Joke Collection Website - Bulletin headlines - Brief introduction to the life of Liu Zongyuan, a writer in Tang Dynasty. Where is the tomb of the great writer Liu Zongyuan?
Brief introduction to the life of Liu Zongyuan, a writer in Tang Dynasty. Where is the tomb of the great writer Liu Zongyuan?
Liu Zongyuan was born in 773 AD and died in 8 19 AD at the age of 47. As far as the current place names are concerned, Liu Zongyuan's ancestral home is Yongji, Shanxi. Liu Zongyuan was born in an official family, and his father was an official.
In 773 AD, Liu Zongyuan was born in Chang 'an. Liu Zongyuan was smart since he was a child and was deeply loved by his parents. Liu Zongyuan was deeply influenced by his mother Lu because of his scholarly family when he was a child, and he had a strong interest in literature. Because his father was a DPRK official, Liu Zongyuan knew the corruption and incompetence of the court from an early age. When Liu Zongyuan was nine years old, he encountered the battle of Jian Zhong. In order to escape the war, Liu Zongyuan went to Xiakou where his father worked. After a lapse of three years, Liu Zongyuan suffered from war again, and the experience of two wars made Liu Zongyuan feel the social unrest. He hoped that the rulers could establish a Qingming court to prevent people from being displaced.
In his early years, Liu Zongyuan's father Jin Ryu went to Jiangxi as an official, and Liu Zongyuan followed his father to Jiangxi. This trip made Liu Zongyuan make many friends, let him see the local customs and habits, and cultivated his independent personality.
Liu Zongyuan took the imperial examination at the age of twenty-one. He was a scholar in one fell swoop and became an official in the DPRK. Shortly after his father died, Liu Zongyuan went home to mourn his father. Three years later, Liu Zongyuan once again entered the DPRK as an official. Liu Zongyuan deeply felt the corruption and loneliness of the imperial court, and the ruler's regime was dominated by eunuchs. Liu Zongyuan and Wang and others launched a political innovation movement. As a result, it was opposed by conservative forces and ended in failure. Subsequently, Liu Zongyuan was relegated to poor Yongzhou. Although Liu Zongyuan's official position is Yongzhou Sima, it is nominal.
Liu Zongyuan's career was very bumpy, and later he sent his feelings between mountains and rivers. Studying literary prose and poetry every day, and finally becoming a famous writer and poet.
Where is the tomb of the great writer Liu Zongyuan?
After the failure of "Yongzhen Innovation", Liu Zongyuan ushered in a bumpy career. In 805 AD, Liu Zongyuan was demoted to Danre Sima in Yongzhou. Liu Zongyuan worked as a Sima in Yongzhou for ten years. In August15, Liu Zongyuan was recalled to Chang 'an by the imperial court. After a long journey of more than a month, Liu Zongyuan returned to Chang 'an.
However, due to the hatred of Wu and other colleagues, it was not reused. Subsequently, Liu Zongyuan was relegated to Liuzhou and became the secretariat of Liuzhou. In August19, Liu Zongyuan died in Liuzhou at the age of 47.
Liu Zongyuan died and was buried in Liuzhou. A year later, Liu Zongyuan's coffin was transported from Longcheng to Chang 'an, but the specific location of Liu Zongyuan's tomb in Xi 'an has not been confirmed. People in Liuzhou remembered Liu Zongyuan's contribution in Liuzhou and built Liu Zongyuan Memorial Hall. Liu Zongyuan Memorial Hall is located in Liu Hou Park, Liuzhou, Guangxi. According to the Records of Liuzhou County, people built the cenotaph with Liu Zongyuan's clothes. At present, Liu Zongyuan Memorial Hall is composed of three departments: Liu Houci, Liu Zongyuan's Crown Tomb and Orange Pavilion, which is built for future generations to remember Liu Zongyuan. Liu Hou Temple was founded in 822 AD, formerly known as Luochi Temple. Later, the three characters of "Liu Hou Temple" were inscribed by the famous poet Guo Moruo and located above the front door of Liu Hou Temple. There is a couplet above the doorpost, which reads: "the mountains and rivers return, yellow banana pears;" Reporting in the Spring and Autumn Period is a blessing in life. "
During the Qing Dynasty, Liu Zongyuan's mausoleum was rebuilt and restored with stones, and the inscription on the monument was "Tomb of Duke Zongyuan of Tang Gaozong." During the Cultural Revolution, Liu Zongyuan's tombstone was completely destroyed. After the Cultural Revolution, the relevant units rebuilt Liu Zongyuan's tomb again, and Guo Moruo wrote an inscription: "Liu Zongyuan's tomb in Tang Dynasty".
