Joke Collection Website - Bulletin headlines - Travellers in exile are just in vain. Whose is the lonely moon in Cheung Chau? Originality _ Translation and Appreciation

Travellers in exile are just in vain. Whose is the lonely moon in Cheung Chau? Originality _ Translation and Appreciation

Travellers in exile are just in vain. Whose is the lonely moon in Cheung Chau? -Li Bai's Nautilus Island in the Tang Dynasty moved to Changzhou at this time. This parrot has been to the bank of Wujiang River, and the name of this parrot is circulating in this small river state.

Parrot flies to the west and returns to Changshan. The flowers on Parrot Island are overflowing.

Spring breeze and warm clouds bring the fragrance of orchids, and peach blossoms fall into the river to form layers of brocade waves.

Travellers in exile are just in vain. Whose is the lonely moon in Cheung Chau? Exile translation and annotation translation of place names and lyrics

Parrot once came to the bank of Wujiang River, and the reputation of parrot came from the small continent in the river.

The parrot has flown back to Longshan in the west, and the parrot island is full of flowers and lush vegetation.

Spring breeze and warm smoke clouds waft with the fragrance of orchids, and peach blossoms on both sides of the river fall into layers of brocade waves.

Those travelers who have been transferred to exile can only look far in vain at this time. Who is it for to take photos of Cheung Chau alone in the moon?

To appreciate the poem Nautilus Island, let's start with parrots. As soon as the word "parrot" came out, we found it very difficult to close the beam, so we had to concentrate on it and rotate downward, only pausing briefly in the fourth sentence. However, the poem has passed half a chapter. Parrot Island is a scenic spot in Jiangxia, which was originally in the river outside Wuchang, Wuhan City, Hubei Province. According to legend, at the end of the Eastern Han Dynasty, when Huang Zuzhong's eldest son, Mi Fei, shot the guests at the conference, he improvised a poem "Ode to Parrots" (Li Bai's "Looking at Parrot Island with Mi Fei"). After Mi Fei was killed by Huang Zu, he was also buried on the mainland. Poets of past dynasties, Linjiang Xia, mostly described Nautilus Island. This continent gradually sank in the late Ming Dynasty. At present, parrot island outside Hanyang dike is a newly silted continent during the Qianlong period of Qing Dynasty. Once known as "Buzhou", it was renamed Nautilus Island during Jiaqing period. This Nautilus Island is named after Mi Fei's "Parrot Fu", not because parrots have been here. Then the "parrot" in Li Bai's poem seems to be true, but it actually refers to Mi Fei, while the "name of the parrot on the river" mainly refers to the "parrot fu", not the parrot that has been here. At least it's a pun. The following third sentence is a pun, using the words in Mi Fei's "Parrot Fu", "Dragons are in danger, and Bo Yi quicksand. "Fly over Kunlun, crown Yun Ni and set out" means that the parrot has already flown to the west. According to legend, parrots grow in Longshan area at the junction of Shaanxi and Gansu provinces. Now, there are no parrots on the mainland, so they must have flown back to Longshan. The implication is that Mi Heng was killed here. Therefore, the poet felt very sorry: the parrot had been here and left it a beautiful name, but it flew west. The parrot flew away and disappeared, but the trees above Zhou Fang were green. Affectionate and memorable, it shows the poet's infinite nostalgia for Mi Fei. These four poems flow freely and sing three sighs. They are by no means a simple imitation of Cui Hao's Yellow Crane Tower, but the artistic creation of the poet. Among them, the embellishment of words, the use of puns, the overlapping of words, and the earnest questioning are all similar to Cui's poems.

