Poetry describing Diaojiaolou in Chongqing

1. Poems about Diaojiaolou in Chongqing

Poems about Diaojiaolou in Chongqing 1. What are the poems about "diaojiaolou"

1. "The Diaojiao Tower in Yanjiao Temple" "Living in the Zhucao Building" Year: Song Dynasty Author: Lelei Faluo took off his embroidered clothes at the head of the river, and returned to Xiejiachi, a vanilla garden.

Wherever the jade tree is buried today, the melancholy monk’s room recognizes the poem. 2. "Qixiang Huitiaolou" Year: Sui Author: Anonymous The name of the hometown is Yu Zongtao, who maintains his filial piety.

The victorious Suqiu returned to its own temple. Duan Wei Baichang, the sound ring seven schools.

All nations are looking forward to it, and the heavens are like heaven. 3. "Dengjiang Tower" Year: Song Dynasty Author: Anonymous. It has passed the Qutang Dynasty and there are fewer people left. The boat chat is related to the ancient Kuizhou.

Before the three-year dream came true in the book, I first searched for the Hundred-foot Tower. At dusk, snow and clouds confuse the mouth of the gorge, and the fire shines at the critical moment when the year is poor.

Savages don’t understand the shackles of a small official, so they should come here to relieve their worries with wine. 4. "There are many quatrains about climbing the diaolou, and the ones that can be recorded are chosen based on their rhymes." Year: Song Dynasty Author: Dai Fuxu The hard work is not as good as leisure, and the world is compared to the dream world.

The sky and the old man are here to enjoy. The first floor is full of wind and moon with two mountains. 5. "Climbing the Diaolou in Guilin and Rhymes Between the Pillars by Li Shuai" Era: Song Dynasty Author: Li Zengbo Who said that the south is far away from Wang Ji, and the green mountains are always poetic.

The Queen of Gui is in front of the plum blossoms, which is pure and beautiful. She leans against the building but feels that it is the autumn season. Diaojiaolou, also called "diaolou", is a traditional residence of the Miao, Zhuang, Buyi, Dong, Shui, Tujia and other ethnic groups. There are particularly many stilted buildings in southeastern Chongqing, northern Guangxi, western Hunan, western Hubei, and southeastern Guizhou.

Most of the stilt houses were built according to the situation of the mountains and rivers, in the shape of a tiger sitting, with "green dragon on the left, white tiger on the right, red bird in the front, and Xuanwu in the back" as the best place to sit. Later, the orientation became more important, or sitting west to east. , or sit east to west. Diaojiaolou is a stilt-style building, but it is different from the stilts generally referred to.

The stilts should all be suspended, so the stilt building is called a semi-stilt building. The most basic architectural feature is that the main house is built on the ground. Except for one side of the wing room, which is connected to the ground and is connected to the main house, the other three sides are suspended and supported by pillars.

There are many benefits to a stilted building. The elevated ground is ventilated and dry, and can prevent poisonous snakes and wild beasts. Debris can also be stored under the floor. Diaojiaolou also has distinctive national characteristics. The elegant "silk eaves" and wide "walking rails" make the Diaojiaolou unique.

This type of stilted building has more successfully got rid of primitiveness than "railings" and has a higher cultural level. It is called the "living fossil" of Bachu culture. Diaolou Culture Walking into the Wuling Mountains, if you pay a little attention, you will find that the stilted buildings are dotted on the lush hillside, beside the clear river, or on the edge of the dam formed by the Tujia people.

These stilted buildings are like crystal stars scattered in the vast mountains and rivers. When stilted buildings continue to appear in Wuling Mountain, these beautiful natural landscapes immediately become humanistic landscapes, and the land that has been silent for thousands of years immediately become vivid. Just like singing and dancing are to this nation, if there is no Diaojiaolou, the land will be dim and the nation will lose a lot of vitality. Therefore, Diaojiaolou has always been the star that decorates the life of the Tujia people.

Suspended leg form 1. Single hanging type This is the most common form. Some people call it "one-head hanging" or "key head". Its characteristic is that only the side rooms on one side of the main house are suspended in the air, supported by wooden pillars below.

2. The double-suspended type is also called "double-headed crane" or "zuojikou". It is a development of the single-suspended type, that is, there are wing rooms suspended from both ends of the main room. Single-suspended and double-suspended types are not determined by geographical differences. They mainly depend on economic conditions and family needs. Single-suspended and double-suspended types are often located in the same place.

