Daiyu jokes attacks people.

A Dream of Red Mansions is a combination of romance and reality, and it is difficult to define it with one or two definitions. Because the characters in the dream of the Red Chamber are very complicated. Lin Daiyu is one of the most artistic figures in A Dream of Red Mansions. I'm afraid it's hard to find someone like Lin Daiyu in reality, but some of Lin Daiyu's personality characteristics are really common in real life.

The relationship between Lin Daiyu and Jia Baoyu is very delicate. Imagine Daiyu's attitude when she learned that Baoyu was having an affair with xiren. In fact, she only said three words, but these three words made xiren feel very uncomfortable. When it comes to a dream of red mansions, we will define it decisively, saying that a dream of red mansions, Lin Daiyu and Jia Baoyu are all anti-feudal people or a group of people. In fact, this positioning is very casual.

These main characters in A Dream of Red Mansions are not simply anti-feudalism. Even these main characters didn't show how strongly they opposed feudalism. Cao Xueqin created characters in the feudal society. Both Dai Yu and Jia Baoyu. Jia Baoyu was the son of feudal society, and Daiyu was a woman of feudal society.

When Daiyu learned that Jia Baoyu was having an affair with xiren, she was not surprised, nor did she show much anger. She just said three words to xiren, praising her sister-in-law. But this good sister's sister-in-law makes people feel distressed, because xiren's status is actually very low. To put it bluntly, he is just Jia Baoyu's servant girl. How can I be worthy of being called a sister-in-law

Xiren is a good master, and Jia Baoyu generally treats his servants well. That's it. In her usual behavior, xiren has to be careful everywhere and step by step. A Dream of Red Mansions is a great work, and many people like to read the first half of it. In fact, Zhou, a master of Chinese studies and an expert in redology, said that the real essence of A Dream of Red Mansions is the second half.

Because in the second half, Cao Xueqin focuses on some people at the bottom of this big family, such as some maids. In shaping these bottom people, it shows the greatness of human nature and the cruelty of the world.