Immersive scripts have sprung up everywhere.

Immersive script killing has sprung up

Immersive script killing has sprung up, and now many emerging industries such as script killing are booming. The most important thing for script killing is the quality of scripts, so that players who participate in script killing can have a sense of * * * and immersion, and immersive script killing has sprung up. 1

Immersive script killing has sprung up. It takes a few hours to experience another kind of life, which is no longer exclusive to actors, but also becomes a social game that everyone can play-script killing. In the offline entertainment mode preferred by consumers in China in the first half of 221, script killing ranked third with 36.1%, second only to movies (38.3%) and sports and fitness (36.4%), and it is growing rapidly with a scale of over 1 billion. However, under the barbaric growth, the industry is also facing increasingly fierce homogenization competition. With innovative product technology and high-quality IP content reserves, the flash detective studio under Migu Digital Media has entered the field of script killing.

Empowering with technology, innovating to create an immersive script killing

The script killing game that was once ridiculed as a meeting of several people has become more immersive and substitutive with the combination of VR, holography and other technologies. Players can have more novel experiences in the game, such as playing a holographic script to kill "Tianhai Town", touching and dragging the holographic projection with your fingers, and you can complete the interaction such as card drawing and fighting. You can wear VR glasses to play Lost in the Sky, sit in a spaceship with a cool digital image, and experience the thrilling journey of searching for evidence in outer space.

It is reported that these screenplays are exclusively created by Flash Studio, which uses multimedia technologies such as holographic projection technology, interactive game technology, virtual production technology and plot arrangement technology to empower screenplays with a new immersive interactive experience. In the game experience, the gameplay and holographic technology are integrated to increase the interest; In the plot interpretation, it is brought in from 3D full scene, and the holographic projection technology is brought to the extreme through 72-degree wall+desktop+top full-screen projection, supplemented by digital NPC interpretation, providing players with a cinema-level audio-visual feast.

content-based, opening up virtual scripts to kill the ecology of the whole industrial chain

The advantages of virtual script killing are obvious, which can solve the problems of difficult realization of real scenes and high cost of changing scenes, and also enhance the interactive search of desktop boxed books, so that players can have a better immersive experience, but the core competitiveness of script killing is still in content. Different from the existing chaos of multi-version distribution of holographic products, Flash Studio is based on tens of thousands of digital reading copyright resources of Migu digital media, pursuing the creation of genuine exclusive content, or becoming a clear stream of script killing industry. At present, more than 2 high-quality scripts have been reserved, which are dedicated to the exclusive adaptation of scripts. In addition to self-made content, Shantan is also actively seeking cooperation with high-quality distribution studios in the industry, combining existing patented technology with explosive scripts, and trying to output holographic works superior to industry standards.

as a brand-new content industry, the script killing industry has basically formed an industrial ecology with creators, publishers, script distribution platforms and online game APP//offline stores as the main axis. Flash Studio will integrate upstream and downstream resources, provide IP creation management platform for creators, jointly issue with publishers, customize scripts exclusively for offline enterprises, simplify the folio process, standardize NPC interpretation, create a digital folio system serving the whole link, help establish new content and experience standards, and enhance the output efficiency and scale development of the industry.

As an explorer and pioneer of professional virtual script killer, Flash Detective Studio will continue to rely on the advantages of China Mobile's 5G, constantly combine VR, holographic and other emerging virtual reality technologies, upgrade the immersive interactive cultural experience, and empower virtual script killer products to mature with high-quality script production capacity and brand-new interactive experience technology, and constantly help the industry to move towards digital management. 2

During the Zhenguan period of the Tang Dynasty, at the beginning of Li Shimin's accession to the throne, there was another dispute between the Tang Dynasty and the desert ... On this day, a group of desert troops arrived in Ganzhou City, and the two sides began peace talks. "I am the monarch of Datang. Whoever dares to bully the people of Datang is against me." "I am willing to defend Ganzhou City to the death, where the military flag goes, where my heart goes, and I will die without regret." "My wish is very simple, that is, I want to feed the orphans in my hometown. Why is there a war in this world?" .....

The story of the Tang Dynasty and the lines of the Tang people, at first glance, thought it was a costume drama with the background of the Tang Dynasty; But a closer look, hey, why are these monarchs and generals of the Tang Dynasty a group of "crooked nuts" with different skin colors and accents but wearing Tang-style ancient costumes? In the latest issue of A Tale of Generation Z Youth, young people from China, the United States, Germany, Russia, Malaysia and other countries dream of returning to the Tang Dynasty in this script called Long Songs.