Appreciation of Liu Zongyuan's The Fisherman
The Fisherman is one of Liu Zongyuan's representative works, and the poet expresses his feelings of talent by scenery.
The whole poem of Fisherman is: An old fisherman spent the night here, under the western cliff, Xiao Ji, Qing Xiang, burning bamboo. The sun disappeared, and the sound of oars came from the green mountains and green waters. Looking back, the fishing boat has drifted off the horizon, and white clouds are floating in the mountains, chasing each other.
To appreciate this poem, we must first analyze it from the creative background. At that time, Liu Zongyuan and Wang Jin carried out a political innovation movement, which was opposed by conservative forces and ended in failure. Liu Zongyuan was relegated to poor Liuzhou. Although Liu Zongyuan's official position is Yongzhou Sima, it is nominal. Liu Zongyuan lived a depressed life in Yongzhou. He didn't want to be hindered by his career, and his ideals and ambitions were not realized in time. However, in the face of this dilemma, Liu Zongyuan could not get out of the bottleneck period, so he had to send his feelings between mountains and rivers. When Liu Zongyuan was in Yongzhou, he visited the mountains and rivers of Yongzhou, sang songs and expressed his feelings through the scenery.
This poem "Fisherman" takes the image of "Fisherman" as the main creative line, in which the living and working environment of the fisherman is added, highlighting his hard life. In the poem, the poet uses the order of the world to express the daily life of fishermen. From night to morning, the change of time has also brought about the change of fishermen's work. Liu Zongyuan's combination of scenery description and narration not only reflects the rhythm of life, but also highlights the interest of life. "Then, at sunrise, he walked through the fog, and in the green mountains and green waters, only the creak of his paddle was left. "These two sentences are the crowning touch of the whole poem, as if the poet painted a natural ink painting with a brush. On a foggy morning, a fisherman coasted on the river. Under the decoration of water mist, the landscape becomes more and more looming, as if he were in a fairyland on earth. Later, the author expressed his pleasure in suffering by taking advantage of the scenery of lotus.
Appreciation of the original translation of Liu Zongyuan's Planting Trees and Guo Tuozhuan.
The biography of planting camels is a narrative article by Liu Zongyuan. Taking camel planting trees as the protagonist of the story, this paper tells how he made trees grow tall and lush, so as to plant trees and derive the truth of governing the country. The Biography of Camel Planting was written by Liu Zongyuan when he was an official in Chang 'an, two years before they implemented the Yongzheng New Deal.
At that time, Liu Zongyuan, as an ancient scholar, needed to be a local prosecutor to observe the people's feelings. During his inspection, Liu Zongyuan found that the phenomenon of chaos between officials and the people was particularly prominent, which affected the normal production and life of the people. Liu Zongyuan wrote this article according to this phenomenon, which opened the first sound of "Yongzhen innovation"
Guo Tuo in the west of Chang 'an is an expert in planting flowers and trees. The flowers and trees in the city are all planted by Guo Tuo, so Guo Tuo has a high reputation in Chang 'an. There are businessmen in Chang 'an who plant trees and raise flowers for a living, and they all want to hire Guo Tuo. Any flowers and trees can grow luxuriantly and tall as long as they pass through Guo Tuo's hands. Someone came to ask Guo Tuo the secret of planting flowers and trees. Guo Tuo said that he didn't have the skills to plant trees, but he came according to the habits of trees and wouldn't deliberately diversify. Plants also have their growth habits and laws. As long as they follow their own habits and don't encourage them, trees will grow tall and vigorous. Planting trees is the same as being an official and governing the people. When people are farming in the fields, officials constantly urge them to weave and harvest seeds. The conference will be announced for a period of time, and then it will be dissolved. In order to cope with those small officials, the people simply have no time to take care of planting.
