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My favorite comic composition.

Your teacher is really bt.

It's almost 13 in a blink of an eye. You've been listening to cross talk for 1 years. I'm a northerner, I'm fond of cross talk, and I like listening. Among people my age around me, I've probably heard a lot. There are hundreds of jokes in the computer, and many of them still laugh after listening to them many times. This is probably the classic charm.

When I was a child, I didn't want to listen to Master Hou Baolin's cross talk. I thought he was always singing opera, which was boring and not funny. I don't like to listen to the works of Master Ma Sanli. It's too slow. It's only a burden to listen to for a long time, and I almost fell asleep ... Later, when I grew up, my mood stabilized, and I gradually discovered the benefits of the two masters. The gentle typhoon, that kind of humor is as mellow as spring breeze but straight into my heart and spleen. I bought a tray specially for Mr. Ma Sanli from the 8th anniversary party. Except that Aunt Ni Ping once again made me uncomfortable for a long time, every time Mr. Ma opened his mouth, I laughed, but now I can only say that his voice is gone. Gao Yingpei, Fan Zhenyu, Su Wenmao, Zhu Xiangchen and other old gentlemen have also heard a lot, so don't say much about classic masterpieces. And the legendary Liu Baorui, Zhang Shouchen and other older gentlemen, I have no chance to experience, and my impression is blurred. It's just that Master Liu's stand-up comedy title is too bright, and several classic jokes can be heard as storytelling, so I admire it from my heart!

The crosstalk performers I want to talk about this time are all under 6 years old or around, and over 4 years old or around, belonging to the Mesozoic or mainstay of the phonology world. I basically grew up listening to their cross talk in these 2 years, and my feelings are particularly deep. But it makes me sad to see the crosstalk fade out of the screen step by step, and the phonograph world is also a sad sound. I know that crosstalk performances in Beijing and Tianjin are still quite popular now, but they are all in theaters. Tianjin is cheaper, and you can listen to one performance for 1 to 2 yuan. Beijing is more expensive, and it costs tens of hundreds to come or not, but it is said that it is also full. Although I can't afford it at present, I support it and will listen to it when I find a rich job in the future! However, Beijing and Tianjin were originally the birthplace of cross talk. In the past few years, they have expanded their positions to the whole country, but they have shrunk back in recent years. In any case, we can't say that cross talk has developed. Of course, there are some excellent cross talk actors in the south, like the soldiers who have parted ways now. But after all, the number of people is small and the mass base is weak, so it is difficult to hold up the banner of cross talk.

In fact, everyone knows that the cross talk has come to this stage not because of the cross talk itself or the cross talk actors themselves, but because of the censorship standards. Now, it seems that jokes such as "Escape from Danger" and "Elevator Adventure" in those days will not be allowed to enter CCTV today, let alone the Spring Festival party. It is the harsh and boring censorship that strangles crosstalk, which makes crosstalk empty and full of talents but useless. And those who love crosstalk can only stay away from the boring crosstalk now, sigh, face the computer alone, recall the past and miss the days when they were always laughing. The rest of my life is too late, and I still hope that you can make mistakes and omissions in your works.

Ninth, Shi Shengjie

Shi Shengjie, a native of Harbin, is my hometown. He used to be on Struggle Road, but now he is called Gogol Street. He lived for a while, not far from our home. I often hear people say that he saw him shopping or picking up his son from school, and he was wearing sunglasses. I have never seen him personally. He is a close disciple of Mr. Hou Lao, and his age is much younger than that of his generation. Over the years, he has somewhat withdrawn from the mainstream vision, and there were still many good works in the past. His voice is cool, clear and generous, which sounds comfortable. It's just that he hasn't had a good comedian as a partner for so many years, which probably limited his development. Fusheng Yu, Yu Shide, Zhao Baole, Li Lishan and Sun Chen are also good crosstalk performers, but it seems difficult to blend in with the typhoon in Shi Shengjie.

