100000 cold joke movie reviews, more than 600 words, original, not the kind that can be seen immediately on the internet, good articles plus100 to 20.

Let's talk about the feeling of watching movies first. This is the first time I have seen the attendance rate of more than 90% in a cinema showing domestic animation. This is the first time I have seen so many young men and women who can't watch domestic animation with great interest. This is the first time that I have seen all the audience waiting for the end of the film before leaving. In short, this is the first time I have clearly seen the appearance and effect of fan movies. Don't say that young people don't watch domestic animation in the future.

The production cost of "100,000 Cold Jokes" is quite low compared with various 3D CG blockbusters in the domestic animation market, but its content is far superior to other animations.

The first is the rhythm. This film is very fast-paced, and a scene will never be a mother-in-law. What can be made clear in 2 seconds will never take 5 seconds. The speech speed is also relatively fast, which is in line with the tastes of young people. A high-speed plot means a great deal of information, and it also means that the audience will naturally have a high concentration. Although some young animations can't speak too fast to meet children's viewing needs, the pace is too slow and there is no plot information, which inevitably makes people sleepy.

Followed by IQ. The originality of the plot design of the film exceeds the audience's expectation, which is the so-called "unexpected", which makes the audience feel thirsty, integrated, loved and even admired. American blockbusters are mostly realized through "unexpected" scenes and shapes under the condition of relatively fixed plot mode; Japanese animation is mostly realized through the "unexpected" world view under the condition of similar images; Ten chills are achieved through "unexpected" noise points. Not to mention the combination of Cao and Snow White. Surprisingly, both the family and the hero of Little King Kong were rescued from the black hole. The IQ of movies is really important. If the director is not as intelligent as the audience, what film will he make?

When it comes to ten cold, it's hard not to mention the noisy culture that the secondary group is keen on. In fact, what is tucao?

One is freedom of speech. No matter from the state of speaking freely or the content of speaking freely, it finally embodies the purpose of freedom of speech. This is very similar to another cultural "spoof" in the second dimension. Only in China, this noisy place is forbidden. Some cartoons in western countries talk about politics, politicians, celebrities and masters of the right to speak, but it seems that we can't do this yet. Taiyi real person was ridiculed as Taiyi real person, at best, playing with the ancients.

The second is "far-fetched" with quotation marks. Vomiting often insists on putting two unrelated things together, which can also generate logic. It can give a series of unexpected explanations and comments from a phenomenon. The "coldness" in "100,000 Cold Jokes" is actually reflected in the generation state of this random logic. Otherwise, you can't understand the rationality of the love between Snow White and Pi Nuo Cao, and you can't explain Nezha's figure. Sometimes, this kind of "far-fetched attachment" is a way for the second yuan people to know the world, and spitting is just a way of "spitting lotus flowers" outside this thinking logic.

Therefore, if we want to see Ten Dragons, we should look at the way of deconstruction and reconstruction of the world by the new human beings in the second dimension. Shi Guangji, who works for others, is in charge of a time machine that can rewrite history at will, and the unknown "noisy hero" who can blow up the whole world is actually the group itself. Only in this way can you understand that the "cold jokes" in the film are not nonsense, and the various noises in the film are not meaningless.

Finally, I want to make a suggestion, that is, we should also pay attention to copyright issues when deconstructing the world. When I watched the Ten Lengs series, I questioned why it could openly use the material of Huluwa to make a revolutionary adaptation. Doesn't it constitute an infringement of the classic works of Shanghai Animation Film Studio? On the one hand, it is a secondary interpretation of classic animation, on the other hand, it can be said that it subverts the traditional image and has an impact on the animation brand value of film studios.

In the cold ten days, we also saw the fleeting "Spirited Away" on the train. Chihiro and Faceless Man, the copyright of these two images should be in Studio Ghibli, right? Does it allow you to put them in animated movies? Or is China's Copyright Law clear that this kind of borrowing does not belong to infringement?

Personally, I think "100,000 Cold Jokes" is worthy of recognition as the deconstruction and reconstruction of the world by the second yuan people. But when you want to use a classic, if it is copyright-free content like The Story of Snow White and Nezha, you can use it at will. You should be careful when it comes to copyright works like Huluwa and Spirited Away. After all, the "far-fetched" mentioned above is not reckless.