The novel is peerless and arrogant (a classic martial arts novel written by Gu Long)

A writer's growth depends on constant accumulation and practice. Gu Long is no exception. Although he wrote more than 70 novels in his life, he really began to become famous in the martial arts world, starting with the four classic novels in the middle of Gu Long. The so-called four classical novels in the mid-Gu Long period refer to Two Prides in One Family, Wash the Sword with Flowers, Wulin Scholars, and Biography of the Banner Heroes.

These four novels are outstanding representatives in the middle period of Gu Long, so they together constitute the four classic novels in the middle period of Gu Long. These four novels are excellent works in the middle period of Gu Long, and they are the watershed works of Gu Long. Before the middle of Four Great Classical Novels, Gu Long had been immersed in martial arts for many years, but his fame was not great. After the four classic novels in the middle period, Gu Long became the peak of martial arts.

The early works provided valuable creative experience and inspiration for Gu Long's four classic novels in the middle period. The four classic novels in the middle period created the pinnacle for Gu Long, providing creative direction and experience. After years of exploration and summary, Gu Long's writing style has been perfect and formed his own unique style.

Among the four classic novels in the middle period of Gu Long, these four novels have their own merits, and Two Statues of a Family created Gu Long's humorous style, which has been common in Gu Long's novels since then. Legend of Wulin is the first prodigal son written by Gu Long, who created the famous Shen Lang. Since then, Li Xunhuan, Chu Liuxiang, Lu Xiaofeng and other prodigal sons have been based in Shen Lang. Biography of the Heroes of the Banner is an anomaly in four works, which created a heroic iron. The plot is strange and the suspense is ups and downs, but it is a pity that it was not completed. There are many merits in The Flower-Washing Sword Record, such as the plot of the white man fighting the Wulin in the Central Plains, which is very classic and has been borrowed and imitated by many film and television dramas. Like a one-second writing style, it began to appear.

The record of washing flowers and swords is a masterpiece, with a classic beginning. The beginning is not only strange but also powerful, giving people a sense of urgency and mystery. A man in white, with a sword in his hand, came to the Central Plains alone in stormy waves and challenged the Central Plains martial arts masters according to the established list. No one can stop it. One stroke kills, and the climax at the beginning is repeated, which is a classic.

Such a classic beginning has been imitated and used for reference by many film and television dramas. For example, 1983' s Life and Death Field, directed by Cheng Xiaodong and starring Xu Shaoqiang and DAMIAN LAU, draws on the plot of white people challenging the masters of major schools in the Central Plains. Another example is the martial arts drama the legendary swordsman starring DAMIAN LAU and Xu Shaoqiang, which also draws lessons from this plot. It can be seen that this plot at the beginning of Gu Long is very classic and unparalleled, so it will be used for reference by many film and television dramas.

Even Gu Long borrowed it from himself. At the beginning of Full Moon Machete, the hero Ding Peng is also a swordsman. When he appeared, he also challenged the masters of major sects, who were also vulnerable and hard to beat. "Huanhua Washing Sword Record" mainly tells the story of Japanese white swordsman going to the Central Plains to challenge and defeat the invincible hand in the world, and finally dying to get the true meaning of kendo. The man in white never meets the opponent's setting in his life, much like Jin Yong's lonely pursuit of defeat, and he never gets a defeat in his life.

The Record of Washing Sword Flowers is not only ingenious in conception, but also fascinating in plot, and its characters are very classic, such as Hou, Hu Bu, Little Princess, Shui Tianji, Mrs. Wan, Niu Tiewa, Qingping swordsman, white man, Fang Baoyu and others, all of which are lifelike. There are several interesting names in it, Mo unyielding, Gong Sun not wise, gold not afraid, stone not for, Wei not greedy, Simon not weak, Yang not angry.

The biggest attraction is still concentrated on white people. The role of the man in white is cold, deep and lonely, which has the shadow of Ximen Chuixue later. Maybe Ximen Chuixue was inspired by the man in white. They are equally ruthless, pursuing kendo and killing with only one sword. The ultimate battle between Fang Baoyu and the man in white also has a feeling of sympathy, just like the decisive battle between Yan, Guo Songyang and Ximen Chuixue.

Baoyu looked down at him. His heart is full of sadness and respect, not pride and joy. At the moment, lying at his feet is a person who can carry out his life's ideals and goals, and how many people in the world can carry out his life's goals?

The man in white lay quietly on the beach, his chest undulating. Suddenly, he opened his eyes and looked at Baoyu. There seemed to be a smile on his lips and he whispered, "Thank you." Baoyu was dazed. He looked down and sighed, "why do you want to thank me? I killed you. "

The man in white looked up at a misty white cloud in the blue sky and said leisurely, "You will never know how lonely people like you and me are living in the world ..."