Yan art resume

Yan, formerly known as Yan, is called Xuanda. 1979 was born in Yueyang, Hunan Province in March. China Academy of Fine Arts graduated with a master's degree, and now works in China National Museum. In September 2006, he went to Beijing for further study. He graduated from the postgraduate class of China Calligraphy Institute of China Academy of Fine Arts and Shen Peng Calligraphy Project of China National Painting Academy, and studied under Mr. Shen Peng, Mr. Wang Yong, Mr. Hu Kangmei, Mr. Ceng Xiang and Mr. Chen Wenming. I have been a full-time calligrapher and educational secretary in the office of China Painting and Calligraphy Institute for six years. During this period, I participated in the application of China Calligraphy to the United Nations for world intangible cultural heritage, and served as the author of the application. He is currently a member of the Youth Federation of the Ministry of Culture, a member of China Bookstore, an academic secretary of the Youth Working Committee of China Bookstore, a member of Yonghe Bookstore, a member of the National Bookstore and a member of Sanlian Bookstore. Calligraphy works were invited to participate in international exhibitions in France, Germany, Japan, South Korea and Mauritius, and participated in domestic calligraphy exhibitions many times. Personal topics, articles and calligraphy works are scattered in Sina Collection, Baidu Encyclopedia, Guangming Daily, Art Time and Space, China Culture News, China Art News, Oriental Art Calligraphy, Art Time and Space, and Calligraphy News. His works have been collected by many academic institutions, engraved with forest of steles and plaques, and published "Yan Calligraphy Works Collection" and "China Calligraphy and Painting Expo Elite Volume-Yan".

From 65438 to 0988, he studied calligraphy with his father and studied "Duota Monument"; 1994 studied under Mr. Tian; 1998, studied under Mr. Chen Wenming, received professional training from China Academy of Fine Arts, and studied in various subjects; Joined Yonghe Bookstore in 2000, and five calligraphy works were exhibited in the "Yonghe Qizi" calligraphy seal cutting exhibition (Changsha, Yueyang). In the same year, he was hired as a calligraphy teacher by China Calligraphy and Painting Correspondence University Yueyang Branch, and his calligraphy works 1 were collected by Hunan Library. In 200 1 year, he won the bronze prize of the first "Southern Great Wall Cup" painting and calligraphy grand prix in China; In 2003, he participated in the second popular calligraphy style exhibition (Beijing) and the second calligraphy seal cutting exhibition (Yueyang) of Yonghe Bookstore, and won the title of "Calligraphy Star" in Hunan Province in 2003. In 2004, he won the Literary Creation Award of Yueyang Federation of Literary and Art Circles; In 2005, he entered the exhibition "The Third Calligraphy and Seal Cutting Exhibition of Yonghe Bookstore (Changsha)"; The first prize of the second "Unity Cup" Calligraphy Grand Prix of Yueyang CPPCC; A calligraphy work was collected by Yueyang Archives.

In September, 2006, he participated in the postgraduate class of China Calligraphy Institute of China Academy of Fine Arts, during which he hosted many literary evenings and academic seminars. On June+10, 5438, Yonghe Bookstore invited some teachers and students from China Calligraphy Institute of China Academy of Fine Arts to exhibit calligraphy seal cutting works and the fourth calligraphy seal cutting art exhibition of Yonghe Bookstore (Hunan Library); China Calligraphy Elite Alliance Exhibition (Beijing Imperial City Art Museum). 165438+ 10 calligraphy works won the fifth "Sanxiang Stars Award" in Hunan Province; A calligraphy work was collected by Yueyang Tower Scenic Area and inscribed with a stone tablet. In April 2007, Calligraphy Industry Newspaper published a special article by Yan, a young calligrapher in Dongting Lake. In May, he entered the exhibition "Origin and Evolution-Calligraphy Research Exhibition of Two Kings and Their Affiliations" (sponsored by China Painting and Calligraphy Institute); In June 2007, he participated in the exhibition of graduation works of postgraduate courses and advanced research courses of China Calligraphy Institute of China Academy of Art; In July, he won the Excellence Award of "Calligraphy Art Exhibition to Commemorate the 400th Anniversary of Fu Shan's Birth" (sponsored by China Book Association); In August, an article (about 20,000 words) was published in the total number 140 of Oriental Art Calligraphy: Learning Summary of China Calligraphy Garden-A few rows of wild geese peck at rattan algae, and the suburbs of Beijing