Degang Guo's comments on talk shows are gentle, but hard to hide his disdain. Is this industry competition?

The language art of talk show was brought to China by Huang, a doctor studying in the United States. It is a straightforward satirical joke, which is suitable for fast-paced people. Of course, for China people who are used to stand-up crosstalk, once the novelty is over, the reaction is naturally dull, which makes sense, not to mention the conditions of competition. Isn't Zhou Libo's Shanghai school eloquent and just a talk show in mixed dialect?

Not really, because more often, Degang Guo is actually a talk show colleague, and his relationship with cross talk belongs to the cross curse of the street.

Degang Guo was asked about the talk show market in an interview on the 27th. Degang Guo said:

As soon as this statement came out, it immediately triggered a media carnival, and a "cross talk PK talk show" was discussed on the Internet. Of course, it is more appropriate to say war, which has always been the norm under the topic of Deyun Society.

Supporters believe that crosstalk performers have paid attention to basic skills for more than ten years, and they are proficient in speaking, learning and teasing, while talk show actors can perform full house as long as they take a good book on stage. Neither "Tucao Conference" nor "Talk Show Conference" invited a large group of zero-based stars, and the effect was similar. Cross-border talk shows by crosstalk performers such as Cao Yunjin and Yan Hexiang are a direct blow to dimensionality reduction.

Opponents believe that crosstalk has gone from bad to worse because the actors cling to the remnants and hold some coffins of their ancestors. In recent years (to be precise, it should be more than ten years), Deyun Society has basically been living on its laurels, and its creative field is basically negative. It has reached the point where it is impossible to look directly at it, but the hype and marketing have been upgraded all the way, and the rice circle culture has taken off. However, the laughing fruit culture has been proved by several popular programs. As long as talk show actors concentrate on their creation, they can still get the favor of traffic even if they don't talk nonsense and ethics.

One touts basic skills, and the other puts creation above everything else. It seems reasonable, but it can't stand scrutiny.

The fundamental reason is that Degang Guo, who triggered this topic, is a very embarrassing existence.

In fact, the label "Traditional Crosstalk", on which Degang Guo lives, does not occupy a high proportion in his marketing career. The traditional skill touted by Gang Si, Degang Guo's 600 pieces of traditional crosstalk every second, is actually just something labeled for the sake of labeling.

Degang Guo's marketing routine is to ignore or even belittle what he is not good at, such as TV cross talk. Make a lot of hype about what you are good at, especially the unpopular ones, such as Taiping lyrics.

What he is best at is the so-called "idle white" and "hang up now", that is, the "sparse program" (funny language) that comes with his mouth open, which is the basic requirement of talk show.

Degang Guo has repeatedly flaunted his basic skills, but in fact, there are not many wires willing to pay the bill. Otherwise, he would have opened a special session of Taiping lyrics all over the world, and the history of cross talk in China in those years would not need to be a special session of Degang Guo cross talk. Degang Guo Yu Qian's album, which is charged in the Himalayas, just didn't learn to sing and sing Taiping lyrics at all, and it was all a high-purity version. If those steel wires are really sought after by Mr. Guo's voice of nature and traditional Bangzi Pingju, why do you have to make this castrated version and charge for it?

Market rules tell us that consumers love basic skills in words, but their bodies are honest ~

The "basic skill" of paying attention to opening the mouth first and throwing away the baggage for fun is precisely the standard of talk show. A few jokes about Degang Guo being deified, about the status of cross talk for 50 years, I want to fight against the three customs and so on. They are all typical talk shows, not crosstalk between characters and plots.

Wang Zijian, the first person who achieved perfect cross-border in the field of talk show and crosstalk, took almost the same marketing route as Degang Guo. The small theater is outspoken, scolds the mainstream, drives indiscriminately, does not limit the speed, increases the proportion of leisure to several times that of active life, and the active life jumps out frequently, and the scale of interaction is also nerve-racking.

After he entered the talk show field, with the support of Li Dan, Wang Jianguo, Shi Yan and other writers, he created the talk show "After 80s Tonight", which was very popular in Zhou Libo. His success is not due to his strong basic skills in cross talk. Wang Zijian, a fan of this kind, almost failed, but he has strong language organization ability and extraordinary on-the-spot witty response. Coupled with the continuous development of new copywriting, it is natural for Wang Zijian to become popular.

