Ballet terminology

One of the most important features of ballet is that the actress points to the ground with her toes while performing, so it is also called toe dance. The following is a complete collection of professional terms of ballet compiled by me, and you are welcome to consult it.

Ballet terminology 1 1, the general term for bat leg movements.

2. bat soup corrects Battement tendu to wipe the floor

3. Demipley is also a demipley.

4. Brothers Jean de Puli are also squatting in Grand Puli.

5. Batmantang corrected the small kick of the Japanese generation Battement tendu jete.

6. Let de Xiang Bo Rond de jembe turn around with his legs.

7. Behind the ground

8, Bart mans wind correction lath square one leg squat.

9. Ashes are also the main action at the ankle.

10, battery frappe, Batmang Frappe, small rebound

1 1, adagio adagio adagio adagio adagio adagio adagio adagio adagio adagio adagio adagio adagio adagio adagio adagio adagio.

12, Angel Airlines

13, Ge Jean de Batmang gave Grand battement jete a big kick.

14, Heaven is afraid of the rise of the beast, which mostly refers to the movement of half toes and toes.

15, front.

16. Head and shoulder movements of EPULUMAN EPULEMENT

17，Crossay Croise Cross

18, erasure is on.

19, Alabasp, Ala Beske, spread your wings and dance in the wind.

20.Egard (front) Ecarte climbing style

2 1, Egarde (rear) Ecarte overlooking type

22. Vertical dance of posture crane

23.Temps lie also shifted his focus in the soup.

24. Balancy's balanced swing dance steps

25, tiptoe rotation tiptoe rotation.

26. Two people walk out.

27. Deng Dedan, the Anger Party, is introverted.

28, sou Dai Suote small jump

29. Shahiman jumps five feet.

30.eshabe Echappe displacement jump

3 1, Grisard in Gorisha, an action assisted by connection.

Assange is not tired. Assemble the two landings.

33. Pasj, Bajidai, has double jump and single jump.

34. Sisney Felmy jumps with her legs apart.

35.Sissonne ouverte controls leg jumps in Sisson Ouverte.

36.Coupe kicks the ground, mostly as an auxiliary action of jumping.

37. Grande Assange is not tired. Crossay Grand assemble croise has a big double jump and a double jump.

38. Grande Assan Breija eckart jumped aside.

At the age of 39, Bashasai Pass Chaser caught up.

40. Turn around on the way.

4 1, pointing to the ground.

42. Grande had to let Chandra Grande Jambe Jeter's long legs slip.

43.Petit battement refers to the pendulum movement of the calf to the side.

44.Bobatri Pour batterie is an auxiliary exercise of the middle hitting action, which is only performed at the handrail.

45, wave bra hand and waist exercises

46, sweater fell

47. You are wandering in the air (male)

48. Grande jumped into the Grand Jeter, referring to volley.

49. Ambode Boyd jumped from one foot to the other.

50. On the day of Basai, I was afraid to stand on one foot.

5 1, Su Yi reed broken into pieces

Ballet term 2 1, Adagio [Italy] [Adagio]

Adagio is slow and calm. The terms used by teachers in Italy, the United States and the Soviet Union refer to: ① Some combinations formed by holding hands or doing movements in classroom teaching-composed of slow, elegant and coherent movements, used to train control, balance and stability, coordination of legs, feet, arms and torso, and beautiful dance. (2) The second part of the classical pentathlon is often lyrical. With the help of the male partner, the female partner moves slowly, showing elegant lines and balanced posture, or completing some complicated movements and dances that cannot be completed without the help of the male partner.

2. Ala Beske [France]

One of the basic dances. The name comes from a continuous pattern of Moors similar to leaves. The dance posture is that one leg squats or stands upright, the other leg straightens the back, at right angles to the supporting leg, and the arms are in a corresponding harmonious posture, thus forming a straight line as long as possible from the fingertips to the toes. It can be done on tiptoe, or it can remain unchanged during flying (jumping) or turning. This is one of the most beautiful dances in classical ballet.