turn blue in October. In September, he was employed by China Calligraphy Institute of China Academy of Art as the academic secretary of the office. Since June+10, 5438, relevant news reports and academic articles have been published in Oriental Art Calligraphy, Art Newsletter, Journal of China Painting and Calligraphy Institute, Calligraphy Guide, Calligraphy Newspaper, Art Newspaper, China Culture Newspaper, China Art Newspaper and Art Time. On June 5438+ 10, 2008, he was specially invited to participate in the exhibition "Spring in Momo"-calligraphy net Annual Book Exhibition (Beijing); In February, Calligraphy Newspaper published the article "Notes on Yonghe Nine Years"; In April, he participated in the "2008 National Nomination Exhibition of Young Calligraphy and Seal Carvers (Suzhou)", held a solo exhibition of calligraphy in Suzhou Contemporary Bookstore, and published a collection of his personal works. The article "Let's be Crazy-Eight Sidenotes" was published in the total issue of Oriental Art and Calligraphy 157, and two calligraphy works were published at the same time; In May, he participated in the donation activities of the youth of the Ministry of Culture for earthquake relief, participated in the auction activities of the calligraphy art commune for earthquake relief donation, participated in the first national exhibition of 100 famous young and middle-aged calligraphers for helping the disabled (Zhanjiang), and entered the second national invitation exhibition of 100 famous calligraphers (Qingdao). In June, he participated in the "Passionate Olympics, Sailing Qingdao-Excellent Exhibition of Chinese Painting and Calligraphy Institute" (Qingdao) and participated in the donation activities of China Great Wall Painting and Calligraphy Institute for earthquake relief; In July, he entered the first national picture book calligraphy exhibition (sponsored by China Book Association); In August, "Si Qiyan Xiao Fei Calligraphy Exhibition" was exhibited in Rong Baozhai Building, Zibo. The copy of "Epitaph of Mrs. Li Shunjie" was published in the total number 164 of Oriental Art Calligraphy, and was selected for the exhibition "Thousands of calligraphers from China entered the Olympic venues for voluntary activities" (sponsored by China Calligraphy Association), and the calligraphy works were permanently collected by the National Gymnasium. In September, he entered the Shen Peng Calligraphy Project Class of China National Academy of Painting, and formally participated in the work of "China Calligraphy Declaring the Intangible Cultural Heritage of Humanity", responsible for drafting relevant copywriting, and also served as the screenwriter of the application film; June 1 1 Two calligraphy works were exhibited in the exhibition "Unyielding Backbone", Sichuan Fine Arts Exhibition (Chengdu) to promote the spirit of earthquake relief, Chengde Works Exhibition, a famous young and middle-aged painter in China, and China Putuo Mountain Master of Buddhist Culture Art Calligraphy Exhibition (Zhoushan). June 5438+October 2009 10, went to Suzhou to participate in the "West Garden Elegant Collection" activity (Suzhou); In February, Huang Tingjian's Calligraphy Appreciation was published in the ancient calligraphy series Huang Tingjian Volume of Hunan Fine Arts Publishing House. In April, he visited Korea with Mr. Wang Yong and Mr., attended the opening ceremony of the second international calligraphy exhibition (Seoul), entered the exhibition "Origin and Evolution-Bamboo Silk Calligraphy Research Exhibition" (Changsha), was interviewed by the calligraphy art commune, and "Answering Questions with Yan" was launched at the same time; In May, he entered the exhibition "National Calligraphy for Young and Middle-aged People Entering the 798 Exhibition" (Beijing); In June, he entered the exhibition "2009 Jinan 4th Youth Calligraphy Biennale" (Jinan); In July, the Collection of Yan Calligraphy, signed by Mr. Wang Yong, was officially published by China Fine Arts Publishing House, and the essay "Received the Fifth Letter from Home" was published in the second issue of "Involved", and two calligraphy and landscape works were selected at the same time; In August, he entered the exhibition "National Classic Exhibition of 100 People's Writing" (Luoyang), and the article "Looking for Self in Calligraphy" was published in the sixth edition of China Culture News, No.5096; In September, he participated in the 2nd Taishan Calligraphy Forum and Taishan Poetry Calligraphy Exhibition in Shen Peng Studio of China National Painting Academy (Tai 'an), participated in the National Young Calligraphy and Painting Artists Pingchuan Cup Invitational