Script for a comedy skit about Nanjing’s cultural monuments

Hello, Nanjing is a famous ancient capital of my country with many cultural monuments, but there are not many cross talk scripts about the monuments. Here is a little information about cultural monuments for your reference. I hope it will be useful to you. help.

Ming Xiaoling Mausoleum - the mausoleum of Zhu Yuanzhang, the founding emperor of the Ming Dynasty. Ming Xiaoling Mausoleum is a national key cultural relic protection unit. The mausoleum of Zhu Yuanzhang, the founding emperor of the Ming Dynasty. It is located in Dulongfu, south of Purple Mountain outside Zhongshan Gate in the eastern suburbs of Nanjing City, and at the foot of Mount Everest. Covering an area of ??1.7 million square meters. It was started in the 14th year of Hongwu (1381) in the Ming Dynasty, and the main project was completed in the 16th year of Hongwu (1383). The entire cemetery construction was not completed until the 11th year of Yongle (1413). Zhu Yuanzhang ascended the throne and proclaimed himself emperor in 1368. He died and was buried here in 1398. Since Zhu Yuanzhang's wife, Empress Ma, was buried here first, the empress was given the posthumous title of "Xiao Ci", so it was named "Xiaoling". Ming Xiaoling Mausoleum is the largest imperial mausoleum in Nanjing. The original perimeter of the red wall was 22.5 kilometers. From Xiamafang to Baoding, it stretches for more than ten miles, with a grand layout and strict regulations. From front to back, there are Xiamafang, Shenlie Mountain Stele, the "Forbidden Covenant Stele" erected during the Chongzhen period, the Golden Gate, the stele pavilion, Duyu Bridge, Shinto stone carvings, Lingxing Gate, Jinshui Bridge, Wenwu Square Gate, Dianmen, and Xiaoling Mausoleum. Palace, Baocheng Minglou, Chongqiu. Only masonry parts of all buildings remain, and the wooden structures were burned down. There are 24 stone beasts of 6 types and 8 Wengzhong statues existing on both sides of the Shinto. The stele pavilion is commonly known as the "Sifang City". The "Stele of Divine Merits and Virtue" in the pavilion was erected by Zhu Di for his father Zhu Yuanzhang. It is 8.84 meters high, 2.24 meters wide and 0.83 meters thick. It was erected in the 11th year of Yongle (1413). Xiaoling Hall currently has three floors of Xumizuo and 56 giant pillar bases. The existing building was built during the Tongzhi period of the Qing Dynasty. The city base of Minglou is 60 meters long from east to west and 34.22 meters wide from north to south. Finally, there is Chongqiu, which is surrounded by a brick wall in the north. On the hill and the surrounding mountains, there are thousands of lush trees, birds singing and flowers fragrant. The site and regulations of the mausoleum were determined by Zhu Yuanzhang himself. His hidden and implicit style had a profound impact on the subsequent construction of imperial mausoleums in the Ming and Qing dynasties. Yangshan stele material Yangshan stele material, a cultural relic protection unit in Jiangsu Province. It is located in Yangshan, northwest of Tangshan Town, Jiangning County, about 25 kilometers east of Nanjing. This is an ancient quarry. In the third year of Yongle (1405), Emperor Chengzu of the Ming Dynasty built the Xiaoling Tomb monument for his father Zhu Yuanzhang. He excavated a huge stone in Yangshan Mountain as the material for the monument. It was too large to be transported and was abandoned in the mountains. The stele material is divided into three parts: the forehead, the body and the base. The stele is located at the southernmost end and has been hewn on three sides. It is 13 meters high, 30.4 meters long and 13 meters thick. The forehead of the monument is 100 meters away from the base. It is oval in shape and has 14 protruding stone buds on its sides for carving dragon heads and claws. It is 10.7 meters high, 20.3 meters long and 8.4 meters thick. The body of the stele is the largest in size, like a huge horizontal stone wall. The surface is carved flatly, leaving three places above the ground. It is connected to the body of the stele as a support. The east end is connected to the mountain and has not yet been cut. The body of the stele is 49.4 meters long and 10.7 meters wide. , 4.4 meters thick. The total height of the monument is about 73 meters. There are numerous artificial soldering marks on the surface of the three stones. The ruins of the Forbidden City of the Ming Dynasty The ruins of the Forbidden City of the Ming Dynasty are cultural relics protected units in Jiangsu Province. Located in the eastern section of Zhongshan East Road in Nanjing City. The Forbidden City of the Ming Dynasty was built in the 26th year