Get on the boat of the script killer and immerse yourself in the long river of China culture

The script killer was imported from Britain, but it was not acclimatized in China, but it was like a duck to water. In China, this game form first entered the public's field of vision, in a reasoning reality show "Star Detective" which was launched in 216. In 219, the number of screenplay kilns in China soared from 2,4 to 12,, and by the end of 22, this number had exceeded 3,.

the script killed the fire. Later, people found that it could have a bigger stage besides entertainment. The DM(Dungeon Maste, meaning game control-reporter's note) killed by this script is not only the restorer of cultural relics in the Forbidden City, but also the creator of the script. The script of "Long Songs" came from his hand.

Bei Ying said, "I have repaired so many cultural relics, but few people pay attention to the stories behind them, so I started to write game scripts. In fact, I don't want to do' script killing'. I just want to tell stories in an immersive way and tell the story of China culture past lives to the world. "

In Long Songs, Bei Ying set up the game of "Flying Flowers Order", an ancient game of China literati, which was once popular because of the Chinese Poetry Conference and became a new game for teenagers and young people this year. For Bei Ying, script killing is like a boat, carrying young people from all over the world, braving the wind and waves all the way, so that they can enjoy the scenery on both sides of the long river of China culture in various interesting links and wonderful stories.

The spread of culture emphasizes the smoothness of things, which coincides with the script killing that pays attention to immersive experience; Culture also influences each other in interpersonal communication, and script killing is a kind of offline social way that young people like.

Gong Weiliang, an associate professor at the Communication Institute of Communication University of China, said that social networks can't see others' feedback on themselves in time and accurately, and more and more young people are gradually dissatisfied with the vague self-identity of online social interaction, while offline social interaction can provide them with a more clear and multidimensional self-identity.

Aarthee, a Malaysian girl who claims to be a "social phobia", is "playing tricks" in the script killing. "Can you believe it? I'm actually afraid to communicate with strangers, but I still spend half a day throwing away my mobile phone and playing script killing. Because in other people's lives, I see the possibility that I am different. "Aarthee said," Psychologically speaking, experiencing other people's stories will make you want to be that person. I like the stories of those ancient heroes very much, and I want to try to play them when I have the opportunity. I hope that Malaysia will also open more scripts to kill the museum. "

The screenplay in the museum shows a vivid and three-dimensional ancient China

Cui Haonan is a screenplay writer and also runs a screenplay museum. He introduced that many emerging industries, such as script killing, are now booming. "Just look at the book, this time we are playing the ancient style immersion book, and there are other emotional books, mechanism books and comprehensive books ... Script killing also cooperates with museums to make history' live' and let China's colorful stories go out."

In recent years, the tide of the country has flooded into all aspects of young people's lives, and traditional cultural elements, archetypes of historical figures, intangible skills and practices are often used in the game field. There are also many attempts to pay attention to entertainment and immersion in the field of cultural relics, hoping to get closer to young audiences.

Whether young people in China or abroad want to know the history of China, going to the museum is one of the quickest and most intuitive ways. The "marriage" between the museum and the script has upgraded this way from unilateral "watching" to immersive "experience". As a new category of cultural creation in museums, the scriptwriting of museums has quietly grown in various museums, showing a vivid and three-dimensional ancient China.

The Dream of Famen in Changsha Museum, based on the "Treasure of the Underground Palace-Special Exhibition of the Tang Dynasty Palace Cultural Relics of Famen Temple", tells a story of the passage that happened during the reign of Tang Huichang (Tang Wuzong year, 841-846), when the imperial court sent secret agents to look for relics (Sakyamuni saria was unearthed in the underground palace of Famen Temple-reporter's note). Luoyang Museum's "When Will Luoyang Dongfeng Come", the story happened in the Jin Dynasty, and the heroic sons and daughters of the five lakes and sixteen countries loved and hated each other vigorously. The golden seal of "King Hu of Jin Guiyi", the carved dragon agate wall and the golden lion string ornaments all became the key clues in the script killing.

Pan Shouyong, a professor at Shanghai University who has devoted himself to the academic research of museum science for a long time, once said: "By the end of 22, there were 5,788 museums registered in China. As far as hardware conditions are concerned, I think at least half of them are qualified to do museum screenplay killing."

Of course, it should also be noted that the most important thing to kill a script is the quality of the script, which not only makes players feel excited and immersed, but also tells the story of China well. The script killing of the museum ultimately serves the exhibition and educational function of the museum. If the audience is only dressed in ancient costumes and don't know the story behind it, the effect will be greatly reduced.

Classic texts have huge explanatory space, telling the fate of human beings.