3. The Siheshui style stilted building is developed on the basis of the double-slung style. Its characteristic is that the upper parts of the stilted building in the wing rooms at both ends of the main house are connected into one, forming a A courtyard house. The main door is at the downstairs of the two-bedroom house. After entering the main door of this kind of courtyard house, you have to go up a few stone steps to enter the main house.

2. Commentary on Diaojiaolou in Chongqing

Chongqing is built on mountains and surrounded by two rivers.

Due to the terrain, all buildings need to be built sequentially along the hillside.

When it comes to the "houses" of Chongqing people, we have to mention the famous and distinctive building - Diaojiaolou.

Since the Yangtze River and Jialing River cross the urban area, they create two rivers and four banks. Therefore, everywhere along the riverside and hillside in Chongqing, there are square wooden buildings supported by a few fir poles, which are called stilted buildings.

As a unique traditional residential form in Chongqing, stilt houses can be traced back to before the Eastern Han Dynasty. At present, most of the residential buildings on stilts preserved in Chongqing were built after the 1930s and 1940s.

Old Chongqing people will never forget Linjiangmen, Shibanpo, Hualong Bridge, Houci Street, Chuandaoguai and other stilted buildings with the characteristics of southwest China's residential areas. Chongqing's stilted buildings have unique characteristics, just like the famous saying of Li Tiaoyuan, a famous scholar in central Sichuan: "The two ends of the stilted building are lost in Chuanxindian, and the three sides of the stilted building face the river." The uniqueness of Chongqing's Diaojiaolou is the most beautiful place. I remember the stilted building in my childhood memory. In the evening, when the sun sets, the golden and soft sunlight shines on the undulating buildings scattered high and low. With the lights, I look from a distance: on the hillside, sometimes it is bright, sometimes it is dazzling, and sometimes it is faint. , just like a freehand painting of flowing landscapes, with shades of light and shade; in the river, the waves are sparkling, like pearls, with groups of twinkling lights connecting both sides of the river, enlivening the entire city.

The stilted buildings in Chongqing reflect the tenacious will of Chongqing people. While the courtyard houses reflect the grandeur and stability of Beijingers, and the Shikumen buildings reflect the sophistication and openness of Shanghainese, Chongqing's stilted buildings can highlight the unique spiritual charm of Chongqing people.

Since Chongqing has many mountains and land is in short supply, our ancestors relied on the mountains and adapted to local conditions. They used wooden slats and bamboo squares to suspend fictitious houses to take advantage of the situation of "the sky is flat and the earth is uneven". The steep walls cantilevered to "borrow the sky" Without borrowing land, we added roofs, built shuttle houses, and built buildings one after another on the hills. These stilted buildings are either pierced structures or bundled structures, and are very crude.

Looking from a distance, if you are alone in a room, it is crooked and swaying, as if it will fall down if the wind blows. If they are in a row, you squeeze me and I lean on you, holding hands, shoulder to shoulder, embodying a kind of team spirit.

Chongqing people have lived in stilted buildings like this for two to three thousand years. In the event of a flood, the water will overflow; in the event of a landslide, the soil will wash away; in the event of wind and rain, the wind and rain will blow.

Year after year, people are constantly resisting nature, defeating it time and time again, and building the stilted building stronger and stronger. The simple stilted building is a shelter built by Chongqing people for thousands of years under poor economic conditions and making full use of natural conditions. It best reflects the tenacious spirit and indomitable will of Chongqing people.

Chongqing’s Diaojiaolou is the cultural heritage of Bayu. Nowadays, large tracts of stilted buildings no longer exist. As a characteristic of Bayu folk houses in mountain cities, stilted houses have gradually formed a unique stilted building culture and are a beautiful landscape in the bustling city.

The renovation of old houses in Shibanpo, the urban balconies in Hongyadong, etc. all reflect the charm and culture of Chongqing Diaojiaolou. The wooden slats turned into stone, the bamboo walls turned into brick walls, and the cornices and walls were carved with dragons and phoenixes, like a necklace inlaid on the neck of a modern city, emitting streams of shining light.

These buildings, either attached to the cliff or on stilts, have the feeling of "flying over the cliff" and are like a humanities and art museum. They constitute the unique residential style of Chongqing, a graceful mountain city, and fully demonstrate the unique residential style of Chongqing. Human wisdom has enabled the unique ancient buildings in Bayu to be reasonably protected, and the history, culture, customs and customs to be effectively continued and passed down in modern life. With the development of the economy and the progress of civilization, the living environment of modern buildings has become more technological, comfortable and beautiful. The simple stilted building can no longer become a house for Chongqing people to live in. It can only be regarded as an ecological symbol for people to appreciate and review.