Czekaj Brothers System:

(1) The first Allah Beske-one leg is supported upright, the other leg is straightened backward, at right angles to the supporting leg, the upper body leans forward slightly, the chest and waist are bent backward, the back is straightened hard, and the shoulders are in the same straight line. Don't twist your shoulders, don't lift your hips, face your upper body forward and don't lift your shoulders. One arm on the same side as the support leg extends forward, and the other arm is backward, slightly lower than the forearm, above the hind leg, with both hands and palms facing down. The arm that looks forward, the fingertip is on the extension line of the midpoint of the eyes.

(2) The second Allah Beske is the same as the first Allah Beske, but the two arms are exchanged, with one arm on the same side as the support leg backward and the other arm forward; Raise your head slightly and turn to the audience slightly.

③ The third Allah Beske is the same as the first Allah Beske, but the two arms are horizontally lifted forward, and the arm on the same side as the supporting leg is slightly higher, so that the fingertip is on the extension line of the application point between the eyes.

(4) The fourth Allah Beske-the same as the first Allah Beske, but with legs close to the audience as support legs, half squatting; Straighten your back hard and tilt your upper body towards the audience; One arm on the same side as the hind leg extends forward, the other arm moves backward, and both arms are slightly bent.

⑤ The fifth Allah Beske is similar to the third Allah Beske, but the arm far away from the audience is lifted upward, higher than the other arm, and the support leg closer to the audience is used, and the upper body leans towards the audience. The fourth and fifth Allah Beske take the left leg as the supporting leg, facing the right front of the platform, and the right leg as the supporting leg, facing the left front of the platform.

French schools:

(1) open beske-the leg far away from the audience is supported upright, the other leg extends at right angles to the supporting leg, the upper body leans forward slightly, the arm on the same side as the supporting leg is lifted forward, and the other arm extends backward and is parallel to the rear leg. Various gestures can be added to the stage performance.

(2) Beske Cross-Same as above, but the leg close to the audience is used as the support leg, the arm on the same side of the support leg is lifted forward, and the other arm is extended backward.

Russian schools:

(1) The first Allah Beske- two legs far away from the audience stand upright, the other leg is straight back, at right angles (or more than right angles) to the supporting leg, and the upper body is forced to stand upright with low fE fragrance, with the arm on the same side of the supporting leg extending forward, and the other arm opening sideways with the palm down.

(2) The second Allah Beske- the same as the first Allah Beske, but on the same side as the support leg, with one arm as far back as possible, the other arm stretched forward, the head turned to the audience, and the back was straight and slightly arched.

(3) The third Allah Beske-the leg close to the audience supports the other leg upright, and then lifts it 90. The upper body leans forward, the second bud on the same side of the leg opens backward, and the other arm extends forward.

(4) The fourth Ala Beske is the same as the third Ala Beske, but the arm on the same side as the supporting leg extends forward, the other arm is behind the trunk, the back is forcibly straightened, the waist is twisted, and the upper body rotates 25 degrees away from the audience. Turn your head to the audience.

3. Attitude [France] [Artidide]

The original meaning is posture, posture. One of the basic ballet. The supporting leg can stand upright or squat slightly, or stand on tiptoe or half tiptoe, and the other leg is bent forward or backward and lifted. It is said that it was designed by Italian dancer Carlo Boratis with reference to Giovanni de Polonia's work-the statue of Mercury, the ancient Roman god of commerce. According to the angle between the actor's trunk and the audience, it can be divided into cross, straight ahead and 45-degree angle.

4. Balance [France] [Balancy]

Swing dance steps. Change the center of gravity alternately with your fingers, swinging from one foot to the other, much like a waltz. Stand five times and put your right foot forward. Half squat, wipe your right foot sideways, while your left leg jumps gently; Land your right foot and squat down, and at the same time, when the foot is finished, tilt your head and upper body to the right. Then the left foot falls on the second half toe, the right leg is slightly raised to form a forward flexion, and the upper body remains upright. Immediately, his right foot fell in front of him and squatted for half a body, while his left foot became collapsed and his upper body tilted. Then make a symmetrical movement to the left. If you add arm movements, you can make the swinging movements more obvious.