Although they tell ancient stories, Bei Ying feels that the script of ancient themes ultimately points to the present and the future. "This game is like a window. When you open it, you can see history and the light of today's times. History and reality echo each other." Bei Ying said, "For example, the historical background of this period of Datang that we are playing this time is called' the rule of Zhenguan'. In the context of China people, this has become a term for political clarity, economic recovery and cultural prosperity. Observing the development of our society and various industries now, we will also find that it is indeed more and more prosperous and more confident. "

The story created by Bei Ming in the script also shows the character of China people. "No matter in the past, present or future, China people hate war and advocate peace and unity. We hope to pursue the prosperity of * * * in a stable environment, and we are also very practical and United. " These things don't need to be spoken out. If you play a game of script killing, foreign young people may realize it.

After playing a game of Long Songs, a group of foreign young people saw the heroes of ancient China. Aarthee remembered an ancient Malaysian queen who was recorded in history books. "She always dresses like a warrior and is a female role model"; Maxim, a Russian boy, remembered the "Three Warriors". "They love the people and resist foreign enemies"; Adrian, a German brother, remembered the story of an exiled duke, "He is smart and brave, living on an isolated island" ... < P > Interestingly, this group of young people from all over the world who were killed by the script actually knew Nezha. "He is not a good boy in the traditional sense, but he is so hot!" It seems that the topics of young people are always similar.

there is no shortage of good stories in Chinese excellent traditional culture, and good stories can cross the boundaries of time and space. Classical texts have huge explanatory space, telling the common destiny of human beings. For example, "Nezha" talks about rebellion, and "My fate is not up to me" is still the voice of young people today; "White Snake" explores love and friendship, tortures trust and pursuit.

These "new stories" have been successful on the big screen, and they have been recognized by young people in China who were not "cold" about the "old stories". In fact, to some extent, the Internet has leveled the world. To tell the story of China to foreign young people, all we need is a good story and a good way-script killing. Let's try it. 3

In recent two years, a role-playing game called Script Killing has become popular and has become a new social artifact for young people. There is a joke on the Internet. After 8s, I was infatuated with KTV; after 9s, I was in the cinema; after , I was playing script killing or on my way to play script killing.

seeing new hot spots, the tourism industry that likes young people best has not fallen behind. Scenery script killing, cruise script killing, RV script killing and ancient town script killing have emerged one after another, forming a new business model of script killing+cultural tourism.

During this year's National Day, Xiangyang Shengshi Tangcheng Scenic Area launched the national tide drama "Drunken Chang 'an in Shengtangguo Scenic Area": with students from all over the world taking exams as the story background, the important links of script killing were connected in series, including seeking happiness in Baifu Street after having obtained the provincial examination, learning Tang rites in the western city, and competing poems in palace examination, so that every visitor who participated in it could experience and learn Tang culture and etiquette in an immersive way. During the experience, tourists can enjoy the programs and song and dance performances in the scenic spot, and at the same time participate in the game interaction at close range, and there are many physical exercise links, such as the Qin Wang Water Array, the competition and so on. Not only experienced the history and culture of the Tang Dynasty, but also enjoyed the body and mind. The adults and children at the scene had a good time. Tang Cheng's script killing adopts two modes: the ordinary personal experience version and the advanced team version, which are highly sought after by tourists and become a popular punching place in the Golden Week.

Tang Cheng is not the only cultural tourism enterprise involved in the field of script killing, but Wuhan's cultural tourism business card bosom friend number is one step ahead. In March 221, the script named "Reef" was killed on the cruise ship Zhiyin. 2 players traveled back to the beginning of the last century to perform various main tasks and interactive games with business leaders and academic celebrities to prevent the enemy from transferring information and shoulder the heavy responsibility of defending Wuhan.

It is reported that Zhiyin No.4 has its own unique hull space and retro cabin, which allows players to enter with the mission line and feel more immersed. Later, after more than half a year's training and creation, in September, bosom friend once again launched a large-scale immersive version of the wave breaker. Compared with the "reef", the upgraded plot is more tense. At the same time, the interactive links are integrated into the game, which not only ensures the players' participation, but also shows the characteristic culture of Wuhan.

The script is still a guest in scenic spots and museums, which leads to a variety of business models. The stage of Wangxian Valley Scenic Spot in Shangrao, Jiangxi Province, relying on an ancient house with a history of 1 years, made the "I am a drug god" of "ancient house+stage", and opened handmade sauces, vinegar, oil and tofu to attract tourists to visit. According to the characteristics of Lingnan Financial Museum in Guangzhou, a real-life decryption game of "Museum+Poisonous" was developed, in which players searched for clues in the museum and infinitely enlarged the imagination space of "cultural relics search".

In recent years,