of Yuan Zhizheng (1366). The architectural regulations are similar to those of the existing Forbidden City in Beijing, with a grand scale and royal majesty. It starts from Donghua Gate in the east, ends at Xihua Gate in the west, reaches Hongwu Gate in the south, and reaches Xuanwu Gate in the north. It is 2.5 kilometers from north to south and 2 kilometers from east to west, covering an area of ??5 square kilometers. Sitting north to south, it is divided into the inner palace city and the outer imperial city. It served as the imperial palace of Hongwu, Jianwen and Yongle dynasties in the early Ming Dynasty for 54 years. After Ming Dynasty Emperor Chengzu moved the capital to Beijing, the Ming Forbidden City in Nanjing still retained its original structure. It was a garrison city in the Qing Dynasty. In the third year of Xianfeng (1853), the original building was destroyed by war. The existing ground-level cultural relics include Wuchao Gate, Dong'an Gate, Xihua Gate (three-door pier), inner and outer Wulong Bridge, stone walls, inscriptions, stone pillar foundations, etc. There are more than 300 large and small stone pillar foundations buried underground within the site of the original three main halls. The Wuchao Gate is now being renovated as the main body and is planned to be turned into a park open to tourists. Nanjing Man Fossil Site Tangshan Huludong Ancient Human Fossil Site (Nanjing Man Fossil Site), a cultural relic protection unit in Jiangsu Province. It is located in Huludong, Leigongshan, Tangshan Town, Jiangning County, about 30 kilometers east of Nanjing. In 1993, when Jiangning County was excavating the Leigong Mountain Cave for tourism development, they discovered two ape-man skull fossils, one tooth fossil and some animal fossils in the cave. The Nanjing Municipal Museum cooperated with the Department of Archeology of Peking University to conduct scientific excavations. Research and identification results show that the geological era where Nanjing people lived was the middle of the Middle Pleistocene, about 350,000 years ago. In terms of physical development stage, they should belong to the Homo erectus stage of human evolution.

The Nanjing Man's position in the evolutionary sequence of ancient humans in my country should be at a later stage of the Peking Man period, and earlier than the Hexian Man of Anhui. The excavation of Homo erectus in Nanjing is an important discovery in the field of ancient humans and Paleolithic archeology in my country, and is of great significance. Nanjing City Wall Nanjing City Wall is a national key cultural relic protection unit. The Nanjing City Wall was built in the 26th year of Yuan Dynasty (1366) and completed in the 19th year of Hongwu in Ming Dynasty (1386), which took 21 years. The original palace city and imperial city have been destroyed, and the capital city walls and outer city walls remain. The original city wall was 34.36 kilometers long, 14 to 21 meters high, 7 to 14 meters wide, and had 13 doors. There are 21.35 kilometers of existing city walls, of which 19 kilometers are relatively complete, with 4 city gates and 1 water gate. During the architectural design of the Nanjing City Wall in the Ming Dynasty, the city wall of Ming Dynasty changed from the ancient square and rectangular system of the previous capital walls. Instead, it was adapted to local conditions, winding and undulating along mountains and rivers, in an irregular polygonal shape, "according to the ridges of hills and ridges, and controlling the flow of rivers and lakes." Conducive to military defense. The bricks used to build the city wall were manufactured by 28 prefectures, 118 counties, the Ministry of Industry, and Sanwei and Sanzhen in five provinces equivalent to today's Jiangsu, Anhui, Jiangxi, Hubei, and Hunan. In order to ensure the quality of city bricks, the names of the officials in charge and the kilns and brick makers were engraved on the bricks. There are several city gates in existence, among which the south gate, the Zhonghua Gate, is the most majestic and solid. The construction of the Nanjing City Wall embodies the culmination of my country's ancient city wall construction technology and is a precious object for the study of ancient China's military defense and construction science and technology. Ruins of Confucius Temple Ruins of Confucius Temple, a cultural relic protection unit in Nanjing. It is located on Gongyuan West Street on the bank of Qinhuai River in downtown Nanjing. In the first year of Emperor Renzong's reign (1034) of the Song Dynasty, the Wenxuanwang Temple was built, commonly known as the Confucius Temple. It was the school of Jiankang Prefecture. In the fourth year of Qiandao's