Exhibition (Zhengzhou), participated in the Zhijin Calligraphy and Painting Invitational Exhibition (Zhijin), participated in the Chinese Calligraphers Network-Contemporary Artists Network Invitational Exhibition (Beijing) and exhibited calligraphy works. In June, 5438, he entered the exhibition "Celebrating the 60th Anniversary of the Founding of People's Republic of China (PRC)-Invitation Exhibition of National Young Calligraphers" (Zhengzhou), "Nanchao Beifeng Calligraphy Exhibition" (Linyi), and "The Seventh Anniversary of Calligraphy Art Commune". The review article "Zhu Fanglin, Liu Lengning Ningxiang-Recording the History of Beautiful Calligraphers" was June/kloc. In February, 65438, he participated in "Lin Runsheng's Famous Calligraphy Exhibition" (Jieyang), compiled "China Contemporary Calligraphy Market Investment Guide" (Hunan Fine Arts Publishing House), participated in "A New Countryside with Restoration Passion-Xiyuan Yaji Entering Yong Lian" (Zhangjiagang) and participated in "Hunan Shandong Young and Middle-aged Calligraphy Annual Exhibition" (Jinan, Changsha). 20 10 1 entered the first Linzhou International Ink and Wash Biennale (Linzhou, Shanghai, Beijing); In February, organized by the Ministry of Culture, Mr. Ceng Xiang and his party went to Shaanxi earthquake-stricken area to send Spring Festival couplets to the grassroots (Ningqiang, Hanzhong). The article "Reading" was published in the tenth edition of China Culture News on February 23, 2010; In March, he participated in the "Second National Exhibition of 100 Young and Middle-aged Famous Artists' Artistic Calligraphy Works" (Qingyang); In April, he entered the first national seal cutting calligraphy exhibition (sponsored by China Calligraphy Association), "20 10 Korean International Fan Art Exhibition" (Seoul). As a member of the "Expert Group of Calligraphy Field Investigation of Chinese Painting and Calligraphy Institute", he helped organize experts to conduct a one-week calligraphy field investigation in Hunan (Changsha and Yongzhou), and as a special editor of Rong Baozhai Publishing House, he edited the "Achievements of Calligraphy Field Investigation of Chinese Painting and Calligraphy Institute". My personal survey notes "Shi Huai is loyal to the soul, and writes a mountain" was published in China Art Newspaper (February 9th, 20 1 165438+5 edition), and I participated in the Report Exhibition on the Achievements of the Fifth Anniversary of the Establishment of Chinese Painting and Calligraphy Institute (Handan), and participated in "Brush and ink, true feelings and heaven-China National Painting Academy presented Yunnan". In May, the review article Ren Xiaoyao was published in Guo Qiang Flower and Bird Painting Collection, and was selected for the 3rd National Fan Calligraphy Art Exhibition (sponsored by China Calligraphy Association) and the 3rd National 100 Calligraphers Invitational Exhibition (Qingdao). In June, he entered the invitation exhibition of famous works of Beijing Jiaotong University (Beijing), 2 1 century freehand brushwork exhibition (Wuhan) and the invitation exhibition of life and form works of young calligraphers nationwide (Huian); In July, "Chu Zu Crossing the River-Yan Calligraphy Network Exhibition" was exhibited simultaneously in more than ten calligraphy websites across the country; In August, he participated in the donation activities of national painters and painters for the flood in Jiangxi (Linchuan); "China Painting and Calligraphy Expo-Book Sage Strict Volume" was published; In September, Mr. Hu Kangmei, a master student in the creative direction of the Graduate School of China Academy of Fine Arts, participated in the "Shen Peng Calligraphy Project Class of China National Academy of Painting Entering Kunming Exhibition" (Kunming) and the first national invitation exhibition of contemporary calligraphy works "Entering the Sun Valley" (Dezhou); Enter the exhibition "Love Southwest-Entering the Invitational Exhibition of Painting and Calligraphy in Pu 'er China Tea City" (Pu 'er); Participate in the 30th Anniversary Painting and Calligraphy Exhibition sponsored by China Social Sciences magazine (Beijing), participate in and plan the "Academic Exhibition of Twelve People in Shen Peng Calligraphy Class of China National Academy of Painting" (Beijing), participate in the "Mountain and Sea Feelings-Invitation Exhibition of 100 Contemporary Excellent Calligraphy Masters" (Yantai), and participate in the "National Calligraphy Essay Invitation Exhibition" (Beijing); In June, 5438, he entered the exhibition "Beauty of Chinese Characters-China Calligraphy Exhibition" (66 people went to France and Germany to exhibit); In June, 1 1, participated in the exhibition of Shen Peng Calligraphy Studio of China National Painting Academy (China Art Museum). 