The poem "Five Willow" begins to turn. In the process of turning, the fourth sentence is broken, followed by the word "He", which vividly describes the beautiful spring scenery on Nautilus Island: from a distance, Nautilus Island is full of flowers, and the air is filled with water vapor, flowers are like clouds, steaming and foggy; The transpiration of water rises to mist, mist. Fireworks and fog, like flowers and fog, are flowers and fog, confusing each other. A spring breeze blew, and the curtain on Nautilus Island was gently pulled open, and the faint smoke and fog gradually dispersed. You can see that the green orchid leaves and lush flowers on the mainland are swaying in the breeze, beautiful and fragrant, intoxicating, and feel the warmth of spring. March is the season of spring. Peach blossoms on both sides of Jiangzhou River are in full bloom near the water, like red clouds, surrounded by each other, and the Ran Ran rises, as if bound by river banks and continents. Peach blossoms are colorful in the breeze. Floating on the water reflects branches and flowers. Water, water, reflection, falling, gorgeous peach blossoms dyed the sparkling Ming Che River into a dazzling brocade, and with the ups and downs of Jiangbo, waves rushed to the shore. However, although the scenery is beautiful, it can't arouse the poet's cheerful mood at all. He is still immersed in loneliness and bitterness. At this time, the poet was still an "immigrant" who was released. All these wonderful moments in front of him were in sharp contrast with his inner loneliness and pain. Good times, beautiful fireworks, all just exist. I was stranded all my life, wronged and exiled in my later years, and poorer. Although there is still a fighting spirit in my later years, I can't help but be out of the water and feel sad. In the face of such a continent, here and now is just looking at it in vain. The scenery of "the leaves are fragrant and the wind is warm, and the peach blossoms are born on the shore" did not attract his attention. He is still looking forward to the "parrot", the Mi Heng who had a similar experience with himself. According to Lu You's Book of Entering Shu, "There is a Maolin Temple on Nautilus Island, which looks like a hill from a distance and covers the place where you were killed." The poet asked: Now that Mi Heng is buried underground, to whom will the solitary moon over Cheung Chau project its brilliance?

The poem about Nautilus Island is actually mourning the past, hurting the present and expressing deep affection for Mi Heng. The unfortunate experiences and circumstances of the poet in his later years will naturally remind him of Mi Fei. Besides, he admired Mi Fei all his life and often compared himself with Mi Fei: "I learned the sword by mistake, but I traveled around the world. Wei Zi No.9 Middle School, Bishan Wan Li. People who have no life are willing to be late. Liu Biao doesn't need to be in Miheng, but comes to Jiangxia temporarily; He Xunxi met Hans Zhang and was happy on the boat. " (Preface to seeing Zhang Zudong off in Jiangxia at the end of spring) Du Fu, a good friend, once praised his talent with the poem "Chu Shi is handsome in rice, and all living beings are poor in fairy tales" ("Send Li Twelve White and Twenty Rhymes"). He also wrote Mi Heng many times in his poems: "I am ashamed of your Chu Shi, but I am empty of Nautilus Island." ("After the chaos, Tian En Liu Yelang recalled the past, gave Jiang the prefect, and slaughtered it well") "I am willing to sweep Parrot Island and get drunk with you for a hundred games." (From Hanyang Sick Wine to Wang Mingfu) There is also a song "Watching Parrot Island with Mi Heng". Seeing Nautilus Island with Mi Heng and Nautilus Island have the same thoughts and feelings. And "Watching Nautilus Island with Mi Heng" is relatively straightforward and clear; Nautilus Island is profound and subtle.

According to previous comments, this poem by Li Bai is competing with another poem, and it boarded the Phoenix Tower in Nanjing and the Yellow Crane Tower in Cui Hao. Fang Zai, a Qing Dynasty man, once said: The Yellow Crane Tower is a masterpiece through the ages. It's just a matter of writing, a turning point. Although the scenery is broken in May and June, the air is overflowing. The same is true, so it is extremely expensive. Taibai's Nautilus Island is measured and imposing, and its style is overwhelming. It seems that I have never studied it deliberately. Fang's theory is still practical. There is no lack of mutual influence in art, but in any case, a work with deep feelings and muddy artistic conception like Nautilus Island will never be imitated.

Li Bai's poem belongs to seven laws, the first two are illegal, and the last two are combined. Wang Shihan once said in Poems: Li Bai's Nautilus Island is a chapter with strong rhyme and a green word. This "Cui Wen" was compiled into seven ancient poems, and later generations compiled into seven methods. Its style can be both ancient and modern, and it must all rhyme.

