What does blue and white porcelain mean?

What does blue and white porcelain mean?

Blue and white is painted and decorated with natural cobalt on white mud, then coated with transparent glaze, and then fired for the first time at a high temperature of 1300 degrees Celsius, so that the pigment fully penetrates into the blank glaze, showing a green blue pattern, which looks beautiful, clear and elegant. Blue-and-white is the most national porcelain decoration in China, a kind of underglaze colored porcelain, and one of the earliest methods of ceramic decoration in China. Gong Shigong in Qing Dynasty praised blue-and-white porcelain in his Tao Ge: "White glazed blue-and-white porcelain is a fire, and flowers are self-glazed. You can participate in innate beauty, and infinity comes from Tai Chi. "

Blue and white is the most national porcelain decoration in China, and it is also one of the earliest methods invented in China ceramic decoration. Its characteristics are: strong coloring, bright hair color and stable color; Second, the pattern will never fade; Third, the color is bright, beautiful and elegant, with the artistic charm of China ink painting; Fourth, it does not contain toxic elements such as lead and arsenic, and has no toxic side effects on the human body; Fifth, it is not only suitable for decorating daily-use porcelain such as dining tables and tea sets, but also suitable for decorating display porcelain such as vases and vats; Sixth, its raw materials are rich in natural minerals containing cobalt.

The meaning of blue and white porcelain lyrics

In fact, the first paragraph has clearly explained the object described in the lyrics. While painting an embryo, "I" miss a Jiangnan woman as beautiful as blue and white porcelain. In "Ran Ran Sandalwood", my heart is slightly sour, and I can't draw any more. It's the painter's hand, and the peony on the bottle is not as good as the smiling face of the Iraqis. I don't know where Jed lives, so I can't help feeling sad. Judging from the style of writing and the image of choice, direct narration at first is not gorgeous, but it has laid the tone of the whole article. It is worth mentioning that "go" is a typical expression in Taiwan Province Province, and changing it to "go" is more in line with the language habits of the mainland.

The finishing touch of the full text "The sky is blue, I am waiting for you" is elegant and affectionate. Some people mistakenly think that "the sky is waiting for misty rain" and so on, because they still lack understanding of blue and white porcelain. "Sunny rain" is the top grade of blue and white porcelain, which is rare in the world and has the most beautiful color. This glaze color can only be burned in rainy days (from the perspective of modern science, it is mainly humidity). Therefore, the emergence of azure in rainy days is one of the decisive conditions. The misty rain in the blue sky not only expresses the language, but also connects "I am waiting for you", showing how valuable Iraqis are to me. Coupled with the moving and beautiful melody, it seems to hear nature. "Smoke rises a thousand miles across the river" has a strong sense of picture, killing three birds with one stone, which not only describes the beautiful scenery in the south of the Yangtze River, but also describes the common scenery on blue and white porcelain, and even sets off feelings with scenery. The beautiful scenery added a touch of sadness to my thoughts. "At the bottom of the bottle, Han Li imitates the elegance of the previous dynasty and foreshadows my meeting with you." While spreading my thoughts, I still follow the idea of sketching blue and white flowers, and the word foreshadowing actually implies the future ending. Is "I" attached to the woman I once met?

"Sky blue misty rain, I'm waiting for you.

The moonlight was salvaged, dizzy.

Such as blue and white porcelain handed down from generation to generation, you are as beautiful as a fairy, smiling like a flower. "

Sing the same melody again, and a "Halo" is wonderful. What is a halo? Let me give you an example. When you drop a drop of ink into a bowl of clear water and watch it spread slowly, it will faint. People say: "Good sentences are born, and wonderful hands are occasionally acquired." In the gloom, the ending was really opened? Have you seen the Iraqi people who miss you very much? "Blue and white porcelain handed down from generation to generation is beautiful, and your eyes are smiling" is a standard inversion sentence. Yes, I saw it. It seems that everything is integrated into the beautiful scenery of Jiangnan, which seems to be the ending of a comedy. However, the author is more inclined to think that this is a long-standing delusion of "I", and hallucinations appear in front of me, and the hazy moonlight disappears, but more is acacia.

What is the literary meaning of the word blue and white?

