What kind of scenery are described in Wang Zhihuan's Liangzhou Ci and Li Bai's Yellow Crane Tower's Farewell to Meng Haoran in Yangzhou?

William Wang [Tang Dynasty]

Wine luminous glass, want to drink pipa right away.

Don't laugh when you are drunk on the battlefield. How many people fought in ancient times?

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The mellow wine at the banquet was packed in a luminous glass, and when it was about to be drunk, the pipa immediately sounded, as if urging people to go out.

If you are drunk and lying on the battlefield, please don't joke. How many people went out to fight in ancient times to return to China?

"Liangzhou Ci" wrote a scene of feasting: the soldiers were really in high spirits listening to the cheerful and exciting pipa sound. After a while, they were all a little drunk. Maybe someone wants to put a cup, and then someone in the seat shouts, What are you afraid of? Getting drunk is getting drunk on the battlefield. Please don't laugh. "How many people fought in ancient times" has long ignored life and death. It can be seen that these three or four sentences are just words to persuade wine at dinner, but they are not sad. Although they are ridiculous, they also find the most environmental and personality-specific "reasons" for getting drunk. Drunk on the Battlefield shows not only bold, cheerful and excited feelings, but also the courage to die, which is consistent with the warm atmosphere shown by the luxurious banquet.

This is a joyful feast, and the scene and artistic conception are by no means one or two people drinking to drown their sorrows. The mood reflected by its bright language and fluctuating rhythm is unrestrained and fanatical; What it shows is an exciting and yearning artistic charm, which is the characteristic of frontier poems in the prosperous Tang Dynasty.

Yellow Crane Tower —— Meng Haoran's farewell on his way to Yangzhou

Li Bai [Tang Dynasty]

Old friends frequently waved to me, bid farewell to the Yellow Crane Tower, and traveled to Yangzhou in this beautiful spring filled with catkins and flowers.

My friend's sail shadow faded away and disappeared at the end of the blue sky, only seeing the first line of the Yangtze River and heading for the distant horizon.

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My friend said goodbye to me at the Yellow Crane Tower, and went to Yangzhou for a long trip in the spring of March when catkins were like smoke and flowers were like flowers.

The shadow of the solitary sail gradually disappeared at the end of the blue sky, only to see the rolling Yangtze River heading for the sky.

The relationship between Li Bai and Meng Haoran was when he was young and happy, so what he saw in his eyes was beautiful and happy. This parting is the prosperity of Kaiyuan and the prosperity of Taiping. This season is fireworks in March, and the spring is the strongest. From the Yellow Crane Tower to the Yangtze River, there are flowers all the way. Li Bai is such a romantic and sightseeing person, so this parting is completely carried out in a very rich atmosphere of whimsy and lyric poetry. There is no sadness or unhappiness in Li Bai's heart. On the contrary, he thinks Meng Haoran's trip is very happy. He yearns for Yangzhou and Meng Haoran, so when he says goodbye, his heart flies with him, and there is endless poetry in his chest.

In a word, this poetic parting of two romantic and chic poets is also a yearning parting for Li Bai, and it is vividly displayed by the poet with the gorgeous scenery of March in the spring and the vast picture of boating on the Yangtze River, overlooking the details of the solitary sail.