Is domestic film and television progress or retrogression?

Looking at the development history of domestic films in recent years, although there will be one or two excellent works occasionally, the overall trend is retrogressive and getting worse. It turns out that when directors make movies, they can see their feelings from the movies. But in most movies now, I can only smell the smell of copper. It's just money. What do you mean by making a movie? It is a big investment of hundreds of millions of yuan, but it is a pile of worthless things. The director is interested in the actor's popularity, but whether he can make money, acting and feelings are too extravagant.

As far as the comedy "Going East and Going West" is concerned, we can feel the changes of domestic films.

I was very excited to hear that "Going East and Going West" is going to shoot the second film, and it was shot by the original director. After all, this film is so classic that it gives people a feeling of wanting more. However, after watching this movie "East into West is 20 1 1", I feel sick. In recent years, Liu Zhenwei made money by eating his old books and destroying his old classics. Exaggerated modeling, awkward acting and funny stories. To tell the truth, the title of "going east and going west" is not qualified.

Watch the comedy Odyssey Series again.

Forcing jokes is the most deadly thing. The products piled up by a bunch of rotten street stalks are not qualified to compare with classics at all. What's more, we all know that the purpose of Liu Zhenwei's films in recent years is to make money. The retrogression of domestic comedies can be seen.

Finally, let me talk about the domestic horror movies that I can't spit out.

In order not to scare the children, the horror film I chose before is still relatively mild. I won't talk about domestic horror movies. Now the domestic horror film, what is needed is to show your eyes, plus the harsh screams of the actress, and a horror film becomes. The most incomprehensible thing is that some people pay money to go to the cinema to see this kind of thing, just to make money! Find a few beautiful women with white skin coming and going here, and the box office is rolling in. Domestic movies suck.

Finally, I want to say that all this is the fault of the audience. Because everyone is so easy to fool, no matter what movies can be accepted, those directors are less and less courageous, and it is the audience who fatten up the wave of directors who make movies purely for money. If a bad film is not taken seriously, it will eventually disappear with time.