One part of the heat, one part of the light..." For example, "Our immediate priorities are: first, survival, second, food and clothing, and third, development. There are those who hinder the future, w

One part of the heat, one part of the light..." For example, "Our immediate priorities are: first, survival, second, food and clothing, and third, development. There are those who hinder the future, whether they are ancient or modern, human or ghost, "Three Tombs", "Five Classics", Hundreds of Songs and Thousand Yuan Dynasties, Maps of Heavenly Balls and Rivers, Golden Man and Jade Buddha, Ancestor Pills, and Secret Ointments, all of them Tread him down. "This kind of "Hot Wind" text, flying down three thousand feet, is also very refreshing. Lu Xun is a super refreshing modern man. He faced Western civilization with full confidence. He did not have a weak country. The people's distorted mentality of inferiority or arrogance; he has his own ideas of "use-ism", he despises "cowards", "fools", "trash", and hates "clients". He reads poetry a lot. The book is deeply immersed in the old learning, but he does not have the air of a square scarf, a scholar-bureaucrat, or a winter breeze. Maybe he is poisoned by Zhuang Zhou and Han Feizi, but he is always vigilant and strives to get rid of it; he does not have the sourness of corrupt Confucianism, he does not Appreciating the disgusting "emotion" of vomiting half a mouthful of blood and being helped by the maid to look at the crabapple flowers in front of the steps, this "tail" that has not yet evolved is actually trailing behind many new cultural figures who studied abroad in that era. If you don't believe me, read the old-style poems of Lu Xun and Yu Dafu together, and you may not expect that the May Fourth hero Liu Bannong, whose original pen name was "Ban Nong", had some romantic thoughts about "reading at night with fragrant sleeves". ...And the attitude towards women is more like a touchstone - how many new characters, when it comes to women when writing poetry, they can't help but become frivolous, exuding the sourness of old literati! If you don't believe it, look at the love letters of many writers! , look at "Book of Two Places", and then relate their marriage and love life. Lu Xun is not like this. He has a very modern view of women, and he respects women, so his humanity is perfect. "What will happen after being pulled away", "Women may not lie more often"... His discussion on women's motherhood, daughterhood and wifehood, his portrayal of Xianglin's wife and Zijun, let people see the tragic situation of Chinese women, his warm His eyes, filled with hope and worry, followed the figures after they left home.

Lu Xun himself said: Creation is always rooted in love. In the scene in "Sorrowful Death", after Juansheng said "I no longer love you", Lu Xun wrote - In silence, Zijun's face "suddenly turned gray and yellow, as if dead; in an instant he came to life again." , there was also a childish sparkle in his eyes. The eyes shot everywhere, just like a child seeking a kind mother in hunger and thirst, but only in the air, avoiding my gaze in horror." In this meticulous description, I touched the most tender softness of the Chinese writer. Xin'er. Xiao Hong once asked him: Is your love for young people paternal or maternal? He thought about it and said: It was maternal. Read his letter to Xu Guangping, "Er Xiao" and Cao Bai When you read the letters of the young woodcarver and the eulogies he wrote for Liu Hezhen, Rou Shi, Yin Fu, and Wei Suyuan, you will understand why the young people loved him and why they vowed to inherit his legacy and "inherit his enemies". He treated his old friends with deep affection, whether it was Xu Shoushang, a lifelong friend, the murdered Li Dazhao, or the later estranged Liu Bannong, not to mention his close friend Qu Qiubai, whom Lu Xun was visiting when he was ill before his death. There are two articles that I have read repeatedly. One is "Remembering Liu Bannongjun", which is written with clear love and hatred but deep affection, and "This hatred belongs to my friend." "Hateful"; similarly there is "Two or Three Things About Mr. Taiyan", which is about his teacher, and the protection and regret are also appropriate for a disciple. Both articles are less than 2,000 words, and there is much to learn. But there are too many, both in terms of life and composition. Lu Xun has love and great love, which runs like fire when he is sarcastic, scolding, and cold-hearted. Some people say that Lu Xun is "calm and calm." The third one is still calm." I thought it was when Lu Xun was not suffering from fever or dizziness. Mao Dun's "Midnight" and Qian Zhongshu's "Besieged City" are calm, Guo Moruo's "Goddess" and Ba Jin's "Home" It's really passionate, but Lu Xun's coldness is not that kind of cold, and his hotness is not that kind of hot.

