Brief introduction of imperial envoys

Nicola Nikolai Gogol's satirical comedy "An Imperial Envoy" describes a dude named Heller Starkovs, who lost all his money in a bet with others and was at a loss. Passing through Petersburg was mistaken for "an imperial envoy", which caused panic among local bureaucrats and made many jokes. Nikolai Nikolai Gogol used the mirror of drama to show the ugly prototype of social dignitaries at that time, thus exposing the dark, decadent and absurd reaction of serfdom Russian society.

Lightweight, classic and crazy.

Produced by Shang Xi and Jiao Huang's art studio, the play has no scenery and makeup, but this passionate "rough" performance has brought people into a funny but ironic drama realm. "Comedy is the accelerated rhythm of passion" and "Comedy needs more sincerity of 1.20 points". Speaking of the performance teacher's teaching fifty years ago, Jiao Huang and other "legendary class" students still came with their mouths open. The performance was full of laughter. When the cash-strapped dude first met the mayor with ulterior motives, he was mistaken for an imperial envoy and was very surprised: "Without you, I would be on my way." The romantic and narcissistic mayor's wife added chaos to the busy corrupt officials: "Tell me quickly whether the imperial envoys like black eyes or yellow eyes?" Seeing his wife snuggling up to the imperial envoy, the mayor reluctantly reached out and separated two heads that were close together, but he was quite helpless ... The beauty of dance, the beauty of clothing and the beauty of makeup were all filtered out, and the simplest and most essential acting presented a "big party" of "old bones".

Stars shine on the stage without supporting roles.

Chen, Jiao Huang, Zhang Xianheng, Du, Lu Ruoping, Xu, Xiang Nengchun, Yi Zhu, Gu, Li, Li Daojun, Mai Jian and Yang Kun are all resounding names. Now, they are willing to blend in with the performance of "imperial envoys", and there is no distinction between leading role and supporting role. On the stage, the "imperial envoys", wearing hats and holding canes, bowed to the lower class under the beating of gongs and drums ... No matter Jiao Huang's interpretation of the spring breeze or Zhang Xianheng's interpretation of servility, even the freshmen of Inner Mongolia class who played a walk-on played very hard. Jiao Huang reveled in it and danced with Gu and kun yang in an elegant and lively dance.