Diaojiaolou has become a historical witness of Chongqing’s urban development.

3. What are the sentences describing the stilted buildings?

1. The wooden buildings in the ancient town are basically stilted buildings.

2. The houses facing the river are all stilted buildings. The local people are simple and friendly. There are several religious buildings in the ancient town such as "Fuxing Tower" and "Guanyin Temple".

3. When Han Sheng and the old woman returned to the stilted building on the hillside, they smelled the fragrant aroma of wine from afar.

4. Diaojiaolou was once a symbol of residential buildings in western Hubei and can be seen everywhere.

5. The boat docked on the shore, and the stilted buildings by the lake were singing and dancing. There were women wearing heavy makeup and beauties without makeup.

6. The stilted building is built entirely of wood using ancient mortise and tenon techniques. The doors, windows, screens, piers, sills and other components in the building are all from folk houses in the Three Gorges area, making them authentic Tujia architecture. .

7. The mountains surrounding the Miao Village are green, and row upon row of stilted buildings sleep in the arms of the mountains.

8. Standing on the stilted building and looking out, you can see the vast misty waves of the Apeng River and the endless mountains in the distance.

9. The gentle hillside is inlaid with patches of pink buckwheat fields, the roadside is paved with green highland barley land, and the fence made of logs leads along the winding dirt road to the distant place. Primitive forests, Tibetan-style stilted buildings are scattered along the roadside, and in the light blue smoke of brewing milk tea, cattle and sheep appear and disappear... The whole atmosphere presents a medieval rural atmosphere.

10. The river water at Chaotianmen Pier, which has been turbid for thousands of years, is still turbid, and the stilted buildings, which have been damp and dark for thousands of years, are still damp.

11. The outermost column of each row of columns is connected from top to bottom to the foundation of the upper house to form a hanging column, hence the name "diatilized building".

12. Diaojiaolou, also called "diaolou", is a traditional dwelling of the Miao (Chongqing, Guizhou, etc.), Zhuang, Buyi, Dong, Shui, Tujia and other ethnic groups. It is located in southeastern Chongqing, northern Guangxi, and There are particularly many stilted buildings in western Hunan, western Hubei, and southeastern Guizhou.

13. Most of the stilt houses are built according to the situation of mountains and rivers, in the shape of a tiger sitting, with "green dragon on the left, white tiger on the right, red bird in the front, and Xuanwu in the back" as the best place. Later, the orientation was paid attention to, or sitting West to east, or east to west.

14. The stilted building is a stilt-type building, but it is different from the stilts generally referred to. The stilts should all be suspended, so the stilt building is called a semi-stilt building.

15. In the past, stilted buildings were usually roofed with thatch or fir bark, and some were also roofed with stone slabs. Nowadays, most stilted buildings in western Hubei are covered with mud tiles. The construction of stilted buildings is a major event in the lives of Tujia people.

4. What are the essays about Chongqing's Diaojiaolou?

When talking about the "living" of Chongqing people, we have to talk about Diaojiaolou.

It is said that Li Tiaoyuan, a famous scholar in Sichuan, came to a small village one day. There is a cross-street building in that rural farm, and there is a hotel downstairs.

Li Tiaoyuan went into the store and drank several large bowls of wine. He was so drunk that he was dizzy, shaking his head and reciting poems for fun. The shopkeeper recognized him, and said to him deliberately: "I will make a couplet, and if you match it, you will get free wine money; if you don't match it, you will pay twice as much. How about it?" Li Tiaoyuan said: "Please Out.

"The shopkeeper wrote the first couplet: "The two ends are lost in Chuanxin Shop." Li Tiaoyuan thought for a long time, but he couldn't make it, so he had to accept the punishment.

When he walked out of the Chuanxin store and came to the entrance, he saw a few fir poles supporting a wooden building on the cliff by the river. The breeze blows, the mind is clear, "Three sides face the river on stilted buildings", a good couplet comes out casually, but it's a pity that it's too late, I can only sigh with regret.

The stilted buildings in old Chongqing are more distinctive than the ones Li Tiaoyuan saw. The Yangtze River and the Jialing River pass through Chongqing, and the city has two rivers and four banks.

So, on the cliffs by the river, there were square wooden buildings supported by a few fir poles everywhere. If you are alone in a room, from a distance, it looks like a birdcage, crooked and swaying, as if it will fall down when the wind blows.

If they are in a row, you are squeezing me and I am leaning on you. It seems that as soon as they are separated, they will all fall down. However, whether it is alone or in a row, there are floods every year. The water comes up and covers its feet. No matter how hard it is pushed or shaken, it just chirps a few times and grits its teeth to persist.