5. Developed countries [France] [developed countries]

The original meaning is stretching. Name of basic action. The action leg slides along the support leg from the fifth position, passes through the inspiratory leg-toe, reaches the knee, slowly opens forward, sideways or backward to a certain air position, and stops in the air. After reaching the highest point, it fell to five places. It is used to train the balance in walking practice, so that the legs can stop at any angle and keep it for a period of time. When leaving the handle, you can be in positions such as crose, efface and Allah Beske; The two spans should be horizontal and at right angles to the direction that the actors face. In Czekaj's younger brother system, when the action leg stretches and sucks the leg, the toes stretch and point to the inside of the knee supporting the leg; Russian school refers to the front or back of the knee.

6. Fueter

It was meant to be whipped. Lift one leg with one finger and make a quick circle in the air. It can pass in front of or behind the supporting leg, or it can turn from one direction to another with the trunk as the axis. There are two kinds: big and small: small Vervet swings from front to side and back, which can be done on the ground, stand on tiptoe or jump; The big black face can jump, stand on tiptoe or take turns doing it. According to legend, it was created by Italian dancer Lenny Yanni in the 1980s of 18. At first, only 14 was made, and later it was developed to 32. Australian Rowena Jacobson set a record of 12 1 with a score of 1940 in Melbourne.

7. Grisard [French] [Grishad]

Slide. A sliding action in which one foot slides from five positions to a specified position and the other foot gathers in the same position. The heel of the slippery foot must land before the heel of the closed foot. Usually used to link other actions. Five-and-a-half squat, the action leg slides out one step to the side or back and forth, the body jumps slightly, and the center of gravity shifts to the action leg, half squat, and the other leg straightens and rubs back to make a five-and-a-half squat. According to the position and sliding direction of feet at the beginning and end, they can be divided into six types: forward, backward, backward, forward, forward and backward. You can change your feet or not, or stand on tiptoe.

8. One-legged rotation [France]

Spin in place. A complete rotation with the tip of one foot on tiptoe or the tip of half tiptoe as the fulcrum. Its motivation comes from the combination of squatting and arm movements, which requires the actor to have balance ability. When moving, the feet supporting the legs must be pressed on the ground to increase the supporting area and help the body to be stable. The "starting method" depends on the strength of the arms, not the twitching of the body or shoulders. The open arm is in the lead and the other arm is connected to supplement the strength; Stare at a certain point in the rotation. It can be rotated outward or inward several times until the supporting legs and feet land. When turning inward, the action leg usually ends in five places before supporting the leg; When it is turned out, it is behind the supporting leg coupe. The action leg elevation is sur le cou-de-pied, while the French school advocates lower than the calf, while the Italian school advocates higher than the calf. The big one rotates in the same place (grand-). It is lifted to a big position with one leg and rotates outward. Every time you turn around, you should squat your legs. In a series of rotation applications, the action leg can also gradually descend from sophomore to sur le cou-de-pied.

9. Air travel

Turn in the air. Jump directly from the semi-squat, turn around once or twice at the same time, and exchange the positions of the front and rear feet to complete five and a half squats. When jumping, use your arms to help you jump up and keep your head fixed at a certain point when you turn around. You can finish in different positions, such as sophomore position or one leg crisp, or you can make several air turns in succession.

Extended content

Some Terms of China Classical Dance and Classical Ballet Dance

[Main part]

This is a special term in dance training. Also known as "support legs". As the name implies, dancing is the leg that supports the center of the body.

[power leg]

It is also a special term in dance training. Also known as "action legs". It is the legs that move in dance poems, which usually do not undertake the task of supporting the body center.

[body] [face]

The tidal direction on the front of the body is the "body direction". In the movements of China dance, the body often faces in one direction, while the face (face) turns to the other direction, that is, the face. For example, "body" and "face" at 8 o'clock. If "orientation" and "body orientation" are consistent, only "body orientation" is said.

Body rhyme

(a term of China classical dance) is called posture and rhythm. "Body posture" belongs to the category of external techniques, "rhythm" belongs to artistic connotation, and the combination of exterior and interior constitutes "body rhyme", which is a part with strong performance characteristics in China classical dance and can also be said to be the artistic soul of China classical dance.

[viewpoint]

(China classical dance terminology) is the line of sight of the eyes. It is an important part of China's dance. It highlights the charm of dance with "hands, eyes, body, method and steps" and is a window to convey emotions and feelings.