reign in the Song Dynasty (1168), a rural examination place, Gongyuan, was built to the east of Confucius Temple. Both places have been repaired and expanded in the past dynasties. After the expansion from Gongyuan to the Tongzhi period of the Qing Dynasty, there were more than 20,000 examination sheds, ranking first among all provinces in the country. During the Ming and Qing Dynasties, the Confucius Temple area was a gathering place for literati and poets, so business was very prosperous. Most of the existing main buildings of the Confucius Temple were gradually restored in 1984. Only the 100-meter-long screen wall is a relic of the Ming Dynasty and is the largest preserved screen wall in the country. The stone railings beside Panchi, Minglun Hall behind the main hall, and Mingyuan Tower in Gongyuan are built in the Qing Dynasty. There are 22 inscriptions from the Ming and Qing Dynasties preserved in the Gongyuan, which are cultural relics protected units in Jiangsu Province. The Second Tomb of the Southern Tang Dynasty is located at the "Prince Dun" at the southern foot of Zutang Mountain in Dongshan Township, Jiangning District, 23 kilometers away from the Zhonghua Gate. They are the Qinling Mausoleum where Li Sheng, the great martyr of the Southern Tang Dynasty, and the Queen Song family were buried together, and the Shunling Mausoleum where the central leader Li Jing and the Queen Zhong family were buried together. Qinling is 9° to the west and Shunling is 5° to the east. The two tombs are 50 meters apart and both face south from the north. Except for the tombs, there are no architectural remains on the ground of the mausoleum. The Qin Mausoleum is larger in scale. The upper part of the mausoleum is a circular mound, about 5 meters high and 30 meters in diameter. Outside the tomb door there is a splayed brick wall decorated with lime, and in the middle is an arched tomb door, painted with vermilion on the surface. The tomb chamber is divided into three main chambers: front, middle and back. They are all imitating the style of wooden houses on the ground. Columns, beams, brackets, etc. are built on the walls, and the plane is rectangular. The front and middle chambers have brick dome roofs, and there is one brick side room in the east and west; the back chamber has a stone structure with a stacked roof, and there are three stone side rooms in the east and west. The main and side rooms have 13 rooms each, and they are mutually exclusive. The door is open. The tomb is 21.48 meters long and 10.45 meters wide. The front room is 4.50 meters long from north to south, 3.85 meters wide from east to west, and 4.30 meters high. There is a coupon door in the middle of each of the four walls. An octagonal and square leaning column is hidden in the four corners of the room and on both sides of the coupon door. There is an octagonal and square leaning column on the column. The three-liter bracket supports the pillars on top of the arch. All leaning pillars, brackets, vertical beams, etc. are decorated with patterns such as lotus, peony and curly grass, and are painted using the sfumato method. The roof of the room is formed by the four arches on the four walls. The floor is laid in rows of bricks. The middle room is 4.56 meters long and 4.45 meters wide. There is a relief sculpture of two dragons playing with beads on the lintel of the north wall, and two warriors guarding the gate in relief on both sides of the door. The building shape is similar to the front room. There is a corridor 1.90 meters long, 3 meters wide and 2.30 meters high between the middle and back rooms. The back room is the largest, with a width of 5.90 meters, a length of 6.03 meters, and a height of 4.74 meters. The main entrance is a square stone door made of huge bluestone slabs. The roof of the room is painted with the sun, moon and stars, and the ground paved with bluestones is engraved with river patterns. It is said to have astronomy at the top and geography at the bottom, symbolizing the world ruled by the emperor. In the center of the room is a bluestone coffin bed, with six flying dragons on both sides of the coffin seat. The surface of the coffin bed is lightly engraved with curly grass and sea pomegranate patterns as borders. Each of the 10 side rooms is equipped with masonry platforms for displaying funerary objects. The shape of Shun Ling is similar to that of Qin Ling, but it is smaller in scale. The back room has one less side room on each side than Qin Ling. The main and side rooms have 11 rooms, all of which are built with bricks and have no stone reliefs and other decorations. The tomb is 21.9 meters long and 10.12 meters wide. The two tombs were stolen and excavated.

