Were there any male poets (or poets) who had never been an official in the Tang and Song Dynasties?

Meng Haoran (689-740) was born in Xiangyang, Xiangzhou (now Xiangfan, Hubei). Apart from going to Chang 'an for an examination at the age of forty, I have been living in seclusion in my hometown, Lumen, learning to write poetry.

Jiao Ran monk (730-799), whose real name was Xie, was born in Huzhou (now Zhejiang) and was the tenth grandson of Xie Lingyun in the Southern Song Dynasty. He sang "Peace" with Yan Zhenqing and others, and lived with Che Ling and Lu Yu in the West Temple of Xing Wu Temple. Many poems were given away as gifts, and some also promoted the idea of Buddhism being born. Relaxed mood, simple language.

Wang Zhihuan (688-742), a native of Ji Ling, was originally from Jinyang (now Taiyuan, Shanxi), and his great-grandfather moved to Jiangxian, Shanxi. Bold and uninhibited, he often lamented fencing, and his poems were sung by musicians at that time, which made him famous for a while. He often sings with Gao Shi and Wang Changling, and is famous for being good at describing frontier fortress scenery.

Zhang Hu (date of birth is unknown), whose real name is Ji Cheng. Qinghe (now Hebei) was born in Qinyang, Henan. He lived in Suzhou in his early years, then went to Chang 'an, was excluded by Yuan Zhen, and then went to Huainan. Love Danyang's fourth brother, living in seclusion. Gong Ci is the most famous poem, which is highly praised by the contemporary poet Du Mu.

Chen Tao (formerly 8 12-885) was born in Song Bo, Poyang (now Poyang, Jiangxi), Lingnan and Jianpu (now Nanping, Fujian). Take the scholar as an example. He shows love and Buyi calls himself the Three Religions. Xuanzong avoided chaos in middle age and went to Hongzhou Xishan to learn immortals, but he didn't know where to go.

Xue Tao was born in the fifth year of Dali and died in the sixth year of Daiwa (770-832 AD) at the age of 63. Originally from Chang 'an, he lived in Chengdu with his father when he was young. He could write poetry at the age of eight or nine, and became a musician at the age of sixteen. He hasn't been married since he took off his music.

Atingzhi from Liu Xiyi is from Ruzhou. Little mandarin, down and out, and later hurt by others. Love poems that hope to be good for the army have beautiful words, but sad meanings and are not important to others. Sun Yu's Zheng Sheng Ji is the most concentrated poem of Yi Xi, and it is praised by people for its greatness. Representative works include Joining the Army, Picking Mulberry, Singing in Spring, Walking Women in Spring, Mowing Clothes, Mourning for Pulsatilla, and Nostalgia for Luochuan. Among them, the poem "Pulsatilla Daibei" writes that flowers bloom and fall, and time throws people; Once a beautiful teenager, he has now become a half-dead Chinese Pulsatilla, sending out the feelings that "flowers are similar year after year, people are different year after year" and "when will it be possible to make eyes at each other and the cranes will be in a hurry?" His words and sentences are exactly the same as Zhen's comments on the good songs of lame Taoist priests in A Dream of Red Mansions: "The humble room is empty, and the bed is covered with weeds and dead trees. It used to be a ballroom. . . "The words and artistic conception in Daiyu's poems about burying flowers are similar, but their rhetoric is not weaker than the latter, and they are hundreds of years earlier, which shows that Yi Xi has profound insight into the world and high literary attainments. As the saying goes, it is difficult for Ikezawa giants to measure the size of rivers and seas. No wonder Yi Xi was ignored at first. There are ten volumes in total, and one volume of poetry is compiled today (Volume 82 of Complete Tang Poetry).