Contents of the Olympic handwritten newspaper

Olympic five-color ring

The 2008 Olympic Games will be held in Beijing, my country. In addition to being happy and proud of this, we should also learn more about the Olympics.

When it comes to the five-color rings of the Olympic Games, I am afraid that few people do not know about them. In the Olympic year, this representative symbol of the Olympic movement can be seen everywhere. However, what does this pattern and its colors actually symbolize? There have been different explanations for this.

The Olympic rings are composed of five connected colorful rings. They symbolize the friendship and unity between athletes and people from the five continents of the world. According to today's parlance, the Olympic rings were carefully conceived and designed by Baron Pierre de Coubertin, the founder of the modern Olympics, in 1913. It consists of five interlocking rings of different colors and "faster, Higher, stronger" motto. The rings are in five colors: blue, black, red, yellow, and green. The three rings on the top are blue, black, and red, and the two rings below are yellow and green, arranged in order from left to right. This is the five-color circle that people see today.

There is an explanation: "The five-color ring represents the five continents. The sky blue ring represents Europe, the yellow ring represents Asia, the black ring represents Africa, the green ring represents Australia, and the red ring represents the Americas. In fact, at that time, Gu Bai The reason why these colors were used was that they included the colors of the national flags of all participating countries in the Olympic Games at that time. In June 1979, the International Olympic Committee officially stated in its publication "Olympic Magazine": According to the Olympic Charter, the five rings. The meaning is to symbolize the unity of the five continents and the gathering of athletes from all over the world in the spirit of fair, frank competition and friendship at the Olympic Games.

Held time and host city

1896 1 Athens, Greece

1900 2 Paris, France

1904 3 St. Louis, United States

1908 4 London, England

1912 5 Stockholm, Sweden

1920 7 Antwerp, Belgium

1924 8 Paris, France

1928 9 Amsterdam, the Netherlands

1932 10 United States Los Angeles

1936 11 Berlin, Germany

1948 14 London, England

1952 15 Helsinki, Finland

1956 16 Melbourne, Australia< /p>

1960, 17, Rome, Italy

1964, 18, Tokyo, Japan

1968, 19, Mexico City, Mexico

1972, 20, Munich, Germany

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1976 21 Montreal, Canada

1980 22 Moscow, the former Soviet Union

1984 23 Los Angeles, USA

1988 24 Seoul, South Korea

1992 25 Barcelona, ??Spain

1996 26 Atlanta, USA

2000 27 Sydney, Australia

2004 28 Athens, Greece

2012 30 London, England

Fuwa is the mascot of the 29th Olympic Games in Beijing in 2008. Its colors and inspiration come from the five Olympic rings and from China’s vast mountains, rivers, lakes and seas, as well as people’s favorite animal images, convey friendship, peace, enterprising spirit and the good wishes of harmonious coexistence between man and nature.

Fuwa. They are five cute little friends. Their shapes incorporate the images of fish, giant pandas, Tibetan antelopes, swallows and the Olympic flame.

Each doll has a catchy name: "Bei". "Bei", "Jingjing", "Huanhuan", "Yingying" and "Nini". In China, overlapping names are a traditional way to express love for children. When you put the names of the five dolls together, you will read "Beijing welcomes you" as Beijing's warm invitation to the world.

For a long time, China has had a tradition of conveying blessings through symbols.

Each doll of the Beijing Olympic Games mascot represents a good wish: prosperity, joy, passion, health and good luck. The dolls bring Beijing's hospitality and blessings to all corners of the world, inviting people from all over the world to gather in Beijing to celebrate the 2008 Olympic Games.

Fuwa represents the dreams and aspirations of the Chinese people. Their prototypes and headdresses contain their connection with the ocean, forest, fire, earth and sky. Their image design applies the expression method of traditional Chinese art to show the splendid culture of China.

The blessing conveyed by Beibei is prosperity. In traditional Chinese culture and art, the patterns of "fish" and "water" are symbols of prosperity and harvest. People use "carp jumping over the dragon gate" to imply success in career and the realization of dreams. "Fish" also means good luck and good fortune every year. The implication.