Sight

(a term of China classical dance), that is, the direction of the eyes. In the "body rhyme" of China's dance, when the eyes look in a certain direction, the head (face) is also slightly driven in the direction seen by the eyes, and the "essence, qi and spirit" of the movement is strengthened at one time.

[debut]

Originated from China's classical dance performance, it is a unique technique, that is, according to emotional needs, it is the last movement of a certain dance paragraph and becomes a "dance" to strengthen the sense of rhythm. This "dancing posture" makes the expression more prominent and clear through instant actions such as depression, reaching the position, shaking your head and staring. This kind of modeling is called "appearance" or "appearance action". It can be divided into "hard appearance" and "soft appearance".

Flat circle

A circular route parallel to the ground is a "flat circle". If there is a disaster head, draw a "flat circle" clockwise: that is, draw a circle with your right hand to the left and then to the right above the head.

[Vertical circle]

The movement route of a circle perpendicular to the ground is called a "vertical circle", which is also called a "vertical circle". For example, the right arm draws a circle through the right position, the upper position, the left position and the lower position.

[Keep your head and shake your head]

When "turning" or turning in circles, the head still keeps the original direction when the body starts to turn, which is called "leaving the head". Turning your head quickly from one direction to another is called "shaking your head".

[control]

There are two purposes to "control" once in dance; First of all, stop the movement in a "dance posture" to train the strength and function of a certain part of the limb, that is, the "control movement" exercise. Second, according to the movement route, rhythm, specifications and other requirements, the body control is accurately put in place to achieve the ultimate "dance" or "skill", that is, the "control" ability of dance operation.

[Basic training]

It refers to the training of dancers or students' basic abilities. Such as developing the ability of muscles in various parts of the body, training the flexibility of joints, controlling the ability, flexibility and stability of physical activities, and jumping, turning and turning. Make students' body movements more in line with the requirements of dance rules to meet the needs of various types of movements and difficult skills; At the same time, the preparation and basic training of playing all kinds of dancers at any time are also beneficial to the physical strength of actors and students.

[from the pot]

This is a dance proverb, which refers to the preparation posture before the action. The preparatory action before mastering this skill is called "getting up" or "getting up".

[Method]

Refers to whether the dance is correct, that is, whether the action conforms to the law and whether it is attractive. When judging whether a dancer's movements are correct, there are often "methods" and "methods" to praise or criticize.

[rhythm]

It refers to the rhythm formed by the priority of audio activities, in which the strength and length of the beat appear alternately and conform to certain laws. Rhythm is the backbone of music melody and the basic factor of music structure. Rhythm is also one of the basic elements of dance movements, and all dance movements are carried out according to a certain rhythm.

[rhythm]

It refers to the natural law of human movement in dance movements, which produces the dialectical law of wanting to be left first and then right, wanting to be vertical first, moving and static, up and down, high and low, long and short, and forms the rhythm of dance movements. Rhythm plays an important role in dance, and it is a difficult action factor to master.

[figure]

Refers to the body movements of actors in various dances during stage performance or training. From the simplest gestures to complex martial arts skills, such as sitting, lying, walking, walking, waving sleeves, playing, etc., they are all called posture.

[Form]

Refers to the figure of an actor. Generality is often used in drama, especially in drama and movies. The physical training and dance training of drama and film actors are called "body training", and this course is called "body class".

[modeling]

It is one of the artistic means to shape the external image of characters. In dance, people call sculpture posture "modeling".

[dancing]

It refers to the rhythmic and regular human movements refined and beautified, and it is the main means of expression of dance art. Most of them come from working life, which is related to the struggle life, customs, natural conditions, aesthetic concepts and traditional arts of the nation.

[dance language]

Dance language mainly expresses themes and emotions through dance movements. Dance language is also an alias of dance movements, which is composed of single or several dance movements and has certain meanings. Dance language contains not only simple dance movements with certain significance, but also long action combinations.

[Dance combination]

This is a common language in dance. It means that more than two dance movements are organized and combined into a new movement, which is called combination. It includes the simplest and purest action connection and the most complex action combination with different attributes. It is used to achieve a certain training purpose, or to express the ideological content of a dance.

[dance vocabulary]

It refers to a collection of different dance movements to serve the expression of the theme of dance works, and it is the general name of all dance languages, such as literary vocabulary.

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