The story of Liu Zongyuan planting trees and camels reflects people's desire to reform the management of officials.
What is the opinion of Liu Zongyuan, a poet in Tang Dynasty?
In literature, Liu Zongyuan initiated the ancient prose movement and advocated his own literary ideas. At that time, the contents of the imperial examinations in the Tang Dynasty were mostly parallel prose. In pursuit of gorgeous language, students often flaunt their literary talents eloquently, often ignoring the most essential content of the article. Subsequently, the two men launched an ancient prose movement in the literary world. Liu Zongyuan and Han Yu are both advocates of the ancient prose movement.
This ancient prose movement is very similar to the European Renaissance in nature, and it is a progress in the history of literature. Under the slogan of "retro", a literary revolution broke out, the main content of which was the revival of Confucianism.
The greatest feature of articles in pre-Qin and Han dynasties is simplicity and truthfulness. Authors are free to give full play to their literary talents and are not limited by sentence patterns and genres. In the article, we can read the cultural customs and social background of the pre-Qin period and the Han Dynasty. Through prose, people's sufferings and real life can be reflected. When prose developed into the Six Dynasties, people gradually shifted from the content of the article to the requirements for writing. Thus, parallel prose came into being. Parallel prose pays attention to antithesis and antithesis, and the article should have rhythm and allusions. Authors often rack their brains for the beauty of literary talent and ignore the content of the article. Students are deeply influenced by parallel prose, with the same content and very rigid and single form. In addition, prose is often flashy, without content filling, and it is catchy to read but can't stand careful scrutiny. Liu Zongyuan and Han Yu realized the disadvantages of parallel prose, and they hit it off in literature, ready to launch an ancient prose movement and advocate the diversity of form and content.
Liu Zongyuan held high the banner of restoring ancient ways and widely advocated the revival of Confucianism in the society, which won a large number of supporters.
What are the poems of Liu Zongyuan, one of the eight masters in Tang and Song Dynasties?
Liu Zongyuan had only 100 poems in his life. In the Tang Dynasty, when poets and writers came forth in large numbers, Liu Zongyuan was a "low-yield" poet. However, many of Liu Zongyuan's poems are highly sung, among which Jiang Xue is the most famous.
Beginners will recite this well-known "Jiang Xue". The whole content is: thousands of birds have flown away, and there is not a footprint in thousands of paths; A boat on the river, a fisherman wearing a worm; Fishing alone is not afraid of snow and ice. When Liu Zongyuan was in Yongzhou, he visited the mountains and rivers of Yongzhou, sang songs and expressed his feelings through the scenery. This song "Jiang Xue" describes a scene of heavy snow. In the cold season, there is not even a bird in the forest, and there are no pedestrians on the road. At this time, only a fisherman was sitting by the river fishing for coir. Liu Zongyuan used "a boat with a leaf and a bamboo coat" to describe his lonely and sad state of mind.
In addition, Liu Zongyuan also used snow to symbolize his noble sentiment. This poem is the masterpiece of Liu Zongyuan's pastoral poetry. Although it mainly describes the winter scenery, it expresses Liu Zongyuan's depression.
Tin opera is also Liu Zongyuan's masterpiece. The whole poem is about that I have been troubled by official hats and uniforms for a long time, and I am very happy to be exiled in this desolate south. I am now a neighbor of growers and harvesters, and I am a guest of the mountains. I plow the fields in the morning, plow the grass with dew, and tie a fishing boat at night to break the quiet stream. I walked back and forth, hardly meeting anyone, singing long poems and staring at the blue sky. After Liu Zongyuan was demoted to Yongzhou, he wrote this pastoral poem. The first couplet in the poem explains why he came to Yongzhou, because he was banished to the beautiful Yongzhou. Zhuan Xu wrote about the poet's farm life, living next to the farmer every day and leisurely between the mountains and rivers. On the surface, the author is very happy to come to Yongzhou and live a leisurely pastoral life. In fact, Liu Zongyuan used scenery to express his sadness, and his career was unsuccessful, which made Liu Zongyuan smile bitterly at the darkness and corruption of the imperial court.
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