It is precisely because it does not completely conform to the law that predecessors once regarded this poem as "seven ancient poems": "Li Bai's poem Nautilus Island is urgent and complex, and it is far from flourishing in Tang Zhiyun, so it should be regarded as seven words and ancient ears." Li Bai has twelve seven-melody poems, most of which are like this. Compared with the whole creation, there are fewer seven-rhythm poems. The reason for this problem has been discussed by many predecessors, or Li Bai is not good at the seven-character law: "The seven-character law was not made by Li Taibai ... The ancients had a strong intention to make a name for themselves, and they refused to show their clumsiness." (He Sunyi's Poem Raft) "He only has a few metrical poems, not because he is not good at writing, but because he doesn't want to write." (Li Bai, Wang Yunxi and Li Baojun) "He can't wait to check the form and words carefully." (Yao Yao's "Li Bai") Or think that Li Bai opposes the formulation of the seven laws: "Taibai said:' Five words are not as good as four words, and seven words are boring' ... The so-called seven words are boring, which almost refers to the seven laws. Therefore, its seven laws are ineffective. " (Weng Fanggang's Zhou Shi Hua) These evaluations are unfair, and the actual situation should be said to be determined by the development of the Seven Laws at that time. In Li Bai's era, the seven laws have not been finalized, and it is inevitable that the creation is illegal and the number is small, not only for Li Bai, but also for others. Zhao Yi had a pertinent discussion on this in Ou Bei Shi Hua:

As far as the Tang Dynasty is concerned, at the beginning, I was used to using ancient poems, and I was unwilling to be bound by rules and regulations, that is, there were more than five words in regular poems, less than seven words in quatrains. Therefore, there are only three "Seven Laws" by Li Taibai, and only two "Seven Laws" by Meng Haoran, and there is no specialization. From Gao, Cen, Wang, Du and other works of Early Dynasty, knock on the golden jade and study it carefully. Du and Censhi, the so-called "being busy from a distance", can be seen that it is time to seek merit and discipline. The format is established, more like a decree, related to its scope. But there are still many scenes to write, but not enough to refer to the classics. The sad and lonely Shaoling sent the sun away with poetry, so he changed the seven laws to perfection, writing scenery and expressing emotion, both lyrical and codifying. The seven laws are extremely beneficial. Later, Liu Changqing, Li Yishan, Wen Feiqing and others. These 56 words have been carved more, and the seven laws have become a tool for competition, such as daily diet.

Creation background This poem was written in the first year of Shangyuan in Tang Suzong (760). That spring, the pardoned Li Bai spent a winter in Baling and returned to Jiangxia. The poet visited friends here, once again restoring the lofty sentiments of poetry and wine. Nautilus Island was written at this time. This poem describes the gorgeous spring scenery of Nautilus Island and the tragic experience of Gumiheng, and reflects the poet's own lonely mood of suffering from displacement. Li Bai (70 1-762), the word Taibai, was a romantic poet in the Tang Dynasty and was praised as a "poetic immortal" by later generations. My ancestral home is Ji Cheng in Longxi (to be tested), and I was born in Broken Leaf City in the Western Regions. At the age of 4, he moved to Mianzhou City, Jiannan Province with his father. Li Bai has more than 1000 poems, among which Li Taibai Ji has been handed down from generation to generation. He died in 762 at the age of 6 1. Its tomb is in Dangtu, Anhui, and there are memorial halls in Jiangyou, Sichuan and Anlu, Hubei. Lipper

It's cold and late in Wan Li. It was seen by the bright moon and the partition wall. The sun is cold and the grass is short, and the moonlight is bitter and frosty. Xiao and his party must pass through many broken camps, and the night can only cover the desolate valley. Meet for one night, and the moon is full. Mid-Autumn Festival is from January to the southeast. In the middle of Shuangque, there is a mighty silver-haired man. Alone in the west wing, the moon is like a hook. Lonely phoenix tree deep courtyard locks clear autumn. The moon came in the mountains at night, and I didn't see it until dawn. High-rise buildings should not be drunk, lonely and cold. In the moonlight, the ship's flutes are jagged and the wind gathers lotus fragrance. I suspect it is Yao's platform, flying in the sky. Every day is flowers and cigarettes, the moon becomes very white, people are sad and insomnia. The frost goddess and the moon are not afraid of the cold, and they are more beautiful and pure in the cold and frost recreation. On the autumn night, a full moon hangs high in the sky, and Guanghua is sprinkled in the palace in Miyagi Prefecture. Sadness is inch by inch, and it is hard to make yourself intoxicated if you want to drown your sorrows in wine.