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How to write your thoughts after watching Swordsman? Please write me 300 words.
Kung fu comedy is not very effective for Wang Jing. Jing Wong's last foray into kung fu comedy was at 20 1 1 (the God of Wealth Inn). If we take Wu Ershan's "Smile with a Knife" as an example, we will find that this kind of film has actually reached the point where it can't be filmed by metaphor, let alone Jing Wong. The so-called "laughter" in the film only refers to the funny part and the kung fu part. The serious and funny parts in the martial arts jokes are actually very fragmented, and the style is not very uniform.
To put it bluntly, under the so-called "Kung Fu" package, the core of the film is still a king-style stew. For example, Wu Junru's lion roar kung fu and Yuan Wah's mastery of Tai Chi are like stealing Stephen Chow's "kung fu". Nana's dough-kneading clothes are almost the same as those in shaolin soccer and Zhao Wei. When Philip Ng defeated the enemy, the scene design was a "Jason Wu Fengyun", and such bridge borrowing places abound. Of course, Jing Wong is everywhere. There are no traces of shanzhai, but the design of nonsense props for Yuan Wah and Huang Zulin's suicide is eye-catching, a little original, but most of them are speculating jokes.
In fact, these vulgar pranks and tricks are not brilliant, but despite these, Wang Jingcai actually knows the true nature of commercial films. The whole movie lasts more than 90 minutes, from the beginning, to the misunderstanding and jokes in the middle of the game, and then to the end of the melee, one after another shows the behind-the-scenes operation of Jing Wong's old road. The most impressive example of the whole movie is that Tong Fei longed for Wu Junru's magic solution to save the same-sex lover, so when Zheng Zhongji was hanging on a cantilever beam to steal medicine, another dilemma was caused because of the shock of the lion's roaring sound waves. This wrong plot design is Jing Wong's specialty. With the development of the plot, these burdens will be solved with other stories. Although you can borrow the bridge unscrupulously, you can use the borrowed things as tools to serve your own narrative style, which is actually impossible for many directors.
However, Jing Wong has a bad habit of filming, that is, whoever takes the film, no matter whether the actor's temperament is consistent with the film or not, no matter how tough the scene is, will insert a role. For example, when Wang Jingli praised Shu Qi, she ignored the training and asked her to take a series of comedies, such as hardcover "He is my brother" and "Hardcover Invincible Women Chasing". The result is not ideal, and so is Meng Yao. In the legendary swordsman, we can see that he highly praised Huang Zulin and promoted Tong Fei and Philip Ng. However, the technical adaptation of comedy by the last two mumu faces really needs to be improved, but not everyone is born with comedy like Huang Zulin, and Huang Zulin takes the lead in film effect. This all-rounder has really proved his ability by Mango Taiwan's Variety Coffee Show recently, but the mainstay of the laughing world is the old-timers, but it is not reliable to expect them to gag all their lives.
Generally speaking, Swordsman is Jing Wong's work, which reproduces the previous successful model. As long as the audience laughs and their goals are achieved, then everything is OK. If you say why Jing Wong can gain a foothold in the film industry, he does have an invincible survival rule. If we take this film as a peek and adopt the practice of "new people are familiar with their faces and are innovative and nostalgic", it will make people feel very tired, but it can really reduce the risk.
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