Beibei’s head decoration uses fish patterns from the Chinese Neolithic Age. Beibei is gentle and pure, a master of water sports, and complements the blue ring among the five Olympic rings.

Jingjing is a naive giant panda who brings joy to people wherever she goes. As China's national treasure, giant pandas are deeply loved by people around the world.

Jingjing comes from the vast forest, symbolizing the harmonious existence of man and nature. The decoration on his head is derived from the lotus petal shape found on Song porcelain. Jingjing is honest, optimistic and full of strength, representing the black link among the five Olympic rings.

Huanhuan is the eldest brother among the Fuwa. He is a fire doll, symbolizing the Olympic flame. Huanhuan is the embodiment of sports passion. He spreads passion around the world and conveys the Olympic spirit of faster, higher and stronger. Everywhere Huanhuan goes, Beijing 2008’s enthusiasm for the world is overflowing.

Huanhuan's head decoration is derived from the flame pattern in Dunhuang murals. He has an outgoing and unrestrained personality, is familiar with various ball games, and represents the red link among the five Olympic rings.

Yingying is a Tibetan antelope who is agile, agile and galloping. He comes from the vast western land of China and spreads the good wishes of health to the world. Yingying is the Tibetan antelope, a unique protected animal on the Qinghai-Tibet Plateau, and a manifestation of the Green Olympics.

The head decoration of Yingying incorporates the decorative style of the Qinghai-Tibet Plateau and Xinjiang and other western regions. He is agile and a good athlete in track and field, representing the yellow link among the five Olympic rings.

Nini comes from the sky and is a flying swallow. Its creative shape comes from the traditional sand swallow kite in Beijing. "Yan" also represents Yanjing (the name of ancient Beijing). Nini brings spring and joy to people, spreading good wishes of "good luck to you" wherever she flies.

The innocent, cheerful and agile Nini will make a shining debut in the gymnastics competition. She represents the green link among the five Olympic rings.

It is to copy meaningful things on the newspaper by hand.

You can refer to the appearance of many handwritten newspapers. And it is not difficult to make a handwritten newspaper. The following are the steps on how to prepare a handwritten newspaper:

How to design and produce a handwritten newspaper can generally be explained from these three aspects:

1. Beautification and design Steps;

2. The performance of masthead, illustrations and tail flowers;

3. Editing, copying and describing the production process.

1. Beautification and design

The beautification and design of handwritten newspapers mainly include: layout design and masthead, inscriptions, illustrations, tail flowers and lace design, etc.

1. Layout design

Layout design is an important part of producing a good handwritten newspaper.

To design a good layout, you must pay attention to the following points:

(1) Make it clear what the main content of this issue of the handwritten newspaper is, and choose a meaningful masthead (i.e. registration) . Generally, the masthead should be designed in the most eye-catching position;

(2) Read through the article you are editing or writing and count the number of words, and edit (i.e. typesetting) according to the content and length of the article. Generally, important articles are placed in a prominent position (i.e., the front page);

(3) Pay attention to the interweaving of long and short articles and the combination of horizontal and vertical arrangement to make the layout neat and lively;

(4) Typesetting must also pay attention to: the arrangement of characters should be mainly horizontal and supplemented by vertical, the line spacing should be greater than the character spacing, there should be gaps between articles, and between articles and edges, and there should be gaps with the surrounding paper There should be about 3CM of free margin. In addition, the registration surface must be kept clean and tidy at all times.

2. Masthead

The masthead plays the role of getting straight to the point. It must closely match the subject content and vividly reflect the main ideas of the handwritten newspaper.

Sign up to get a name that is positive, healthy, and meaningful.

The masthead is generally determined by theme graphics, masthead text and geometric shapes, color blocks or lace. It can be serious or lively, square or round, elegant or colorful.

Attention should be paid to the design of the masthead:

(1) The composition should be stable and the picture structure should be compact. The masthead should strive to be concise in design and expression techniques, and should reflect the theme of the handwritten newspaper. It has the effect of being "clear at a glance";

(2) The characters should be large, with either row or regular script, in color or black and white;

(3) There are several design options for its position : First, if the layout is designed to be two pages, it should be placed in the upper right part; second, if the layout is designed to be a full page, it can be in the middle, upper left, or upper right. Generally, they are designed at the upper part of the layout and should not be placed at the lower end.

