After watching two issues of Comic Story, do you know what's wonderful about Tamia Liu's performance?

Because I like Shen Teng to watch two comedy stories, I didn't expect Tamia Liu to surprise me the most.

Actually, to tell the truth, I am not very familiar with Tamia Liu, because I seldom watch TV series, but it is impossible to say that I don't know such an actor who has appeared in Nirvana in Fire, The Legend of Mi Yue and Ode to Joy. I just didn't expect this comedy story to make me remember her thoroughly.

Comedy is difficult. First of all, it is difficult to create a joke. The first time you feel funny, the second time you feel fine, and the third time you feel bored. Secondly, it is difficult to implement. The same joke, some people say you can laugh, others say you can't. The biggest difference lies in the grasp of rhythm. Good rhythm can sometimes save the burden of mediocrity.

For example, in the issue of 17 in September, George W. Pinkley gave Jerry Lee 99 points, and Jerry Lee asked for a perfect score of 1000, and then George W. Pinkley said yes. This is a very mediocre joke, but George W. Pinkley paused and squinted at Jerry Lee with a blank face before he prayed for gratitude, which can make the audience feel suspense and think that maybe George W. Pinkley won't pray for gratitude, and then George W. Pinkley will pray for gratitude. This suspense is only a moment, a short time, one second earlier, suspense did not happen, one second later, suspense passed, but Yue Yue Jr. successfully grasped it, and this is the rhythm.

What pays attention to is the relaxation of rhythm, which seems humorous and full of laughter. When I first started listening to cross talk, I always felt funny because I talked too much. It took a long time to hear the beauty of the band. It is no exaggeration to say that three points are funny and seven points are holding. The function of teasing is to speed up the rhythm and bring the audience into the baggage, while the function of cheering is to bring the rhythm back, give the audience a blow, knock them out of the story created by teasing, and untie the baggage at the same time to achieve the best purpose of making people laugh. So banter and banter complement each other. If comedy is compared to a roller coaster, the function of banter is to push the car up, and the sooner the better. The function of banter is to brake as fast as possible, and the harder the better. If you push the punch fast enough, the punch will be fierce; You have to brake hard to push fast enough. So that the audience can climax continuously.

There is no obvious joke in the sketch, but the reason is the same. One is to drive the audience, and the other is to bring the audience back in time, so as to realize the designed jokes. Shen Teng is more like a tease, as he said when evaluating himself and Mary, he is better at the script and Mary is more expressive. So Mary can drive the audience more, and Shen Teng pulls back the rhythm.

On the other hand, Tamia Liu usually undertakes Mary's work. Especially in the first issue, due to the setting of characters, it was simply Tamia Liu's one-man show, which infected the audience with wonderful performances, while Shen Teng's few lines controlled the rhythm at key times.