On the other hand, Degang Guo is taller than Wang Zijian. Now he can talk in Kan Kan on the stage in a gown, and he can talk about a talk show with books in the water in King of Pit, but fans still feel that he is listening to cross talk, stand-up cross talk and even telling stories.

What is industry opposition? This is obviously a big industrial integration. !

So Mr. Guo made a comprehensive evaluation of his two identities from the standpoint of half his peers. He is a crosstalk performer, but he has also successfully performed numerous talk shows, so crosstalk performers can speak talk shows.

But so far, no talk show actor has entered the cross talk field to grab food, so he thinks that talk show actors can't be cross talk actors.

What Mr. Guo didn't explain was that if a crosstalk performer only has basic skills and no one writes a notebook, you still have to return to the field of crosstalk after performing those stocks in your hand. After all, crosstalk fans can be moved by listening to their partner's home 10 thousand times, while talk show viewers will scold the street if they listen to a joke more than three times.

Moral corruption. No matter how much makeup Guo Zi wears, he can't get rid of that vulgarity. Look at our master Hou, who has a high personality and knowledge. Now all the funny ones are only equipped with shoes.

Degang Guo commented on this talk show, which I think is reasonable. Crosstalk industry requires practitioners to have good basic skills and know more. Take some famous crosstalk performers in Deyun Society as an example. Who doesn't have more than ten years of performance experience? If they can speak and sing, they must adapt to various living environments. It seems easy, but it's really difficult. Talk show actors imitate foreign performances more, and have less interaction with the audience than crosstalk. I think the beauty lies in some novel jokes. To tell the truth, talk show actors watch teleprompters live, and crosstalk actors are much better than them. Degang Guo is a little dismissive of them, which is understandable. Ever since I learned at the scene that they were funny with teleprompters, I think talk show actors are like this!

China calls it "talk show" as a language art skill, while western countries call it "talk show" as a language short sentence joke skill. The "stand-up crosstalk" and "storytelling" in phonology are called the art of rap, and the talk show is far from the inheritance and artistic skill form of crosstalk with its "basic skills" and strength. Crosstalk art is the real "rap art" in China for thousands of years and the essence of ordinary people's daily material and cultural life experience. Talk show is only a derivative product of the "staged" development of our whole social history, not an artistic category of historical inheritance. It is natural and universally acknowledged that crosstalk looks down on talk shows. ...

Personally, it doesn't count, because talk show is not an industry at present, and it is far from reaching the threshold of an industry in terms of development level and employees. Therefore, the argument that the industry opposes it is certainly not established.

In recent years, the performance form of talk show has gradually appeared in people's field of vision, and various media will send out some talk show videos from time to time, and the development trend of talk show is also relatively rapid. However, it should be noted that talk shows started very late in China, and there are not many employees. And most of them do part-time jobs because of their hobbies, because their income and recognition can't make a living. Moreover, personally, the performance form is relatively elementary, and most of them can only be called jokes. Let's listen to them and have fun. You don't need much skill from the performer. If someone else wins the same joke, the effect may not be too bad. Besides, some people don't write their own jokes on the show. They were written by the team and looked at the teleprompter by themselves. They don't have much acting skills and don't need any acting skills, so it's hard to call it an industry.

However, it is undeniable that talk shows do have their own unique forms and styles. More and more people like it and join it. It has also developed rapidly and has great development potential.

Compared with crosstalk, talk shows are relatively easy to get started, and there is no fixed pattern, but most of the content reflects the concerns of fresh people at present. After watching talk shows for several seasons, they still attract young people. They must be competitors of crosstalk!

I like his cross talk!

Once people have pride, they will soon have it!

It's hard to say whether the talk show is inspired by China's stand-up comedy, but since the introduction of the talk show, its form is very close to stand-up comedy, which is nothing but more fashionable than stand-up comedy! Talk shows are only a few years old. Stand-up comedy has been around for 200 years, right This really can't be said to be industry opposition. Didn't Degang Guo talk on the stage himself? Oh, maybe it's more appropriate to call it stand-up comedy?