3. Title

The title (i.e. title flower) is usually at the front of the article or combined with the title picture of the article. When designing the title, pay attention to the title text, which should be slightly larger. Decorative graphics must be determined according to the content of the article and the needs of the layout. The title of the article should be written smaller than the text of the title and larger than the text of the main text. In short, we should pay attention to the clear distinction between priorities.

4. Illustrations and tail flowers

Illustrations are designed according to the needs of content and layout decoration. Good illustrations can both beautify the layout and help readers understand the content of the article. The space occupied by the illustrations and tail flowers should not be too large, as they may appear empty and messy. Tail flowers are mostly designed for the purpose of beautifying the layout, and are mostly based on flowers, grass or geometric patterns. Illustrations and tail flowers are not required for all articles. The more the better, and they deserve the "finishing touch" effect.

5. Lace

Lace is indispensable in handwritten newspapers. Some mastheads and titles can be designed with lace; important articles can be framed with lace; articles can also be separated by lace; some entire pages can also be separated by lace from top to bottom or left and right. Most commonly used in the application of lace are straight lines or wavy lines.

2. The expression techniques of masthead paintings, illustrations and tail flowers

The expression techniques of masthead paintings, illustrations and tail flowers can be roughly divided into two types: line drawing and color block painting.

1. Line drawing method

Requires concise and summarized images, accurate line use, and clear priorities. When painting, you should pay attention to certain steps:

(1) Generally draw the main line briefly - determine the angle, direction and size;

(2) Then draw related to the picture proportion, structure and perspective;

(3) Describe the details, combine the physical structure, composition and tone to draw the rhythm changes of the lines;

(4) Finally organize it to make the picture Complete and unified.

2. Color block painting method

In addition to requiring accurate modeling, you must also be good at handling the matching and changing relationships of color blocks, and the processing of these relationships should be based on the needs of the object. Make the layout colorful. When painting, you can first draw a pencil sketch (strive to have an accurate shape), then apply large color blocks evenly and evenly; then draw the details; and finally trim it to make it more unified and perfect.

Line drawing and color block painting are usually used at the same time, and can be multi-color or single-color. Whether it is line drawing or color block drawing, it is best not to just use pencil to draw. Graphics or text on the layout cannot be cut and pasted.

3. Steps in the preparation and production of handwritten newspapers

Editing and production is an important step from conception to concrete completion.

There are two steps: one is the preparation stage, and the other is the preparation stage.

1. Preparation stage.

Mainly the preparation of various materials and tools. Specific details include: drafting the registration for this issue's handwritten newspaper; preparing a piece of white stick paper (the size depends on the need, including half-open, four-open, eight-open, etc. The requirements for the handwritten newspaper competition held by the Political and Education Office are: The size of "Jiangxi Daily" (i.e. half-open); relevant text materials for editing and writing (you should prepare more articles); writing and drawing tools, etc.

2. Preparation stage.

This stage is the main process of handwritten newspaper production. Roughly speaking, they are: layout design, copying process, and beautification process.

(1) Layout design: Type layout according to the length of the article, and draw grids or grid lines (usually lightly traced with a pencil, you can erase it or not after the handwritten newspaper is produced).

(2) Copying process: refers to the writing of articles. The paper used for handwritten newspapers is mostly white, so carbon ink should be used for text writing; running script and regular script should be used for fonts, and cursive script and seal script should be used sparingly; the size of the characters should be moderate (in line with normal reading habits).

Don't be afraid if the handwriting is not very beautiful. The key is that the writing must be neat. Also, there should be no typos in the article or title.

(3) Beautification process: After the article is copied, illustrations, tail flowers, and lace can be drawn (it is not advisable to illustrate first and then copy) to beautify the entire layout. This process is the key to the effectiveness of the handwritten newspaper layout.

The handwritten newspaper can be in black and white or color. It can be comprehensive or topical. The requirements and steps for the production and design of handwritten newspapers are generally the same as those of blackboard newspapers.

Answer: 460484678 - Newbie Level 2 3-20 12:02