William Feng said that "Living in the Heart" can't compare with Christina and Tan Ya, no matter how high the salary is. The reason makes people laugh. What happened?

William Feng, Christina, Tanya and others starred in Living in the Heart. In this play, William Feng plays Shi Yuan, who lives in poverty. He and Tanya played opposite each other in the play. During the publicity, William Feng said that "Living in the Heart" didn't share the stage with Christina Tan Ya, no matter how high the salary was, because Tanya and Christina were more "gossiping".

First of all, Christina and Tanya are willing to tease William Feng, which makes him very helpless.

The relationship between the three people in the play is still somewhat complicated. Christina plays Feng, Tan Ya plays Gu Qingyu, and Feng is an elder sister. Ishihara and Gu Qingyu were childhood friends. In the process of communication, Gu Qingyu is the aggrieved "little wife". After being with Ishihara, they quarreled many times over money.

Moreover, Ishihara's mother didn't like Gu Qingyu's background, which made Tan Ya not feel unhappy when the two families met. This process is as difficult and tortuous as the negotiation at the negotiating table. William Feng also said in the interview, what's the difference between living hard and doing whatever it takes?

He doesn't know in the play, but he knows very well in reality. He thinks that life is to take care of his son. Tanya and Christina make fun of him and use his son. William Feng said that no matter how high the pay of this play is, they will not cooperate, because they are too gossipy and always ask him about his son.

Not only that, but they also made William Feng feel in a trance instead of working, because all she could think about was her son. Want to cooperate again, unless they send their son some autographed photos. William Feng's speech is also very funny, through which he expressed his approval for the two actors.

Second, the interpretation of Tanya and William Feng in the play is in place.

Tan Ya plays a social elite, who is independent and successful, and likes Ishihara in his childhood. Unexpectedly, meeting after many years is another scene. Ishihara was oppressed by life and became a tour guide. When I met Gu Qingyu, I felt that my eyes were full of loneliness, and William Feng showed this very well.

Not only that, he is in the car where two people ride, and that stiff state is a reflection of his living state. He was stiff and afraid to speak, which made the audience feel that his life was not satisfactory. On the other hand, when Tan Ya sat there, he looked very natural and relaxed, which was a very comfortable posture and state at first glance.

After they got married, Gu Qingyu's patience reached its peak in the face of trivial things in life. She has never experienced too many storms in her life, and her work is smooth, her life is rich, her mind is naturally comfortable, and she is also somewhat neat psychologically. However, Ishihara has experienced the hardships of life, not only at work but also in life.

Although the family lives in Shanghai, they belong to a humble abode. This kind of life subordinated his character to Nuo Nuo. The work of a tour guide, seemingly smooth, is actually a chicken feather. After he and Gu Qingyu got married, there was a psychological gap between them. When Gu Qingyu was having dinner with her suitors, Ishihara followed her all the time and didn't stop her. Mainly to see whether the suitor and Gu Qingyu are a good match.

The loss in Ishihara's eyes is distressing. However, this is also the result of William Feng's interpretation in place. Many people think that William Feng's acting is good, but they didn't expect it to be so good. The same is true of Tan Ya, whose acting skills are described as bursting, which is still very appropriate.

When Tan Ya plays opposite Christina in the play, she has a good grasp of the eyes and control of the air outlet. In the face of her brother borrowing money, she directly said that it might not work this time. Seeing Feng's surprise and facing her brother's death, she seemed indifferent and hated Feng.

The performance in the play was in place, which made many people give thumbs up to William Feng and Tan Ya. They completed the role with acting skills, which moved the audience. It can be seen that the strength of both of them is not bad. Many people pay attention to the people in the play and their lives, which is what William Feng called gossip.

Third, no matter how much gossip there is, we must do our job well.

William Feng is very resistant to gossip in life. He feels that life belongs to life and works hard at work. When filming "Heart House", he also studied the script and recited his lines when he was free, so that his emotions were in place and everyone felt his state in the play.

For people who eat melons, they are more concerned about who he is close to in life and what interaction he has with his son. William Feng didn't want to talk about it, for fear that it would affect his work and the quality of the film. Similarly, Tanya and Christina are also such actors.

Both women have achieved good results. Tan Ya's masterpiece Thirty Without Nothing plays Gu Jia very well, giving people a sense of shock. Women can achieve counterattack through their own efforts. Christina plays Guo Haiping, a woman who has been working hard in My Dwelling House.

They are excellent in the play and a little funny in life. When they collaborated in The House of the Heart, they were willing to tease William Feng, which made him very helpless. That's why there's an expression on it. No matter how good the pay is, they are unwilling to cooperate again. Because they are too gossipy. Do people think that people like Christina and Tanya are gossip?