Eighth, Shi Fukuan, Hou Yaowen

Last year, I learned that Hou Yaowen had cut his double eyelids after watching Super Interview. I said that something was wrong with him for some time, but I couldn't say it. Indeed, as he said, he looks refreshed after cutting his double eyelids. What impressed me the most was that Hou Yaowen once played Master Hou Baolin and Zhang Keyao in a sketch, describing an association between Master Hou and Chairman Mao after the founding of the People's Republic of China. From the side, Hou Yaowen looks like his father, but his voice is much worse. Last year, Hou Yaohua's son, Hou Jun, came back from Japan to host a cooking show. I found that it is more like Master Hou than Hou Yaowen, and it doesn't need makeup. Hehe, it is inherited from generation to generation! Hou Yaowen should be glad that he has found a good partner, Shi Fukuan. Without Shi Fukuan, Hou Yaowen's charm will be reduced by more than half.

Seventh, Li Zengrui, Wang Qianxiang

Teacher Li Zengrui is really getting old quickly. I clearly remember that there was no change in the Quyuan Zatan a few years ago, and suddenly one day I found that Miss Li was full of hair. Wang Qianxiang hasn't changed much, but he still looks a little limp with mirth. I know the two of them also started from Quyuan Miscellaneous Altar. Both typhoons are relatively slow, and there are not many features in their voices, but they can shake off the burden very well. There are many good works of theirs, and I remember a short passage most clearly, that is, learning English letters from people all over the world. Although we Northeasters don't pronounce them like they say, it's funny enough.

Sixth, the soldiers of Qizhi

These two are representatives who came from behind, and they have been famous all over the country for a long time. Probably because of their folk origins, their works are extremely ironic and hilarious. I don't think any of their jokes in my machine can be broadcast on TV, but they are all the rage. In the final analysis, it is because they have grasped the source of crosstalk and truly reflected life, rather than making it up. But it's a pity that after all, they didn't avoid the fate of * * *, but they couldn't share the happiness. After parting ways, Qizhi didn't seem to make much progress. Although Ren Jun (Private) hosted several programs in Hunan Taiwan, I was deeply sorry after seeing them several times. I can only bless them.

Fifth, Niu Niu Feng Gong

Needless to say, these two grandfathers were probably the hottest crosstalk performers in China two years ago, and it was up to them and Zhao Benshan to watch the Spring Festival party. To tell the truth, I originally thought that Feng Gong overshadowed the cattle, but after the two broke up, Feng Gong didn't take out a good work, which shows that Niu Feng is also a match in heaven. I hope the two of them will join hands one day and bring us more and better works.

Fourth, Li Baixiang and Du Guozhi

If you want to speak well, you have to count Tianjin Wei's crosstalk performers. The two teachers in Li Du are probably the oldest of these people. Teacher Li is almost 7. In those days, a piece of "Looking at the Red Rock" made me happy for 2 years. Every time I joke with people, I know to use the phrase "zi, chua, and dia, who lives in pia County". Teacher Li is a typical cold humor, basically has no body language, relies entirely on speaking, and he is not happy. His eloquence is the best description of him. No new works have been published in these years. I wonder if there are any apprentices, so it is better to inherit the mantle of two teachers.

Third, Jiang Kun

Now many people say that he is dying, and there are many criticisms. I also have to admit that in recent years, Mr. Jiang is getting worse every year. Although it is understandable to make online jokes into cross talk, it is basically unattractive to young people. However, from this point, we can see that Jiang Kun is trying to keep pace with the times, in the words of the leaders, but the decision-making power is not in his own hands, so he has to worry about it in the periphery. Anyone who has heard Jiang Kun's cross talk for 2 years should be able to feel Jiang Kun's solid and profound basic skills and performance skills. His partners are also powerful people with great skills, such as Li Wenhua and Tang Jiezhong. Now Dai Zhicheng is still young, but he can. He said too many classic jokes, which can be ranked first among active actors in both quantity and quality. He is now mainly busy organizing cross talk performances to bring cross talk back to the masses. Shout a slogan to express my heart: I will always support Mr. Jiang Kun! Yeah!

