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Top Ten Best Crosstalk in Degang Guo
1, the status quo of cross talk for 50 years
This program is the work of Lao Guo Hongji before the moment, and it is also the most important joke in Bian Xiao's mind.
To tell the truth, this joke is not too much, and it is also very old-fashioned. Compared with those works in my word series and yours,' Laughter Fruit' is inferior. However, this paragraph is too profound. After listening to it, comic lovers like Bian Xiao will even have a sour nose.
Duan Zi first reviewed the history of crosstalk for more than 100 years, starting with Shanzu, then took stock of the famous crosstalk artists who died in recent years, and then asked why crosstalk had fallen to this day.
Maybe it's because I studied storytelling and cross talk for several years when I was young, and I have special feelings for this art.
2. "I am a triad"
This joke is not only Lao Guo's masterpiece, but also a classic to create his style! I remember when Lao Guo became popular in 2006, Bian Xiao newspapers introduced Lao Guo in this way: laugh every ten seconds and once every half minute! This is Lao Guo's signature and his innovation.
One sentence is composed of numerous packages, which can be used repeatedly. This is Lao Guo's original creation. For example, Lao Guo got a tattoo and used a sticker, which caused the first laugh; There was a crayon Shinchan in the sticker, which caused a second laugh.
Can't help singing elephants, elephants, causing the first San Xiao; It rained and the sticker was washed away, causing the fourth laugh; Covered in blood, passers-by gave money in succession, causing the fifth laugh. In a few words, the audience burst into laughter five times, which is Lao Guo's style.
This "I am a Gangdom" is the best cross talk in Bian Xiao and one of the best new jokes in at least 30 years. Miao Fu and Wang Sheng's "Know It All" is slightly inferior to this film.
This cross talk is the representative work of Lao Guo at his peak. Now Lao Guo is too busy to create such classic works.
3. "Eight major occupations"
Eight Career Changes is one of the few traditional cross talks in Lao Guo that have not been adapted. It is basically recorded by the old man, and it is also the only complete book that Bian Xiao has heard.
Due to the limitation of stage time, actors have no chance to say that they are all eight, generally only three. For example, in Master Hou's "Changing careers", there are only three kinds. Similar situations include "eight fan screens" and "jacket peeling".
This joke is really demanding, testing the basic skills. Lao Guo told eight old artists all over the world, from catching Evonne to big gold teeth, from Liu Baoquan to Ling Hua in Xi 'an.
From Pingxi to Yangbian, from Peking Opera to Lotus Falls, all kinds of vocals were used. You can see extraordinary skills. With this joke, Lao Guo's basic skills are unparalleled in today's phonology.
This passage was stored in Bian Xiao's mobile phone for two years. Later, it was cut into pieces, listened to one by one, and learned to imitate one by one. This is a model, and it is also the material for future generations to learn traditional crosstalk.
Today's Lao Guo may not be engaged in the eight major occupations. His own explanation is that ten out of ten thousand viewers will listen to the eight major undertakings. I can't offend other audiences because of you alone. Estimates that there is another reason, Lao Guo is not the young man, probably can't make such a high-intensity joke.
In fact, this joke is enough once. This is a textbook program, there is no need to keep playing it.
4. Biography of Ji Gong
Lao Guo didn't explain clearly whether the program "Biography of Qi Huangong" is a storytelling or stand-up comedy. Let's call it a comic dialogue here!
This is really a love-hate program! Since the Biography of Qi Huangong, there has been the nickname "King of Pits", and every time you dig a lot of pits, you don't fill them. After all these years, it took nine degrees to get two degrees. Boy! This is not the head.
Because Benchang You's image of Jigong is deeply rooted in people's hearts, it is not easy to create another Jigong. Therefore, Lao Guo spent a lot of thoughts on this role, from the unique way of speaking to the most classic eating plot.
The purpose is to label the Degang Guo version of Jigong. Perhaps the image of Jigong that the audience thinks of is still Teacher Benchang You, but when it comes to talking, it is Lao Guo. This is a brand-new number.
5. Xizhengmeng
Lao Guo has indeed changed many traditional cross talks, such as Bai, tying dolls and dreaming of marriage, and thinks that the best one is Xi Zheng Meng.
Xizhengmeng is the oldest traditional cross talk, which originated from Mr. Zhu Shaowen, the founder of Shan. Previous generations have adapted it, such as The Acquaintance adapted by Zhang Shouchen, but it is really rare to write it again like Lao Guo.
In this joke, Lao Guo depicts a useless person who had a big dream in the Spring and Autumn Period. The' Old Peace Corps' mentioned in it is still the largest fan club in Lao Guo, which shows the influence of this work.
On the occasion of the 10th anniversary of Deyun Society, it is this "Xizhengmeng" that Lao Guo partnered with Mr. Shi Fukuan, which shows Lao Guo's love for this cross talk.
Compared with the Dream of the West written by Qian Ge, Mr. Shi Fukuan is more peaceful, lively, solid, quiet and steady. At that time, brother Qian had not reached the master's level. I don't know if brother Qian will perform this program again.
6. "wine list"
This program first appeared in the celebration of Deyun Society15th anniversary, and was jointly completed by Lao Guo, Qian Ge and Gao Boss, the three pillars of Deyun Society. This is the most classic cross talk in Lao Guo, which is adapted from the traditional cross talk.