The flood had no choice but to recede and wait until next year to come again. If the flood is too fierce and destroys or even sweeps away that room or row of stilted buildings, as soon as the water recedes, people will rebuild it in the same way as before, and it may be stronger.

Just like that, year after year. Diaojiaolou reflects the will of Chongqing people from one side, which is obviously very different from the courtyard houses that reflect the grandeur and stability of Beijingers, and the Shikumen buildings that reflect the sophistication and openness of Shanghainese.

Although the number of stilted buildings in the main urban area of ??Chongqing has been decreasing day by day, the tenacious spirit of Chongqing people reflected in the stilted buildings still exists.

The author lived in a stilted building for a long time when he was a child, and is well aware of the harsh living conditions in stilted buildings.

A wealthy family lives in one building, with the downstairs used as a kitchen, a pigsty, etc., the first floor on the street as a facade selling daily necessities, oil, salt, sauce, vinegar, candies and pastries, and the upstairs as a bedroom. . If several families live in one building, each family often only has a few or a dozen square meters of room. After installing two beds, there is no place to turn around.

Back then, the author’s family lived in a stilted building in Chaotianmen, with a family of five living in only about ten square meters. The door of the house faces the rock wall, and one enters and exits through a dark, damp and dirty dark alley.

It was a three-story stilt building, and the lower floor was flooded almost every year. The upper floor is accessible from the street. It is slightly wider, but five or six families live there.

The stilted building is either a threaded structure or a bundled structure. The stairs are always creaking and the floorboards are always shimmering. A few bright tiles let the skylight into the house, making the upstairs look warm and mysterious.

Some stilted buildings have a balcony facing the river as a place to dry clothes, rest and entertain, but the balcony is not only narrow, but also extremely unsafe. None of the stilted buildings in Chongqing has toilets or kitchens.

Placing a wood stove or a coal stove in front of your home with a few bricks underneath for insulation is still very dangerous. Therefore, there are many fires in Chongqing.

Looking at the major events in the "Chongqing Municipal Chronicle", from the Qianlong period of the Qing Dynasty to the eve of liberation, there was a huge fire almost every four or five years, burning half of the city. In the "September 2" fire in 1949, an old woman accidentally ignited the firewood in front of the stove. As a result, it burned for several days and nights, turning the Chaotianmen, Dongshuimen, and Qiansimen areas into ashes, and countless families were destroyed. ! But Chongqing people have lived in this kind of stilted building for two to three thousand years! As there are fewer and fewer stilted buildings, people continue to call for their protection and even for restoration.

The author believes that it is okay to leave some typical stilted buildings as cultural relics, but there is no need to let people continue to live in stilted buildings. That kind of simple stilted building is a shelter built by Chongqing people for thousands of years under poor economic conditions and making full use of natural conditions. It best reflects the tenacious spirit and indomitable will of Chongqing people.

With the development of the economy, such stilted buildings can no longer become houses for Chongqing people to live in. Instead, they can only be imitated and built as an ecological symbol of architectural form for people to watch, review and understand us. The tenacious spirit and indomitable will of our ancestors. .

5. Verses praising Chongqing Garden Expo

To the north of Chongqing, on the shore of Longjing Lake in Liangjiang New District, there are mountains and mountains, lush forests and bamboos, and a beautiful holy land of 3,000 acres. Famous gardens all over the world are gathered here. As the saying goes: Yiping Lake fully displays the true mountains and rivers, and the peaks and ridges are all hidden. On Longjing Lake, the 800-acre mist is vast, the mist is like a veil, and the shadows of the mountains are slanted and green. Trees and red flowers bloom all over the world, garden gatherings form concentric circles, paintings are rolled into time and space as paper, light and shadow are used as pens to lightly describe the cornices, leisurely writing about roses and green grass, dragons walking through the arches, clouds and rain cut off, dams and flying dragons looking up at the smoke and clouds of Beijing, the imperial capital In the palace, in front of Wang Xietang, the swallows fly over to pay homage to the saint's hometown, Baotu Spring. Today, the elegance and elegance are better than yesterday. Sitting leisurely in the multi-storey courtyard, on the stilts, listening to Chongqing songs in the rainy night in Bashan. On the banks of the Yangtze River, in the Jingjiang Garden, playing Kun Opera " "The East Wind Breaks" The land in the middle of Anhui and the hometown of Wuhu depicts Huishan and Anhui rivers connecting famous gardens all over the world. People travel to the Chinese hometown in the painting. The gate of the garden that has been famous for thousands of years, all meet here with modern technology, mainstream artistic temperament, and harmonious interpretation of European classics. The exotic customs complement each other. I look at the pavilions and pavilions and listen to plum blossoms, orchid, silk and bamboo climbing on the Chongyun Tower. The copper bells are melodious in the rain, and the spring rain and lotus dew are as far as the eye can see. The lotus flowers in the fields are swaying into the dreamy wind corridor, and the mountains and rivers Picturesque green mountains and thatched cottages, unique scenery under the twin pavilions and waterfalls, the sound of the waves is still flourishing in the garden, autumn water on the solitary mountain and snow-covered plateau, the mellow Tibetan flavor of Chang'an, the lingering fragrance of the prosperous Longjing Academy, and the long history of Jingzhou City. The hometown of Bao Gong, the hometown of the political master and the Han Dynasty, listens to the joys and sorrows of the world, time and space, the garden is a place of humanities and cultural relics, hidden in the youth of hundreds of generations, the fragrance has been infused for a long time, Taoism is natural, the garden becomes four seasons, spring, summer, autumn and winter, and it is beautiful every week while boating on the blue waves. Above, when you are in the gallery, the mountains are endless and the water is endless. The body has not moved but the mind is far away from the Chongqing Garden Expo. It aspires to become the "Garden of Ten Thousand Gardens". Once you have enjoyed the event, the garden will last forever.