Blue-and-white: The promise made by lovers for love is as eternal as blue-and-white, and continues the glory of "lonely sandbar is cold". Steve Chou always wanted to write a song about "keepsake", but he failed. By chance, he met Blue and White written by lyricist Chen Xinrong, thus realizing his long-cherished wish unintentionally. He believes that blue and white porcelain is not only elegant and beautiful, but also gives people a sense of tranquility and calmness, like the promise of love. In this song, China's melody is blended with the breath of rock and roll, and the loneliness and pain of separation are immediately rendered, making people feel the strength and persistence of faith.

What does blue and white porcelain mean?

Blue and white porcelain, also known as white blue and white porcelain, is one of the mainstream varieties of China porcelain. Primitive blue-and-white porcelain appeared in Tang and Song Dynasties, and mature blue-and-white porcelain appeared in Hutian kiln in Jingdezhen in Yuan Dynasty. Blue-and-white porcelain is made of cobalt ore containing cobalt oxide as raw material, with decorative patterns painted on the ceramic blank and covered with a layer of transparent glaze, which is fired at one time by high temperature reducing flame. Blue-and-white porcelain, as a wonderful flower of China's literary punishment,

Color of Blue and White Porcelain and Its Significance

1, the blue-and-white porcelain enamel is as transparent as water, the tire body is light and thin, and the white porcelain body is painted with blue patterns, which is elegant, fresh and full of vitality.

2. Once blue and white porcelain appeared, it became all the rage and became the crown of Jingdezhen's traditional famous porcelain. Blue-and-white porcelain, exquisite blue-and-white porcelain, colored porcelain and glazed porcelain are also called the four famous porcelain. In addition, there are porcelain carvings, thin-walled porcelain and multicolored fetal porcelain, all of which are exquisite and unique.

3. Colored porcelain is one of the great inventions in ancient China. "Porcelain" and "China" are the same word in English, which fully shows that China porcelain is absolutely exquisite and can be regarded as the representative of China.

What does blue and white porcelain mean?

I. Overview

Blue-and-white porcelain, also known as white porcelain, is made of cobalt ore containing cobalt oxide as raw material, with decorative patterns painted on the ceramic blank and covered with a layer of transparent glaze, which is once fired by high temperature reducing flame. Cobalt is blue after firing, which has the characteristics of strong coloring, bright hair color, high firing rate and stable color. At present, the earliest blue-and-white porcelain specimen found is from the Tang Dynasty. Mature blue and white porcelain appeared in the Yuan Dynasty; Blue and white became the mainstream of porcelain in Ming dynasty; It developed to Ding Feng in the Kangxi period of Qing Dynasty. During the Ming and Qing Dynasties, blue-and-white red glaze, peacock green glaze blue-and-white, bean green glaze blue-and-white, yellow glaze old glaze blue-and-white were also fired.

Second, green materials.

1) Suni Ma Qing

Namely, Su Niqing, Su Niqing, Ma Su Li Qing, etc. The source of its name is the transliteration of Persian "Suleiman". The origin of this cobalt material is Kwamsa village in Mount Posca. The villagers thought that a man named Suleiman discovered this cobalt material, so he named it. Another way of saying this is that Suni Ma Qing should be Li Qing, Ma Su, which is the transliteration of English *** alt, which means a kind of blue glass. This kind of material belongs to cobalt material with low manganese and high iron, so the thick green belt of blue and white is rusty, commonly known as "tin light". Some blue and white flowers in the Yuan Dynasty and the green materials used in Yongle and Xuande kilns in the Ming Dynasty are all of this kind, and they are all produced in ancient Persia or present-day Syria.

(2) Ping Dengqing

Also known as Bitongqing, it is produced in Leping, Jiangxi. In the late "blank period" of Ming Dynasty, Chenghua, Hongzhi and Zhengde used it early. This material is elegant, bright and stable, which makes Chenghua blue-and-white porcelain famous for a while.

(3) Shi Ziqing

Also known as Shiqing, it is produced in Gao 'an, Yifeng and Shanggao areas in Jiangxi. When this material is used alone, the hair color of blue and white is gray or even black. This material was widely used in the second generation of Ming and Qing kilns, while the official kilns were used for blending and rejuvenation.

(4) Younger

There are many sayings that are produced in the western regions, Xinjiang, Yunnan and so on. The color of this material is dark purple, but if it is used alone, it will not be collected, so it is often mixed with Shi Ziqing. This material was often used from Jiajing to Wanli in Ming Dynasty. Among them, cyan: Shi Ziqing with 10% is added, which is used for mixing water (filling color), and the hair color is blue and bright; Zhongqing: 40% mixed with Shi Ziqing, used for coloring (sketching), with clear brushwork.