Bian Xiao has read at least seven or eight versions of The Wine Order, and Lao Guo's version is the funniest. In fact, the joke "wine list" is not a good joke. If it were not for a famous actor, it would be impossible for the audience to sit still and listen patiently.
Lao Guo added the scene of building a fist here, punching a joke, especially when he heard the tiger sticking a chicken, which really made people laugh. After serving food for a period of time, the response was not great. Thanks to Lao Guo, others even made the turntable for what they wanted to do.
Nowadays, after the performance, Boss Gao is often invited to take the stage to perform with Brother Qian. These programs have no names. It's a joke. Only this section of "Jiu Ling" is a classic adapted from tradition, and it has become a program independently.
7. "I want to see the Spring Festival Gala"
This program can be regarded as a talk to the mainstream audio industry after Lao Guo made his fortune. It seems that after this crosstalk, Jiang Kun and other big shots began to collectively bombard Lao Guo.
In fact, crosstalk itself is an ironic art, and what we have to do is to criticize the current shortcomings. The decline of the Spring Festival Evening is obvious to all, and it is in line with the trend to take it as the theme.
Moreover, the program joked about the cross talk in the Spring Festival Evening, and whether Lao Guo did it intentionally or not, there was nothing wrong with it. You can make fun of the men's football team and the cross talk in the Spring Festival Evening.
Lao Guo's teasing makes sense. When Bian Xiao was a child, he heard an old artist say that crosstalk is not called crosstalk because there are at most four people or more.
However, since Mr. Wang's Looking Back at Nine, more than a dozen people's cross talks have emerged in an endless stream, and even Mr. Hou came up with a New Year message from 12 people on the zodiac.
This is really the problem of cross talk in the Spring Festival Evening. Time is tight, and there is no room for crosstalk performers to play, so there will be no such things as "Tooth Pulling Out from the Tiger's Mouth", "Cosmic Cigarette" and "Striving for Merit with Five Features".
I've been thinking about it for many years, and I hope I can let go of cross talk in the Spring Festival Evening. There doesn't have to be a program like Beijing Opera, whether anyone watches it or not. Let the audience who like cross talk watch it by themselves! Maybe it's good for cross talk.
8. "Big return"
At that time, the reason why Lao Guo loved back in the game was probably to show the popularity of Deyun Society! Some people say that he didn't respect the performance of the audience and other actors when he returned to the stage. I beg to differ.
Because Lao Guo was sold at that time, let alone suppressing other actors; The audience is watching Lao Guo, so naturally they want to see him for a while, not to mention disrespect.
In my impression, the tenth anniversary of Deyun Society's comeback is the record of comeback. Until the early hours of the morning, when the host and TV station all quit, Lao Guo came back 32 times. 32 times, in fact, some make up the number, but this rich brother and Wang Yuebo program is a classic.
Lao Guo and Qian Ge played against Job three times, and each time they worked harder. When Bian Xiao watched this program at that time, he felt that Wang Yuebo was the crowning touch. Job had almost no lines, but all the jokes were his. If he were someone else, it is estimated that this effect could not be achieved.
There seems to be some bad blood between Lao Guo and Job now, so it's hard to see them performing together again. This is the loss of the audience. Although Qian Ge's praise is good, unlike Job's style, it is difficult for Qian Ge to play an honest man and be more playful when he is run on the stage. Although he is running, he can still fight back from the Jedi.
9. "Big Truth"
The Truth is naturally not a cross talk, but as a program with the highest appearance rate and the most familiar audience, it really has to be mentioned. Now when Lao Guo sings the truth, Brother Qian doesn't respond, because Brother Qian knows that Zhang Wenshun's response is classic.
An ordinary ditty can cause several laughs, which is exactly what Mr. Zhang Wenshun is good at. The old man cocked his shoulders and gave a wry smile. It can be said that he often plays new words.
On his last stage, when he was almost speechless, the last program he performed was this "big truth". No wonder Lao Guo called him a "famous truth performer".
10, Lenin Pingxi
This section of "Lenin's Pingxi" has many names. It used to be called "Tangshan Pingshu" and "Lenin at 19 18". This is a short segment of a few minutes. Although small, it is very good, so it is the best way to play.
Now, the performance of Lenin Pingxi by Lao Guo and Qian Ge is basically a comeback, and only the lyrics are interpreted, which is not a serious joke, while the version of Lenin Pingxi by Lao Guo and Job is a complete joke.
This video can still be found on the Internet. That was more than ten years ago, when Guo was bald and had thick hair. At that time, Lao Guo went to Beijing for the first time, and his partner was Wang Yuebo. He recorded these short six minutes on the radio.
Such a small boutique is probably learned from your master Hou. Mr. Hou performed two series of programs for a few minutes at the Spring Festival Evening, one called Interruption and the other called Opera Fan.
Interruption is the most classic passage in my opinion; Opera Fans and Lenin's The Day of the West are similar in style, except that one set is Peking Opera and the other is the Day of the West.
There are many programs about Lao Guo's return to China, but most of them are mainly jokes and singing skills, and there are not many programs that can really be segmented independently. And this painting "Lenin's Pingxi" is one of the representatives.
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