20 1 1, 1, the first issue of Cultural Youth 20 1 1 was launched, and it entered the 25th anniversary of the founding of China Culture Newspaper, the National Famous Calligraphy Invitational Exhibition (Beijing), and the Third Sichuan Beijing Calligraphy Biennale (Chengdu). In February, he entered the exhibition "Exhibition of 100 Cross-volume Special Works of Contemporary Calligraphy" (Beijing); In March, he entered the 30th Anniversary Exhibition of China Social Sciences. 1 calligraphy work was published in the Discipline Inspection Forum sponsored by the Ministry of Finance of China, and entered the Exhibition of Poems and Works of 100 Calligraphers Qian Anhua (Beijing). In April, the 57th issue of Pen Calligraphy and Painting Education in China was published. Yan's works monopoly opened in China Liulichang, Yan Studio settled in China Calligraphy and Painting World, Yan Art Museum settled in World Art Museum, Yan calligraphy net settled in calligraphy net, China, and Yan's online exhibition was reported in China Calligraphy and Painting Forum. In May, he participated in the Classic Collection-Exhibition of Classic Works Written by National Calligraphy Masters (Beijing), the exhibition "China Calligraphy Focus-Invitation Exhibition of Contemporary Calligraphy Masters" (Beijing), the preparations for "China Calligraphy Millennium-Exhibition of Calligraphy Institute of China Academy of Fine Arts" and the exhibition "China Calligraphy Millennium-Exhibition of Calligraphy Institute of China Academy of Fine Arts". At the same time, he edited "Momo Qian Qiu —— Collection of Works of China Calligraphy Institute of Chinese Academy of Art" and "Summary of the Development of China Calligraphy Institute of Chinese Academy of Art (2004-20 10)" and participated in the "Famous Pen Meeting to Celebrate the 90th Anniversary of the Founding of China" sponsored by Zhongzhi Calligraphy Association (Beijing). In June, he participated in the National Invitational Exhibition of Modern Calligraphy in China (Hefei) and the National Invitational Exhibition of Calligraphy Masters of Xizang Autonomous Region Party Committee (Lhasa); In July, five works participated in the first calligraphy exhibition of the National Library Association (Beijing Ancestral Temple); Enter the exhibition to celebrate the 90th anniversary of China's founding and the 800th anniversary of Yanling County (Zhuzhou). The article "The Origin of Change, the History of Calligraphy" was published in the first issue of China Art Time and Space. In August, he entered the exhibition "The Breeze on Paper-A Hundred Calligraphy Works Exhibition" (Weifang), and the review article "The Spirit of Awesome, the Atmosphere of Lu-Reading Seal Carving" was published in the collection of Wei calligraphy and painting works, and the review article "My teacher is a big man" was published in the collection of calligraphy seal carving works. In September, he entered the exhibition "The 5th Yellow River Pearl China Wuhai Calligraphy Art Festival and the 2nd International Calligraphy Industry Expo" (sponsored by China Calligraphy Association) and "Calligraphy Art Exhibition in Commemoration of the 0/00th Anniversary of the Revolution of 1911/KLOC" (Changsha), and was recommended in the 5th issue of Related Matters. On June+10, 5438, he entered the Second Cross-Strait Chinese Character Art Festival-"Cross-Strait Traditional and Experimental Ink and Wash Biennale" (Taipei), and Youth Calligraphy Newspaper was introduced into the project class of China National Painting Academy. 165438+ 10 entered the 4th China-Feiyun-Korea International Calligraphy Exhibition (Xiangyang) and "Calligraphy Exhibition of Famous Japanese Poets" (Zhengyangmen, Beijing); In February, 65438, he was interviewed by the editor-in-chief of Beijing Business Daily China Painting and Calligraphy Weekly, and the special issue "Song of Yan-Feng Xiaocheng" was published in the 2443rd issue. Participate in the "large-scale pen meeting to commemorate the centenary of the Revolution of 1911" sponsored by the Central State Organs Branch of China Calligraphers Association (Beijing); Participated in the "Origin and Evolution-Research Exhibition of Kai Shu in Jin and Tang Dynasties" (Beijing), "Exhibition of 50 Contemporary Young and Middle-aged Calligraphers in Hunan" (Beijing) and "Oriental Art and Calligraphy" and nominated 20 works of young and middle-aged calligraphers nationwide (Beijing). 