Second, Zhao Weizhou Yang Shaohua

Some people may not know these two people, especially the funny Zhao Weizhou. Mr. Yang, who is over 7 this year, is the oldest person who has fought in the front line of cross talk. He feels a little late in his career, because it was during this decade that I first got an impression of him. Mr. Yang's performance style is unique and unforgettable. Zhao Weizhou's performance is also in place, and their partners are very harmonious. Only recently, Mr. Yang probably started to partner with his son in order to support his son Yang Yi, the champion of the new cross talk contest. After listening to a few paragraphs, he didn't taste anything, and Yang Yi didn't prove his championship strength at all. I miss the days when Zhao Weizhou Yang Shaohua and his two partners.

First, Huang Zumin, Ma Zhiming

Ma Zhiming has lived up to Mr. Ma's talent and hope, and his skill and stability are the first among the active crosstalk actors. Even in the low ebb of crosstalk, Ma Zhiming and his old partner Huang Zumin can still combine traditional crosstalk with modern life, making the old jokes glow with new brilliance, making the new jokes blend with the old style, and opening up a new sky for crosstalk in a few screen appearances. It's just a pity that it is said that because Ma Zhiming was outspoken, he offended the authority of some phonologists, which led him to be unable to meet the national audience in high-standard performances. This is not only the regret of the audience, but also the regret of crosstalk. Best wishes to two teachers in Huang Zumin, Ma Zhiming!

or

I am always ready for someone to ask me, what is my favorite XX? It seems that most people, like me, like to answer such questions, and no one asks and answers them. Now I want to take this sentence out: My favorite crosstalk performer is Hou Yaowen. I just thought I really liked it. Now, after attacking Degang Guo, I can tell some reasons why I like Hou Yaowen. When I attacked Degang Guo, I claimed that Degang Guo was not something, and Hou Yaowen was. It is a traditional cross talk; It has the charm, charm, atmosphere, three-dimensional sense and multi-tone action of traditional cross talk; Laugh at yourself rather than others; It is dedication; It is purity; It is pure-hearted. Under the condition of pure-hearted, I pondered what is the funniest thing, and sincerely offered it to everyone, which unconsciously led to art. You see, he is always willing to play some ridiculous people he wants to laugh at himself, playing very happily and deeply. Yang Shaohua also likes to play funny roles, but he may still be suspected of being clever and vulgar, not as authentic, mellow and honest as Hou Yaowen. I haven't compared them carefully before. After attacking Degang Guo, including the idiots, my cognitive ability is strengthening. This is what Peng friend storyof said, scolding silly X has the function of sorting out his own thoughts. Anyway, I produced such a sentence again. My favorite crosstalk performer is Hou Yaowen. Maybe others like to say what they like, but they are just expressive. I may be more than that. I'm waiting for someone to announce that Hou Yaowen is the best crosstalk performer in the future. My glory is at hand. Who will announce it, or history, or people, or God. I always rely on believing that there is such a person who announces the correct answer. So that I can be honored. There are two things to worry about. First, this person will not appear, and the time to announce the answer will not come. Second, my bet will not be sent up, and it will not be redeemed for me. It often makes me very anxious. I also made a bet: My favorite person to sing the theme song of the 28 Olympic Games is TanJing. Here, the first worry does not exist, and it will be revealed in August 28. There is only the second worry: if it is really TanJing, and no one has received my current bet, so no one will give me a prize, then I will be too uncomfortable. I couldn't help thinking about TanJing and the Asian Games when I saw something on TV today. I have a lot of lists in my hand, and I have a list of bets, waiting to unveil the treasure and win the prize; There is a negative of Silly X that I took with my eyes (see the post "Silly X's negative is here, but where is the developing machine" for details), waiting for the developing machine to arrive and develop it, so people all over the world can see Silly X at once. That's mainly not for glory, but for making silly X known to the world. As the list piled up, I became more and more impatient.