(5) Zhejiang materials

Also known as Zheqing, it is produced in Shaoxing and Jinhua, Zhejiang. Among the domestic materials, Zhejiang is the best, and its hair color is green. From the mid-Wanli period of the Ming Dynasty to the Qing Dynasty, Jingdezhen official kiln blue and white wares all used this material.

(6) celebrity therapy

Produced in Xuanwei, Huize, Yiliang and other counties in Yunnan, among which Xuanwei is the best. This material has a bright and pure hair color. Kangxi blue and white used this material.

Most of the above domestic cobalt materials belong to high manganese.

(7) Chemical green materials

That is, a green material prepared from chemical cobalt oxide. The hair color is purple-blue, pure and rich, but it is frivolous and lacks adhesion, and the price is low. Blue and white porcelain made of this material lacks the aesthetic feeling of natural green materials.

Third, money knowledge.

China ancient blue-and-white porcelain is beautifully decorated in painting, with a variety of characters and patterns at the bottom, and the styles of each period have distinct characteristics of the times. According to the styles and types of blue and white porcelain, it can be divided into five categories: calendar style, auspicious style, hall style, ode style and decorative style.

(1) calendar year

On blue-and-white porcelain, writing, carving, printing and other methods are used to indicate the age of porcelain firing, which is called the age model. The description of ancient porcelain in China is mainly based on chronology, which can be divided into two types: the emperor's year number and the branch's year number. During the Yongle period of the Ming Dynasty, calendars began to appear on blue and white porcelain, and the font of seal script was elegant and smooth, with lotus petals on the side. Xuan Jing's style is dignified and powerful. Chenghua's iron scratches the silver hook, and the glaze color is turbid. Jiajing's strokes are heavy and his strength is deep. The predecessors summed up the chronology of the Ming Dynasty in five sentences: "Xuande is rich, Chenghua is rich, Hongzhi is beautiful and rich, Zheng Degong is rich, and Jiajing is miscellaneous." In Qing Dynasty, Kangxi style fonts were neat, and blue and white materials were bright and beautiful. Yongzheng regular script is vigorous and powerful, with exquisite format. The fonts of Qianlong, Jiaqing and Daoguang are mostly seal script, and the fonts are arranged closely, just like a seal. There are many styles of "Jiangxi Porcelain Company" in modern times, among which the English style "CHINA" is the symbol of modern porcelain export and the earliest English style used in blue and white. Blue-and-white porcelain in folk kilns has few dates, such as "made next year", and the font is scrawled. It's written casually.

(2) Good words

Words with auspicious meanings are common in folk blue and white porcelain. Most of the fonts are cursive, chic and elegant, in one go. Sentences such as "long life", "long life and wealth" and "happiness" express people's yearning for a happy life.

(3) Tang Mingkuan

Written on porcelain, it has elegant hall names and names. ......

What is the meaning of blue and white porcelain?

The rain outside the banana curtain is urgent,

Blue and white porcelain looks very old.

Those ecstatic people just left.

This is the eternal theme of the singer, from the straightforward answer "A solitary lamp stands the window" to the snowing "You are so sad to leave" and then to the sad "I will send you away, thousands of miles away, you are silent in black and white" in "Away from hate". Blue and white porcelain brings us a surprise that this parting is described more delicately, hidden more implicitly, and has a unique charm, like a green olive in the mouth, which can be remembered slowly.

In artistic conception, "Blue and White Porcelain" is like a misty and rainy landscape in the south of the Yangtze River, and the white skirt and nepotism of Iraqis can be seen faintly between the water and clouds.

In terms of words and expressions, blue and white porcelain is a simple note written at the end of the pen, which twists and turns only because the heart is like a double screen with a Qian Qian knot in it;

In tune, blue and white porcelain is like a mountain spring flowing quietly on the stone in the breeze, clear and bright, winding.

These three things are superimposed in one place. The blue-and-white porcelain of the Song Dynasty, as the name implies, is like the best celadon of "self-care beauty". It washes away the lead, is simple and elegant, and is fresh and smooth.

The Chinese style of "Blue and White Porcelain" is particularly touching, with guzheng playing and crisp pipa gurgling. Vincent fang used a series of words such as "vegetarian embryo", "lady" and "Han Li" to describe the elegant demeanor of blue-and-white porcelain handed down from ancient times. Jay Chou's singing is gentle and simple, with a little rudiment of Jiangnan opera. Wonderful lyrics and retro music constitute an R&B masterpiece.