6. A 180-word essay on Diaojiaolou in Chongqing

At the intersection of the Yangtze River and the Jialing River and along the coast, a unique local architectural wonder - Chongqing Diaojiaolou blooms.

Since ancient times, Chongqing has been a place where the Ba people live. In the struggle against nature for generations, the Ba people rely on mountains and rivers, live by water, and climb cliffs to build houses. According to the "Huayang Guozhi" of the Eastern Han Dynasty, Chongqing's "terrain is rigid and dangerous" and "all the buildings are surrounded by houses with beautiful views", which shows that stilted buildings have existed since ancient times and have a long history.

Diaojiaolou is a balustrade-type building, completely built on the mountain. From a distance, some of them are overhanging, and some are staggered. They are light and strong yet majestic. They follow the trend and rise and fall. Stand proudly at the mountains and water amid the whirling green shadows, and enjoy the beauty of nature. When building a stilted building, wooden piles were erected according to the terrain, and the floor slabs were placed on them as the foundation of the house. The front half of the house was held up, and the cliff for the back half was dug into the flat.

The structure uses smaller fir trees, which directly connect the purlins and rafters on the column heads, and are planted densely into rows. Slots are made to connect the falcon, and wood is inserted through the canopy. The walls are surrounded by wooden boards, stone slabs, or bamboo fences and plastered with plaster.

The house has a simple structure, flexible bays, and an amorphous shape. The random architectural symbols are full of simplicity and natural meaning, and the contours of the house are subtle and beautiful. The group of stilted buildings that follow the slope form a wonderful linear road space, which is narrow and deep, like a maze. Wandering in it, you can see different scenery and various styles as you move.

Inside the alley, it seems to be the end, but when you turn around, it turns out that there are dark trees and bright flowers, and there is another world. The lower part of the stilt building is elevated to form a void, and the upper part is enclosed to form a solid body. According to the ancient Feng Shui aesthetic theory, the void is yin, the solid is yang, the void is soft, and the solid is hard, which makes it form an architectural form that combines virtuality and reality, yin and yang, and hardness and softness.

As a result, stilted buildings are native to the natural landscape and laid out on the slope walls. The layers are stacked on top of each other to form a continuous piece, which does not occupy the dampness and allows you to enjoy the bright sunshine and full of vitality.

Chongqing stilted buildings do not follow the construction rules of official architecture. They are not constrained by the shape of the frame. There is no primary or secondary distinction between "main room" and "side room". They follow the slope and ridge, follow the curve, and are functionally satisfactory. The usage requirements are that the structure meets the needs of firmness, the space is compact, the opening and closing is random, the division is natural, the layout is flexible, the scale is pleasant, and it is ever-changing in the "Tao follows nature", forming a diverse style. Diaojiaolou originated from the countryside. It was originally in its original color without any red paint. Although it is rough but delicate, it is simple but light in appearance, simple and generous, dignified and elegant.

The building materials are locally sourced, and the original ecological landform and vegetation environment are maintained during construction, which makes them like lines of beautiful lyrical poems, randomly scattered among the mountains and rivers, twinkling. The brilliance of harmony and unity between man and architecture, architecture and nature. Living poetically is the highest state of modern living concepts, so the vernacular stilted building is a good example of this pursuit.