20 12 February in China Contemporary Painting and Calligraphy Exhibition (Heze); On April 19, Beijing Morning Post published a special issue of famous calligraphers, Cheng Huai Guan Dao-Yan Xiaofei's Life and His Books, and six calligraphy works were exhibited in the field survey of China Calligraphy Research Institute of China Academy of Fine Arts-Yongzhou Stone Carvings (Beijing); In May, he went to Japan to participate in the activity of "China's First Tour of 100 Famous Painters to Asia-Japan's Friendly Tour" (Japan), participated in the exhibition of "Literary Civilization-Exchange Exhibition between Chinese and Korean Artists" (Beijing), participated in the exhibition of "Donglaidongwang"-Joint Exhibition of Calligraphy and Painting (Beijing), and exhibited "One Hundred Paintings of Yan Calligraphy" in contemporary calligraphy net Zongguding; In June, he served as the academic secretary of Qingshan Year Working Committee of China Calligraphers Association. Two calligraphy works were officially sold at the Pacific Ocean 20 12 Spring Art Auction at a price of 4,000 yuan/square foot, and entered the "Watch-China Calligraphy Works in Yiyang" (Yiyang), "Ganzhou Bookstore Established and Specially Invited Famous Works Exhibition" (Ganzhou) and "National Youth Works Exhibition". In July, he entered the exhibition "Jian 'an Literature Cup-National Powerful Calligraphers Invitational Exhibition" (Linzhang), the second exhibition of the National Book Club (Langfang) and the exhibition "Weifang Bookstore Establishment and Specially Invited Famous Artists Exhibition" (Weifang); In August, Yan's calligraphy topic was published in the 260th column of Oriental Art Calligraphy, and entered the exhibition "Feng Qing Qi is welcoming the 18th National Congress-Calligraphy Invitational Exhibition of National Famous Painters and Calligraphers" (Suzhou) and the Calligraphy Art Exhibition of Young Workers in the National Cultural System (China Art Museum); In September, he participated in the planning and incorporation into the exhibition "The Third Cross-Strait Chinese Character Art Festival" (Zaozhuang), entered the exhibition "Long Shangxin-Celebrating the Anniversary of Northwest Normal University 1 10 and the Establishment of Northwest Normal University Calligraphy and Culture Research Institute" (Lanzhou), and the China United Daily published "Yan Wenxuan" in the 4th edition of the 84th issue and entered the exhibition "Meteorological Dongting" in June. In February, 65438, he was hired as distinguished professor by Hebei Academy of Fine Arts, and set up Yan Calligraphy Studio, which was responsible for the calligraphy teaching of freshmen and junior college graduates (Shijiazhuang). Join China Sanlian Bookstore, enter the exhibition "Twenty Works of National Young Calligraphers" nominated by Oriental Art Calligraphy (Beijing), and enter the "Song and Han Dynasties"-the invitation exhibition of contemporary young and middle-aged calligraphers (Beijing).

April 20 13, invited to attend the launching ceremony of Yongxin thousands of books (Jinggangshan); In May, he entered the exhibition "Meet the South Study Room-Invitation Exhibition of Contemporary Calligraphy Masters" (Dongguan); In June, he participated in the "Oriental Calligraphy-China Calligraphy Art International Exhibition" and was invited to attend the opening ceremony (Chengdu) and the third calligraphy exhibition of the National Calligraphy Association (Lanzhou); In July, he graduated from China Academy of Fine Arts with a master's degree and was assigned to work in the National Museum of China in the same month. In August, he was invited to take part in the condolence activities of cultural troops sponsored by the Calligraphy and Seal Cutting Institute of China National Academy of Painting. Yan's calligraphy topic was published in the second edition of the 40th issue of Foguang Poetry Book, and it was exhibited in commemoration of Mei Lanfang's birthday119th anniversary. In September, I was invited to participate in the condolence activities of culture entering the school sponsored by Beijing Forestry University and China Sanlian Bookstore. Two of my works were exhibited in "China Style-Calligraphy Exhibition of National Painting Academy of China, Mauritius" (Mauritius) sponsored by the Ministry of Culture, and two of my works were exhibited in "I Dance on the Moon-Invitational Exhibition of National Calligraphy Masters Appreciating the Moon in Changsha" (Changsha) and "Yan Calligraphy Exhibition" held in Zhengzhou Museum of Contemporary Art (Zhengzhou) in June+10, 5438. Invited to participate in the "First Lotus Cup-National Calligraphy and Seal Carving Exhibition" (Changsha), and introduced it in the third issue of Yunshe Daily in June165438+1October, "You Feng-"