From 1950 to 1951, the Nanjing Museum and the Nanjing Cultural Relics Preservation Committee jointly conducted excavations with relevant units in Jiangning County, and more than 640 cultural relics including pottery figurines, pottery beasts, pottery birds, copper and iron, lacquer, woodware and jade mourning books were unearthed. The discovery of the Erling Tombs has unique value for the study of architecture, painting, sculpture, ceramics, clothing, and the imperial tomb system during the Tang and Song Dynasties. Erling is the earliest imperial tomb excavated in the Jiangnan area after liberation. In order to strengthen its protection, reinforced concrete beams were built in the back room of Li Sheng's tomb in 1956. In 1962, sewerage and drainage equipment was added to the Erling Tomb. From 1981 to 1983, Tang imitation buildings such as walls, double palaces, Huabiao-style tomb beasts, bluestone bridges, stele pavilions, showrooms, and reception rooms were successively built. In 1984, the Cultural Relics Preservation Center of the Erling Tombs of the Southern Tang Dynasty was established, and an exhibition of cultural relics unearthed from the Erling Tombs of the Southern Tang Dynasty was held, with more than 50 cultural relics and related materials on display. In 1988, it was listed as a national key cultural relic protection unit. Thousand Buddha Cliff Thousand Buddha Cliff is a cultural relic protection unit in Jiangsu Province. It is located on the cliff of Qixia Mountain in the northeast of Nanjing. It is the only remaining Buddhist grotto from the Southern Dynasties in Jiangsu Province. During the Yongming Dynasty of the Southern Qi Dynasty, the son of Ming Sengshao carved the Buddha of Infinite Life and the Bodhisattvas Avalokitesvara and Mahasthamaprapta on both sides on the cliff. The cave was called "Infinite Hall". From then on to the Ming Dynasty, additions were made in each dynasty. There are 294 large and small Buddhist niches and 515 large and small Buddha statues, commonly known as "Thousand Buddha Cliff". The niches are mostly horseshoe-shaped in plan and have single rooms. The statues are composed of one Buddha on three walls, three Buddhas on three walls, seven bodies on a single floor, five bodies on one floor, or three bodies on three walls. The themes are mostly Amitabha Buddha, Maitreya Buddha, Thousand Buddhas, Sakyamuni Treasures, Seven Buddhas, etc. In 1924, the temple monks painted it with cement and painted it, and it has lost its original appearance. During the "Cultural Revolution", it was looted again, and very few were preserved intact. Recently, the cement of some Buddha statues has peeled off. It can be seen that the stone parts are still well preserved and the clothing patterns are clear. The carving style of its statues is round, meticulous, beautiful and elegant, echoing the Yungang and Longmen Grottoes in the Northern Dynasties. It is a treasure of ancient stone carving art in my country.