Cang Kejia's Brand Center Thought

Poets write about the pain of life with a sense of smell. Comparing this feeling to "branding my heart" is a very accurate description. In the poet's view, this "brand" is not only a painful feeling, but also a "constant reminder that this is life". It should be said that this is a very rational and profound understanding of pain.

Since the brand remains in my heart, it will be felt from time to time, so, "I kept stroking this brand, and suddenly a poisonous fire broke out on the red light. In the spark, generate produced a series of songs, singing the misfortunes of life one by one." This misfortune can only be sung in the poet's heart. In the dark reality, the poet's pain can't be told to people. The poet compares this kind of pain in life to a mystery. "Since it is a mystery, it should not be broken."

"I chew bitter juice for a living, just like a bug eating croton." Swallowing pain and suffering is the poet's difficult attitude towards life.

Extended data:

Brand is a modern poem written by Cang Kejia in 1932. This poem is the author's experience of the pain of life. He compared this feeling to "branding my heart". At the same time, he regarded it as a universal human emotional pain itself, and deeply thought about the nature and countermeasures of this pain. The whole poem pays attention to meter and expression, with neat form, symmetrical rhythm and accurate image.

Written in 1932, this poem is one of Cang Kejia's early works.

In the 1930s, when injuries were rampant, Cang Kejia's poems were unique and showed the hardships of life. His poetry creation is completely different from crescent school and modernist school. He always pays attention to the sufferings of the people at the bottom, rarely stays in personal sadness, but approaches and understands their lives and writes about their inner hardness. Even when writing his own life experiences and inner feelings, Cang Kejia showed this kind of car-scrapping, as Brand did.

Moreover, the poet took part in the Wuhan Revolution in 1927. After the failure of the revolution, he was forced to spend seven years in the countryside in disguise and suffered unimaginable humiliation and suffering. Sadness and depression are like "branding" in the deep heart. This poem reflects the brand of the times and the poet's life.

Since ancient times, people's hearts have been flooded by the official sea, with lofty aspirations, frustrated in love and weak family ties. However, Brand does not care about the specific forms and causes of pain, but regards pain itself as a universal human emotion, and deeply thinks about the essence and countermeasures of pain.

The first section takes "pain is a brand on the mind" as the core image and expresses the mystery of life with inverted sentences. The past days were too heavy, so I "dare not look back." So he said to himself, "Life is a lie." The normal logical relationship is upside down, which makes the tone tortuous, creates suspense and foreshadowing, and makes the "brand" look more natural. "Life is a lie" is very paradoxical and reveals the mystery of life.

The second section carries out the image of "branding" and gives birth to three different inner feelings. The author thinks that pain is a "poisonous fire" and full of resentment against unfair human beings; When I feel pain, I can "go in and out with a long string of songs", or be as passionate and desolate as Taiwan Province's songs in Youzhou, or as miserable as a lonely boat. Sometimes, I will sing "the misfortune of life" and feel sorry for myself.

Three profound inner feelings reveal different styles of pain and complex life breath, and permeate dignified life consciousness and tragic consciousness. The third section describes life experiences around "Pain is a mystery". It is a reverse extension of the thought of facing pain in the previous section, with strong irony. It reflects the author's desire for people to wake up from the pain, face up to reality and fight against fate.

This rebellious mood and fighting spirit show strong self-consciousness and subjective consciousness, which not only corresponds to the historical mainstream of 1930 s, but also continues the enlightenment voice of Lu Xun's breaking the "iron house" and causing "healing" concern during the May Fourth Movement.

It is out of rational sobriety and subjective consciousness that the author's attitude towards pain in the last section is "I chew bitter juice for a living,/eat croton like a bug." This famous saying vividly expresses the attitude of "life is extremely true" and "grit your teeth and fight hard". Pain is a sharp knife that pierces people's hearts, while perseverance is a good medicine to heal broken hearts again.

From a broader perspective, the author's "perseverance" is not only a sharp weapon to save individual lives, but also a great force for human beings to cope with various sufferings and disasters. Therefore, this poem is also a deep concern for the common destiny and collective pain of mankind, shining with the light of humanistic care.

Brand has no concept, but pays attention to the use of rules and expressions. The form is neat and the rhythm is symmetrical, which is deeply influenced by the artistic sense of "three beauties" of the Crescent School. The poet's concern and response to "pain" is rooted in reality. Full of flesh and blood, tough bones and muscles, no slogan.

The transmission of "pain" is based on the specific feelings and psychological feelings of individual life, connecting the universal life experience with images and hints, sublimating it into philosophical poems, and "integrating" emotion "with" thinking ",expressing emotion with" wisdom ",ego with" impersonality "and" saturation "as an artistic whole. Skillful poetic skills and flexible poetic heart make it a bright and fragrant flower in the garden of new poetry, which also urges new poetry to collide with more modern factors in the river where Chinese and western poetics blend.

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