Dragon Boat Festival calligraphy works

The Dragon Boat Festival calligraphy works are as follows:

1. Ouyang Xun's regular script "Li Sao"

Ouyang Xun (557-641), Linxiang, Tanzhou (now Hunan) in the Tang Dynasty Changsha), one of the four masters of regular script. Ouyang Xun's regular script is unparalleled in the world for its rigorous standard and powerful writing skills. He is said to be the best regular script among the Tang Dynasty people.

The characteristics of Ouyang Xun's regular script "Li Sao": calligraphy, strong and handsome body, graceful and graceful. Ouyang Xun's brush use is sharp to reflect his exquisite pointillism. Each stipple is like a beautiful five-dimensional view. The more you use the tip of the pen, the more delicate the changes in the strokes will be, and the more beautiful the posture will be. Although the fonts of Ouyang Xun's calligraphy are slightly longer, they are divided into white spaces, neat and rigorous, the middle palace is tight, and the main pen is elongated, which makes it appear vigorous and unrestrained, sparse and dense, all sides are well prepared, eight sides are exquisite, the charm is vivid and just right.

2. "Li Sao" in running script by Mi Fu

Mi Fu (1051-1107), a native of Xiangyang, Hubei Province, was a calligrapher, painter, and theorist of calligraphy and painting in the Northern Song Dynasty. He worked closely with Cai Xiang, Su Shi, Huang Tingjian is collectively known as the "Four Families of the Song Dynasty".

The writing characteristics of Mi Fu's Li Sao Sutra: the writing is not in a formal style, and the strokes are elegant and beautiful. Although the whole chapter is organized and densely laid out, it does not feel crowded at all. Instead, it is spacious and natural, handsome and simple, sparse and breathable. It looks exquisite and durable, highlighting Mi Fu's unique temperament and style.

3. "Li Sao" written by Wu Rui in the Yuan Dynasty

Wu Rui (1298-1355) was originally from Puyang and moved to Hangzhou. In his later years, he lived in Kunshan, Jiangsu Province and was a commoner all his life. Wu Rui is good at calligraphy, especially seal script and official script.

The writing characteristics of "Li Sao" in official script written by Wu Rui of the Yuan Dynasty: This volume of "Li Sao" in official script, which is clean and beautiful, was written when he was 37 years old. This volume of official script is clear, healthy and beautiful, with neat and stable structure, meticulous every word and no flaw in writing, showing considerable skill.

4. "Li Sao" written by Wen Zhengming in cursive script

Wen Zhengming (1470-1559), a native of Changzhou (now Suzhou, Jiangsu Province), was closely related to Shen Zhou, Tang Bohu and Qiu Ying in the history of painting. Collectively, they are called the "Four Families of Ming Dynasty" ("Four Families of Wu Clan"). In poetry, together with Zhu Yunming, Tang Yin and Xu Zhenqing, he is known as the "Four Talents in Wuzhong".

The writing characteristics of Wen Zhengming's "Li Sao" in cursive script: Wen Zhengming wrote Qu Yuan's "Li Sao" as a calligraphy work in his later years when he was 86 years old. This volume was completed in one go, without any hint of fatigue, leaving the appreciator with a sense of enlightenment. , the sudden feeling is extremely smooth.

5. Yu Youren's "Li Sao" in small regular script

Mr. Yu Youren (1879-1964) is a celebrity who came out of the land of Sanqin. He is famous for his achievements in politics, poetry, and calligraphy. He has made outstanding achievements in the fields of education, education, etc., especially in calligraphy. He is known as the "Modern Calligraphy Sage" and the "Contemporary Sage of Calligraphy". He is a recognized master of calligraphy. Whether in academia or among the people, he has great respect for him. The reviews are very high.

The greatest contribution and achievement of Yu Youren's calligraphy is to "introduce stele into cursive", that is to say, he integrated the brushwork and aesthetics of stele calligraphy into cursive script to create a brand new calligraphy Aesthetic form, and achieved extremely high achievements, which has the significance of establishing a sect in the history of Chinese calligraphy.

The writing characteristics of Yu Youren's "Li Sao" in small regular script are: learning from the past but not rigidly following the past, the writing style is smooth and natural, paying attention to the center of the side, and the roundness of the strokes.