Ask for some traditional festival poems, couplets, folk customs, legends and stories.

Timely snow indicates a good harvest.

Cao Chun Man Ting Tuxiu

Flowers are everywhere, and the fragrance is overflowing.

The east wind blows Qian Shan green.

Spring rain brings new life to all things.

Pishanlinpu boulevard

Kuayue He Jiang Jia Hongqiao

Beautiful scenery and beautiful scenery.

There are many happy events in life.

New Year's Eve refers to the night on the last day of the twelfth lunar month, which is connected with the Spring Festival (the first day of the first month). The word "except" in "New Year's Eve" is "go; Easy; "Alternating" means that New Year's Eve means "the month is poor and the old year is exhausted". People want to get rid of the old department and the old year, and the coming year means getting a new year. This is the last night of the Lunar New Year. Therefore, the activities during this period are all around changing the old for the new, eliminating disasters and praying for blessings.

During the Zhou and Qin Dynasties, a ceremony of "exorcism" was held in the palace at the end of each year to beat drums to drive away epidemic ghosts, which was called "banishment". Later, the day before New Year's Eve was called "small exorcism". New Year's Eve is New Year's Eve, that is, New Year's Eve.

During the Spring Festival, there is a custom of putting up doors all over China. At first, the janitor carved mahogany into a human shape and hung it next to people. Later, it was painted as a janitor and posted on the door. The legendary brothers Shen Tu and Lei Yu specialize in ghosts. They guard the portal, so evil spirits dare not enter the portal to do bad things. After the Tang Dynasty, two brave soldiers, Qin Qiong and Wei Chijingde, were painted as gatekeepers, while Guan Yu and Zhang Fei were painted as gatekeepers. Every household has a door god, and later generations often draw a pair of door gods as martial arts. Door gods are divided into three categories: the first category is "door gods", which are mostly attached to doors or the whole door, about four or five feet high and two or three feet wide. The second kind is the "door keeper", which is attached to the small street door, about two feet high and one foot wide. These two door gods are two gods with a black face and a white face. White left black right, white easy, black evil, each holding a slap in the face. The third category is the "gatekeeper", which is a little smaller and more limited than the street keeper. It is also a black and white Er Shen, but there are also two black and white statues sitting like statues. At most, there is a picture of "Kirin sending a child" posted on the door, and there are two plump pink dolls with comb crowns, each riding a unicorn. This kind of door god should have been stuck on the wedding door for good luck, and later it was also used as a New Year decoration for ordinary street doors.

Spring Festival couplets, also known as "door-to-door" and "spring post", are a kind of couplets, named after being posted during the Spring Festival. One source of Spring Festival couplets is Fu Tao. At first, people carved figures out of mahogany and hung them by the door to ward off evil spirits. Later, they painted the door god on the mahogany, simplified it and wrote the door god's name on the mahogany board. Another source of Spring Festival couplets is spring stickers. The ancients posted the word "Yichun" more and more at the beginning of spring, and gradually developed into Spring Festival couplets. The real popularity of Spring Festival couplets began in the Ming Dynasty, which was related to Zhu Yuanzhang's advocacy. According to Chen Shanggu's Miscellaneous Notes on Mao Yunlou in Qing Dynasty, one year when Zhu Yuanzhang was preparing for the New Year, he ordered every household to post a Spring Festival couplets to celebrate. At first, Spring Festival couplets were carved on mahogany boards, and later rewritten on paper. The color of mahogany is red, which means good luck and avoiding evil spirits, so most Spring Festival couplets are written in red paper. However, temples are made of yellow paper, and toilet paper is made of white, green and yellow. Use white paper in the first year, green paper in the second year, yellow paper in the third year, and red paper after the funeral in the fourth year. Because Manchu is still white, the Spring Festival couplets in the Qing court are made of white paper, with blue borders on the outside and red stripes embedded inside.

These all have folk functions of praying and decorating the residence. New Year pictures are an ancient folk art in China. They reflect people's customs and beliefs and place their hopes on the future. New Year pictures, like Spring Festival couplets, originated from "door gods". Spring Festival couplets developed from the names of Shen Tu and Lei Yu to figures, while New Year pictures still developed along the direction of painting. With the rise of block printing, the content of New Year pictures is no longer limited to the door gods, but gradually invites the god of wealth to their homes, and then in some New Year pictures workshops, colorful New Year pictures such as three stars of Fu Lushou, God bless the people, abundant crops, prosperity of six animals, greeting the spring and praying for blessings are produced to meet people's good wishes of celebrating and praying for the New Year. As Zhu Yuanzhang, the first emperor of Ming Dynasty, advocated posting Spring Festival couplets, New Year pictures became popular, and three important producing areas of New Year pictures appeared in China: Taohuawu in Suzhou, Yangliuqing in Tianjin and Weifang in Shandong. Formed three schools of Chinese New Year pictures. In the early years of the Republic of China, Zheng of Shanghai combined the monthly calendar with the New Year pictures. This is a new form of New Year pictures. This two-in-one New Year picture was later developed into a calendar. Hanging a thousand is carved with auspicious words on red paper, accompanied by a long ruler and A Zhi, which is posted in front of the door, reflecting the symbol of peach. There are eight immortals hanging in front of the Buddha statue. Hanging thousands of households use more, and aristocratic families use less. Its yellow paper is three inches long and red paper is more than one inch long, which is a "small hanging thousand" and is used by shops. The earliest thousands of hanging coins were linked by making money (copper coins), which, like lucky money, had an overwhelming victory effect.