In Blue and White Porcelain, I heard that revisiting the old place in Direct Answer is a kind of faint sadness. In Hair Like Snow, I heard the past and the sighs of future generations, and I also heard the unforgettable life waiting in Thousands of Miles away, and even heard the love vows weathered for thousands of years in Love in BC. ...

One of the most touching words in blue and white porcelain, I thought it was the word "wait".

A word "wait" sang a lot of helplessness and sighs. This kind is hopeless, waiting for the afterlife, knowing that it can't wait, but just singing in a faint tone, as if just waiting for the sunrise every day; While waiting, you can read and write, recite poems and paint, enjoy flowers and play the piano, but you will never forget the person waiting. Is it painful? No, "Blue and White Porcelain" sings so leisurely that the original sadness can slowly fade away. What if you don't arrive and love to leave? All beings are suffering, and waiting is also a good mood. It is better to meet each other in this life, only to lay the groundwork for the reunion in the next life. I can't help but feel relieved when I think about it. Even if we can't meet again, we should be grateful that we had a glimpse. Who can hide Mount Fuji with love? So is blue and white porcelain.

At least, we can look at the smoke from the kitchen in the south of the Yangtze River from a distance across the Qian Shan, and silently miss the faint back in our memory across the vast sea of people, just as we quietly watch the blue and white porcelain pass through many history and pass on from generation to generation.

The rain outside the banana curtain is urgent, and time passes in a hurry;

Blue-and-white porcelain looks old, and only I am getting old. Your beauty will always be fixed on the never-fading blue-and-white porcelain, which can be appreciated, pondered and watched.

Blue and white porcelain lyrics

Ci: Fang Zhouzi Qu: Jay Chou

The embryo outlines the blue-and-white brush strokes that turn from thick to light.

The peony depicted on the bottle is like your first makeup.

I know Ran Ran sandalwood through the window.

The pen on the rice paper is half here.

Glaze color rendering the charm of female figure is hidden.

You smile like a bud.

Your beauty has gone where I can't go.

The sky is blue, I am waiting for you.

Smoke from stoves spans thousands of miles of rivers.

At the bottom of the bottle, Han Li imitated the elegance of the previous dynasty.

Think of it as the foreshadowing of meeting you.

The sky is blue, I am waiting for you.

The moonlight was salvaged, dizzy.

Like blue-and-white porcelain handed down from ancient times, you are as beautiful as a fairy, with a beautiful smile.

Koi fish, with white flowers and blue color, jumped to the bottom of the bowl.

I miss you when I copy my signature.

The secret you hid in the kiln for thousands of years.

Very delicate, like an embroidery needle landing.

Outside the curtain, plantains cause showers and knockers cause verdigris.

I passed by that small town in the south of the Yangtze River and made you angry.

In splash-ink landscape painting, you are hidden in the depths of ink.

The sky is blue, I am waiting for you.

Smoke from stoves spans thousands of miles of rivers.

At the bottom of the bottle, Han Li imitated the elegance of the previous dynasty.

Think of it as the foreshadowing of meeting you.

The sky is blue, I am waiting for you.

The moonlight was salvaged, dizzy.

If the blue and white porcelain handed down from ancient times is beautiful, your eyes are smiling. Blue and white porcelain appreciation porcelain appreciation ...

What do the lyrics of Jay Chou's Blue and White Porcelain mean?

