Yang Zerong —— Love in China's Calligraphy

Yang Zerong, male, was born in Jinan, Shandong Province in May. He joined the army in 198 1 10, 10. Currently, he is the director of the Art Committee of the World Federation of Returned Overseas Chinese, the director of China Hongqi Painting and Calligraphy Institute, the executive director of China National Artists Federation, the executive vice president of Beijing Jingmen Painting and Calligraphy Institute, and the academician of Beijing Times Jincheng Painting and Calligraphy Institute.

? Yang Zerong loved calligraphy since he was a child, and has always regarded the pursuit of calligraphy art as a great pleasure in his spiritual life.

? For decades, he has been writing and searching. In order to explore the true meaning of calligraphy, he persistently copied the inscriptions of ancient masters. While paying attention to absorbing the nutrition of ancient masters, he devoted himself to studying the essence of contemporary calligraphy masters. His writing never seeks novelty, but is obsessed with the beauty of nature.

His running script is vigorous and harmonious, changing from ancient law to its own, and is praised as a "wizard" by many famous calligraphers.

? On the basis of a deep understanding of calligraphy art, Yang Zerong used traditional techniques to create calligraphy art, which enriched and developed the traditional techniques in his calligraphy art creation, instead of simply removing the old mechanically. His calligraphy works are full of ups and downs, radiant and unrestrained, with both the unique temperament of soldiers and the unique unrestrained feelings of calligraphers.

? Mr. Yang Zerong's calligraphy is fresh and elegant, calm and dignified, delicate and elegant, simple and gorgeous. Traditional calligraphy is vigorous in technique, dignified and perfect in structure, flexible and rigid, full of charm and fluent in pen and ink. From the techniques and theories of calligraphy to the phonology of calligraphy, we pay attention to tradition without losing novelty, interest without losing pen and ink, spirit without losing connotation, Gu Zhuo without losing style, and kung fu without losing nature.

? Looking at his works, such as "Appreciating Mountains and Waters" or "Looking at Wan", all show his profound skill and innovative spirit.

Operator: Jing Ya.