三

Among all the memories about Lu Xun, I feel the same way. I like watching Ma Jue, Xiao Hong and Cao Bai.

Ma Jue is a child and Cao Bai is only 22 years old. Because they are "ignorant" at a young age, they are childish and have no "visual impairment". Their eyes are like cameras and are more naturalistic; while Xiao Hong and Lu Xun's family have a long-term relationship. The close contact with Lu Xun, especially her delicate writing style and unique female perspective, allows us to know more details, especially about Lu Xun's daily household.

Before meeting Lu Xun, Ma Jue got some impressions from his books: writing articles is like talking to a child, it is very enjoyable and not polite at all; unlike others, when you say a word, you have to think For a long time; if you are not good, he will scold you with pen and ink. The Lu Xun she imagined was an old man like a child and very beautiful. When I saw Lu Xun in his father's living room, he turned out to be an old man. He was thin and had an ugly face. He was wearing a gray and green gown and a pair of worn leather shoes. He was old and dull, and he always had a cigarette in his hand. , as if thinking about something there all the time. My teeth don't work very well when I eat, so it's very hard to chew. The gray felt hat hanging on the hanger had a thin strap. Because it was hung high, she stood on tiptoe to see clearly that it was every bit torn.

This portrait was taken in 1926.

And Cao Bai recorded the conversation with Lu Xun - he had previously sent Lu Xun's woodcut portrait that the "inspector" was not allowed to display. Lu Xun wrote back and said: "I want to preserve this painting, firstly because it is the work of a young man who has experienced hardships, secondly because it retains the hoof marks of the party master, and thirdly, it also commemorates the current darkness and struggle. If I have the chance, I would like to publish it and show it to them." - This time it was on October 8, 1936, two weeks before Lu Xun's death, when he was sick and visited the Youth Woodcut Exhibition. He was in high spirits and "talked more energetically and fluently than healthy people."

Of course, what I like to read the most is Xiao Hong’s memories - Mr. Lu Xun’s laughter is clear and he likes it from the bottom of his heart; , and at the same time he stretched out his left foot, as if walking desperately; Mr. Lu Xun was angry, and lowered his eyelids, looking very majestic; Mr. Lu Xun did not visit the park, he said: "I know what the park looks like. There are two roads leading to the entrance, one leading to the left and one leading to the right. There are some willow trees and other trees planted along the road. There are several benches under the trees, and there is a pool further away. "Mr. Lu Xun's cigarettes are used to entertain guests. Expensive, the one you smoke is the cheaper one. "Er Xiao" came to Lu Xun's house for the first time and talked about many things about Puppet Manchuria. It was very late at night. Lu Xun was not tired and refused to rest in the recliner. In the meantime, he went upstairs to add a leather robe and continued to listen to this Two little slaves who escaped from Manchuria confided in each other; they had to send them outside the gate in the rain, and pointed to a big "tea" sign: "Remember next time..." Xiao Hong wrote: I miss him Why must it be sent? Is such a gift appropriate for such a young guest? After watching the night movie, only one car was called, and Mr. Lu Xun refused to sit in it, so Mr. Zhou Jianren’s family was asked to leave first in the car. Mr. Lu Xun was sitting on the stone fence along the Suzhou River, smoking leisurely. Hai Ying ran back and forth uneasily, and Mr. Lu Xun even asked him to sit down side by side with him. Mr. Lu Xun sat there like a quiet old man in the countryside...