Rhythm division of night tour in Chengtian Temple

Song Dynasty: Su Shi

Yuanfeng six years/October 12/night, undressing/sleepy, moonlight/home, happy/departure. Those who read/are irrelevant/interesting go to Chengtian Temple/look for Zhang Huaimin. Huai Min/also/didn't sleep, and/or walked in the atrium.

Under the court/if the water is empty, the water/algae is horizontal, and the cover/bamboo and cypress shadow/also. What night/no moon? Where are bamboo and cypress trees? But few/idle people/such as/my ears.

Translation:

On the evening of October 12, 2006 (or1October 12, 2083), I took off my clothes and got ready for bed. I just saw the moonlight shining on the door, so I got up happily and went out for a walk. I thought no one would play with me, so I went to Chengtian Temple to find Zhang Huaimin. Huaimin didn't sleep either, and we walked in the yard together.

The moonlight shines as clear and transparent as clear water in the courtyard. The algae and shepherd's purse in the water crisscross, which turned out to be the shadows of bamboo and cypress. What night has no moonlight? Where are there no bamboos and cypresses? It's just that people like us lack leisure.

Extended data

The basis for dividing the rhythm of poetry;

There are usually two bases for dividing the reading rhythm of ancient poetry. Through syllables or meanings. In other words, the unit of pause in reading can be a relatively complete syllable or meaning. For example, the sentence "advise you to do more with a glass of wine" can be divided into "advise you to do more with a glass of wine" according to syllables; According to the meaning, it can be divided into "advise you to do more/have a glass of wine"

Generally speaking, poetry is divided into more phonological rhythms and less ideographic rhythms. Read the rhyme aloud, read it a little longer and read the charm of the poem.

Words are mainly divided into meaning units. Such as "Silent/Alone/West Building" and "Lonely Indus/Deep Courtyard/Lock Clear Autumn". (Hui Huan), which is divided according to the relationship between verb and object. More attention should be paid to the "one-word collar" sentence in the word, such as Liu Yong's "Klang Ganzhou": "Wash the autumn on the river in rainy days. The frost wind is getting tighter and tighter, the river is cold, and the remaining photos are accumulating. " The words "correct" and "gradual" must be paused and stressed.