprecedentedly high.

Therefore, Master Hou at that period was the true banner-bearer of cross talk. He led his peers out of the darkness and ushered in the call of the art palace.

After Master Hou, cross talk has entered a period when a hundred flowers bloom. At this time, there is no need for a flag bearer. The China Broadcasting Rap Troupe, Railway Art Troupe, Coal Mine Art Troupe, and folk art troupes from all over the country have emerged in large numbers and are shining in their respective markets. . Of course, Mr. Ma Ji and his disciples dominated the Spring Festival Gala stage in the 1980s and 1990s, with masterpieces such as "Five Senses Competing for Merit", "Universe Brand Cigarettes", "Reverage in the Tiger's Mouth" and "Thieves Company" frequently appearing, and Tianjin's famous crosstalk masters Although they did not have national influence, they retained a place for traditional cross talk and laid the foundation for a certain businessman to later speculate on traditional cross talk.

If you had to choose a flag-bearer at this time, it is estimated that a hundred colleagues would jump out and curse. Mr. Ma Ji's team is united and has the largest media resources, so other folk art troupes and art troupes are naturally dissatisfied. The selection of the top ten laughing stars that year was mainly based on Beijing artists, and several Tianjin actors were temporarily employed in Beijing. of. Unequal distribution of resources will naturally lead to conflicts. Conferring a title on a master after Mr. Ma Ji's death will also raise questions about Hou Yaowen's "five major standards". Jiang Kun is even more hyped as a master and has been targeted in the air until now. Although Mr. Feng Gong was in the limelight for a while and held a high position, he was also controversial. The voices that said he was not a cross talk but a sketch have not stopped to this day.

None of these big guys who have gone through the golden age of crosstalk have been able to carry the flag. Nowadays, crosstalk has become more popular and more entertaining, with all kinds of monsters running around the streets, and the aesthetics of crosstalk are also involuntarily It has reached a critical point. Which young actor dares to call himself a flag bearer. A certain club has a lot of traffic, but the cross talk is a mess, and they only make money by taking advantage of the loopholes. Does he have the nerve to say that he is a flag bearer?

If any blind person dares to say that he is a cross talk banner bearer, he will end up like the mercenary in "Heroes of Heaven and Earth" who was frightened crazy by thieves, holding the flag, and then chopped into pieces by Turkic soldiers. mud.

Above~~