Is the plot of Peach Blossom Garden out of touch with the whole?

1999 edition of Peach Blossom Garden (Xiao Ai, Jin Shijie, Ismene Ting, Feng Yikang, Zhao Ziqiang, Cai Cande edition), a teacher (architectural design) whom I respect very much participated in five ticket-playing competitions. In the DVD version on the market now, there is my teacher who plays the role of director in Secret Love. Although the atmosphere is completely different from usual, as an amateur, it is the same as the above. The teacher's stories are many and the background is very complicated, so I really didn't mention this paragraph when we were drinking and chatting together. So, I knew it was purely accidental at that time-in the studio, another bumpkin said to me, "Look at the boss's shirt, which says unrequited love." It was not until we were found pointing to two local products that the teacher said that this was the propaganda costume of a play he participated in, which was very interesting. The lines were improvised in the form of "brainstorming". The play has two independent performances, which stimulate each other. The place he attended was called Unrequited Love, and the other was called Peach Blossom Garden. I'll show you next time. Without lines, the two plays were staged at the same time. 1999 sounded very special at that time (2005), which also aroused my curiosity. I didn't know the play was so popular. Later, after watching many performances in the workshop, I realized that this was another thing that the teacher experienced personally. 1985 The Performance Workshop, which started its first performance, was published in Time magazine that year and was rated as "Taiwan Province Province is making a new attempt at oriental culture, and they are creating the boldest China art in Asia". Lai Shengchuan, the director, is surrounded by a group of outstanding workers. Most of his plays are co-written in an impromptu state, and the story structure he often gets is full of drama and contradiction. Even multiple lines at the same time. In this way, the small stage seems to be a multi-dimensional space, and the sense of field influences and blends with each other. This drama is full of power, and often two or three hours of performance time will make people unconsciously.