"Ma Weidou thinks the most fallacious sentence is' at the bottom of the bottle, Han Li imitates the elegance of the previous dynasty'. In this regard, Ma Weidou's explanation is that blue and white porcelain has quickly become the overlord of China porcelain since its birth, and no one has shaken it for 700 years. But Han Li was never written on the bottom of the bottle. Only during the Chongzhen period of the Ming Dynasty, some blue and white wares occasionally wrote official scripts. Obviously, the lyricist doesn't know much about porcelain. Another mistake is "I missed you when I copied Song Song". Ma Weidou said that the mistake of this lyric is that' Song Song's signature is only seen on the enamel porcelain of the dry three dynasties in Kang Yong, but not on the blue and white porcelain'. " (Beijing Morning Post: Jay Chou, a famous appraiser, made a low-level mistake in blue and white porcelain) It turns out that Mr. Ma asked the lyricist to write the lyrics like an academic paper, and not to use literary means such as fiction, imagination and exaggeration, otherwise it would be inevitable to make a "low-level mistake". This reminds me of a joke told by Su Dongpo, a litterateur in the Song Dynasty: Wang Qi, a poet in the Song Dynasty, wrote two poems on Zhuzhi, which he proudly recited in front of Su Dongpo. Dongpo was quite dissatisfied with this poem and said, "Good is really wonderful, but only in this way can ten bamboo poles have a bamboo leaf." Afterwards, he also told people that "it is easy to laugh in the world, but it is difficult to read Wang Qi's poems without laughing." (See Miscellanies of Song People, Volume 55, Tiaoxi Fishing and Concealing Conghua) Actually, it's not Wang Qi who should laugh, but Su Dongpo. As a great writer, we should not use arithmetic tools such as addition, subtraction, multiplication and division to criticize poetry. Literature thinks in images, and arithmetic thinks in logic. Can we confuse them? Yang Shengan in Ming Dynasty also made such jokes. He once criticized Du Mu's famous poem "Jiangnan Spring" and said: "A thousand miles of yingti green reflects red" should have been "a hundred miles of yingti green reflects red", but "this edition is mistaken for" a thousand miles ". If you follow the custom, you will hear birds singing thousands of miles away. Who will listen? Thousands of miles of green and red, who can see it? " (Yang Shen's "Temple Poetry Eight") For this pedantic view, Wang Fuzhi once cited the example of "attacking the shield with a spear" in Jiang Zhai's poems, saying that "the pedantic person is not only in what the poem sees, but in the source of the poem." Du Fu's poem' I want to sell wine, and I happen to have 300 coppers', so I think the price of wine in the Tang Dynasty. Cui's poem "Selling wine is no more than a thousand dollars". Selling wine in Duling Valley, and then selling it to Cui, won't you get thirty times the interest? Everyone who finds that place is ridiculous. "What Mr. Ma doesn't understand is precisely the mistake of' finding out where poetry is, restraining poetry as the source and studying things'. Therefore, as soon as it came out, it was immediately accused by the singer's fans as "picky". However, what surprises me even more is that after repeated thinking, the two "faults" in Mr. Ma's blue-and-white porcelain words, even from the pedantic "academic point of view" of "textual research", are nothing to brag about and ask for. In other words, the description of blue-and-white brushwork in the lyrics of blue-and-white porcelain completely conforms to the reality of ancient blue-and-white porcelain, and there is no "low-level mistake" and "fallacy" pointed out by Mr. Ma. Now we might as well analyze the two "hard injuries" picked out by Mr. Ma as follows: First, according to Mr. Ma, the most serious fallacy is the sentence "The bottom of the bottle imitates the elegance of the previous dynasty". Outside? Because blue-and-white porcelain "Han Li never wrote on the bottom of the bottle, only during the Chongzhen period of the Ming Dynasty, some blue-and-white porcelain occasionally wrote official script". In fact, there were a large number of official script styles in the late Ming and early Qing dynasties (academically called "transitional period"), which is an important feature of blue and white porcelain in the transitional period. Although most of them are found in the body and mouth of porcelain, those at the bottom of porcelain are by no means invisible, but relatively few. For example, the Palace Museum has a blue-and-white baby play pot stove with blue-and-white official script at the bottom. Quanzhou Jinjiang Museum also has a blue-and-white unicorn-patterned elephant ear reed in the late Ming Dynasty, with a blue-and-white official script "Treasure of Hetai" at the bottom. In the autumn of 2006, Hangzhou art auction even appeared a six-character three-line official script made in Qianlong year of Qing Dynasty, a big bottle, and blue and white eight treasures wrapped in branches (batch number 13 17). It shows that the practice of calligraphy at the bottom of Qing bottle not only existed in the transitional period, but also lasted until the middle of Qing Dynasty. Generally speaking, the official script at the bottom of the blue-and-white kitchen knife (including stoves, bottles, flower beds, etc. Most of them are Tang numbers, but there are also a few praises and year numbers. Secondly, Teacher Ma picked out another mistake, that is, "I was thinking of you when I copied the signature of Song Dynasty". Outside? Because "the inscription in the Song Dynasty only saw Kang Yong dry three generations of enamel porcelain, but never saw blue and white porcelain." It must be pointed out here that Mr. Ma's understanding of what is a Song-style figure is still vague, or incorrect, incomplete and not in-depth. Blue and red pigments on the glaze of three generations of Kang Yong dry porcelain. ......